Wild Horses / by Francis, Dick, 1920-2010, author 376665

“…Movie director Thomas Lyon came to Newmarket to rake the ashes of an old Jockey Club scandal for a new Hollywood film. …”

Can Estamira talk?: The Brazilian documentary and the voice of the subaltern by Marco Aurélio de Souza

“…My reading of Estamira’s discourse situation, therefore, aims at questioning the possibility of the intellectual person, represented by the movie director in this case, to give voice to the subaltern through his productions and representations. …”
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The Iconography of John Ford's Westerns by Irina Chirica

“…This paper follows the way in which the filmography of the movie director John Ford presents cultural icons. We discuss the symbolism of these images and their cultural significance in the larger context of the West as a cultural area and American culture in general. …”
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Taxi para Tres: un filme santiaguino by Orlando Lübbert

“…From his architectural background, Orlando Lübbert, the movie director, looks at its main characters as they deal with a less apparent one, the city itself the place where the action unfolds…”
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<i>La Celestina</i> in the Spanish Cinema of Democracy. Adaptation, Censorship, and Reception of the Cinematographic Recreation of Gerardo Vera by José Eduardo Villalobos Graillet

“…This article examines, firstly, the personal, creative, technical obstacles and the censorship that movie director Gerardo Vera and his cast went through before, during, and after filming the movie La Celestina (1996). …”
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The Concept of Place in the American West by Irina Chirica

“…Then we discuss the reflection of the West in the visual arts (the major landscape painters and in the work of the western movie director John Ford). We bring arguments to support the idea that the West is a construct of human experience and a cultural concept, more than a “place”.…”
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Transnational Political Islam by Anas Malik

“…Prominent anti-immigrant right-wing movements, such as those led by Pim Fortyn (the Netherlands) and Jean-Marie Le Pen (France), have seen their perspectives enter and influence mainstream politics. Recently, Dutch movie director Theo van Gogh was murdered by a Muslim on the grounds that he had demeaned Islam. …”
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The fantastic and the devil in Edgar Allan Poe and Federico Fellini by Alessandra Camila Santi Guarda, Lourdes Kaminski Alves

“…It is sought to, therefore, analyze the way in which the tale written by Poe –  the acclaimed author who wrote some of the most relevant books in the fantastic genre defended by Todorov in books such as “Introdução à Literatura Fantástica” (2008) and “Os Gêneros do Discurso” (2003) – is represented by the italian movie director. It is also reflected upon the concept of loyalty in the field of Interarts Studies, and the misrepresented views the common folk has of the works called “adaptations”, works which are based in a hierarchical tradition of the arts. …”
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Exploring the Relationship Between Viewer Experience and Movie Genre – A Study Based on Text Mining of Online Movie Reviews by Urszula Świerczyńska-Kaczor

“…These factors relate to, for example, the product features (e.g. the recognized movie director, movie stars, soundtrack, and the historical context of the plot), and different touch points (e.g. movie distribution channel). …”
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O Pagador de Promessas and Madame Satã: filmic photography and the spectator by Manoelle Fuzaro Gullo, Salete Paulina Machado Sirino

“…In a movie, the direction of photography is in charge of turning the ideas of a script into reality, from the aesthetic concept defined by the movie director. The choice for lighting, takes, angles and the movement of the camera aim the construction of the filmic narrative as well as its comprehension by the spectator. …”
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The photographic edition as a visual narrative construction<br> A edição fotográfica como construção de uma narrativa visual by Fernanda Jansen Mira Catanho

“…This article, based on the concept of intellectual montage, developed by russian movie director Sergei Eisenstein, works in the premises that the photographic edition may be responsible for the construction of a visual narrative. …”
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Enseigner le FLE avec deux œuvres portant deux regards sur la francophonie: le film Chocolat de Claire Denis et le roman Allah n’est pas obligé d’Ahmadou Kourouma by Clotilde Barbier

