Vida Americana: Mexican Muralists Remake American Art, 1925–1945 by James Oles

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As brigadas muralistas da experiência chilena: propaganda política e imaginário revolucionário The muralistic brigades from chilean experience: political propaganda and revolutionary imaginary by Carine Dalmás

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História, arte e política: o muralismo do boliviano Miguel Alandia Pantoja History, art and politics: the muralism of the Bolivian Miguel Alandia Pantoja by Everaldo de Oliveira Andrade

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Le muralisme des années 1930 et 1940 dans les pays du Río de la Plata by Jacques Poloni-Simard

“…So, with these four muralist programs analyzed, some of the main questions of the Latin American modernism are approached: the “national art”, the American horizon, the utopia of a "art for all".…”
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The Atlántida of Capitalism. The murals of Sert in the decorative programme of New York’s Rockefeller Center by Jorge Latorre-Izquierdo, Marcos Jiménez-González, Clare-Elizabeth Cannon

“…Rockefeller Jr. made of them in his emblematic urbanistic ensemble, and also the peculiar reading that the Catalan muralist made of these themes of Atlantis in relation to capitalism.…”
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Images de la Révolution dans l’œuvre de Jorge González Camarena by Marie-Pierre Ramouche

“…This article intends to analyze the representations of the Mexican Revolution in the work of the muralist painter Jorge González Camarena. Member of the second generation of Muralists, Camarena succeeded in creating a style which made the most of mural art but, at the same time, enabled him to serve the official speech which had a tendency to simplify and mystify the Revolution’s history.…”
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De sueños y pobreza en la cultura visual mexicana, 1930-1960En torno a “El sueño de los pobres” de Lola Álvarez Bravo by Paul-Henri GIRAUD

“…After highlighting the different intention of the muralist and the photographer, the article studies another picture by Lola bearing the same title but with a different tone, compares it with contemporary pictures by other photographers, and, finally, with another picture by Lola on the same theme. …”
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Public Art, Representation, and Questions of Revising the Past by Jenny Roesel Ustick

“…There is a paradox in my development as a muralist: my significant experience while being affiliated with and working on behalf of a prominent community-based non-profit arts organization, where I repeatedly faced constraints upon the content and attitude of the work being created, earned me the notoriety and reputation that facilitates for-profit work that critiques design-by-committee at best, and malignant censorship at worst. …”
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Culture-s matter-s. Habitants-artistes, institutions et gentrification : le cas d’un quartier d’immigration mexicain de Chicago by Aline Hémond

“…Through an ethnography of social and artistic actors mostly conducted in 2019, this piece proposes first to study the community practices of immigrant artists, especially in muralist art. Then the analysis focuses on the accelerated gentrification process in this district. …”
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A hydrodynamic instability is used to create aesthetically appealing patterns in painting. by Sandra Zetina, Francisco A Godínez, Roberto Zenit

“…David Alfaro Siqueiros, a recognized Mexican muralist, invented an accidental painting technique to create new and unexpected textures. …”
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AVANT-GARDE MEXICAN REVOULTIONARY NATIONALISM: UNIVERSALIZATION OR COSMOPOLITANIZATION ? DAVID ALFARO SIQUEIROS’ “THREE CALLS…” AND MANUEL MAPLES ARCE’S ACTUAL NO. 1 (1921)... by David Murrieta Flores

“…Resulting from the ideological milieu of the Mexican Revolution, these texts contain distinct proposals to think about the place of the nation within an international context, after the successful entry of Mexico to modernity via revolution. In the muralist Siqueiros’ case, to think the Mexican nation implies a process of what he calls ‘universalization’, and which is driven primarily by a classical understanding of the ‘natural order’ and a specific relationship to the past. …”
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Marcel-Lenoir et la fresque by Marie-Ange Namy

“…Indeed, this prolific artist, jeweler in its infancy then miniaturist, engraver, painter and muralist, has to be a certain age, with critics, historians, writers, artists, and photographers. …”
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Talking walls and figurative polyfony in Buenos Aires by Maria Pompeiana Iarossi