“…The colonizer and the colonized: Chocolat by Claire Denis and Allah n’est pas obligé by Ahmadou Kourouma In this paper, we will present the use of two works of art in a FFL class that will allow us to deal with intercultural realities and otherness inherent to French-speaking countries: an African literary work written in French, Allah n’est pas obligé by the Ivorian writer Ahmadou Kourouma, and a cinematographic work, Chocolat by the French movie-director Claire Denis. Through these two works, we will propose a pedagogical approach to discover and analyze the linguistic and cultural phenomena that African French-speaking countries represent nowadays in our teaching practice. …”
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Enseigner le FLE avec deux œuvres portant deux regards sur la francophonie: le film Chocolat de Claire Denis et le roman Allah n’est pas obligé d’Ahmadou Kourouma by Clotilde Barbier

“…The colonizer and the colonized: Chocolat by Claire Denis and Allah n’est pas obligé by Ahmadou Kourouma In this paper, we will present the use of two works of art in a FFL class that will allow us to deal with intercultural realities and otherness inherent to French-speaking countries: an African literary work written in French, Allah n’est pas obligé by the Ivorian writer Ahmadou Kourouma, and a cinematographic work, Chocolat by the French movie-director Claire Denis. Through these two works, we will propose a pedagogical approach to discover and analyze the linguistic and cultural phenomena that African French-speaking countries represent nowadays in our teaching practice. …”
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“Clubs aren’t like that”: Discos, Deviance and Diegetics in Club Culture Cinema by Simon Andrew Morrison

“…How, for instance, can a key component of this subcultural terrain—drug consumption—be effectively illustrated through the devices of the movie director? By providing textual analysis of two recent, and similarly titled, North American productions—<em style="mso-bidi-font-style: normal;">Ecstasy</em> (dir. …”
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IRACEMA IN CINEMA AND THE DESIRE OF THE REAL by Marcos da Silva Coimbra

“…This work wishes to understand the discursive strategies used by the movie directors Jorge Bodanzky and Orlando Senna, from the expansion and the subversion of the native indianist theme of Iracema, based in the work of Jos de Alencar, for using filming methods that would allow that the Brazilian scene of the time would be boarded in its completeness and without ornaments, also allowing the fiction and the documentary to stand together in a play that gives a lot of freedom to the characters, assimilating also random events.…”
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¿Y vos con quién tocaste?: notas sobre un film inconcluso sobre jazz, literatura e improvisación by Edgardo Dieleke

“…He himself was participating in it, together with musicians, movie directors and friends, after his definitive comeback to Buenos Aires. …”
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L’intertexte cinématographique de la sociologie. Contribution à une réflexion sur les relations entre sociologie et fiction by Laurence Ellena

“…The proposed article aims to describe and analyze the relationship that sociologists have with fictional cinema through their references to movies, directors or fictional characters in their texts, and to question this use in placing it within the framework of the sociological method while pointing out the epistemological questions that it raises. …”
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Digitalni zalogaji: hrana kao spektakl na društvenim mrežama / Digital Bites: Food as a Spectacle on Social Networks by Danica Čigoja Piper

“…Is food becoming spectacle that every user of social networks can direct like, let’s say, movie directors do? Is the value of photographed food symbolic or it has its utility value? …”
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Terzo Veneto, Terzo paesaggio. Indagini antropologiche su ambiente e ambientalisti in Veneto by Nadia Breda

“…<div class="page" title="Page 1"><div class="section"><div class="layoutArea"><div class="column"><p><span>A depiction of the Venetian environment and of its transformations, through the voices of Venetian protagonists, analyzed by the anthropological point of view: environment activists, people of the civil society, writers, movie directors, industrials, administrators, urban planners. …”
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香港电影之底层空间叙事 = Hong Kong movie : the narration of the lower class' living space by 吴金霏 Ng, Jin Fei

“…Furthermore, through the portrayed living spaces and characters in Hong Kong movies, this paper evaluates how movie directors tend to combine their personal local experience and imaginations to interpret and present the lower class' living space; as well as how they depict the importance of the lower class to the overall Hong Kong society. …”
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