“…</p><p>The language adopted by these figurations can be traced back to two distinct iconographic traditions: the muralist one, widespread throughout Latin America, and that of the <em>fileteado porteño</em>, a decorative style typical from Buenos Aires, recognized since 2015 as Intangible Heritage of Humanity.…”
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Philosophy of Contemporary Environmental Design in view of Antonio Gaudi Artifacts by Eman AL Banna, Mohamed Saad

“…Gaudí proved that he was a true environmental Artist as well as being architect, sculptor, urban planner, applied artist , product and interior designer, landscape coordinator, Pottery artist and Muralist. He intervened with his philosophy in every single detail of his artifacts. …”
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FATES OF RUSSIAN ART IN THE YEARS OF REVOLUTION AND CIVIL WAR (PECULIARITIES OF A.A. RYBNIKOV’S CREATIVE WORK) by Galina V Aksenova

“…Russian artist Alexei Rybnikov began his career before the revolution of 1917 as a painter, book designer and muralist.Like many other representatives of this profession, at first he became an officer of the People’s Commissariat for Education, then an employee of a museum. …”
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Saturnino Herrán’s portable murals: symbolism, material agency and conservation by Nathael Cano, Oscar G. de Lucio, Miguel Pérez, Alejandro Mitrani, Edgar Casanova, José Luis Ruvalcaba Sil

“…Results from this work allowed us to understand the production context, painting technique, and conservation state, thus providing insights for the proper conservation of these murals, while also unveiling a new perception of the artist and his historical place among the muralist movement.…”
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Mass Spectrometric and Synchrotron Radiation based techniques for the identification and distribution of painting materials in samples from paints of Josep Maria Sert by Lluveras-Tenorio Anna, Andreotti Alessia, Bonaduce Ilaria, Boularand Sarah, Cotte Marine, Roqué Josep, Colombini Maria, Vendrell-Saz Marius

“…This analytical approach has been used to study samples from Catalan paintings by Josep Maria Sert y Badía (20^th century), a muralist achieving international recognition whose canvases adorned international buildings.…”
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Muralismo en Cile: texto y contexto de su doscurso estético by Pedro Emilio Zamorano Pérez, Claudio Cortés López

“…Estos antecedentes motivan la aparición de un interesante movimiento de pintura muralista en el país<br>Mural painting has been very relevant to the history of the visual arts in Latin America in the Twentieth century.The focal point of this movement has been in Mexico where great artists such as Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros have stood out.These painters put forward an art for public places, mainly in buildings, where diverse elements such as avant-garde political ideals, the country's recent revolutionary history, and social aspects of the local culture are brought together without relinquishing an elevated level of aesthetic discourse.This movement has had a great influence on Chilean painting;first, due to the presence of David Alfaro Siqueiros in Chillán in 1940 , where he produced, along with large group of Chilean artists, the mural "Muerte del invasor" (Death of the invader) in the Escuela México in Chillán; and later, in the seventies, with the presence in Concepción of the Aztec muralist Jorge González Camarena who produced the important mural "Presencia de América Latina (In the presence of Latin America) located in the Casa del Arte of the Universidad de Concepción.These records motivate the beginning of an interesting movement for mural painting in this country…”
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Activismos ecofeministas en la Argentina actual. El caso de AMMurA Rosario by Caroline Prévost

“…In 2018, the Agrupación de Mujeres Muralistas Argentinas (AMMurA) conducted a study to assess the place of female muralists in the Buenos Aires art scene. The results revealed that 90 % of the murals commissioned that year by the Buenos Aires government were painted by men. …”
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As representações das lutas de independência no México na ótica do muralismo: Diego Rivera e Juan O´Gorman by Camilo de Mello Vasconcellos

“…Cet article traite des représentations du mouvement de l’indépendance mexicaine à travers l’oeuvre muraliste de deux importants peintres de ce pays : Diego Rivera et Juan O’Gorman. …”
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