A Framework for Content-Based Search in Large Music Collections by Tiange Zhu, Raphaël Fournier-S’niehotta, Philippe Rigaux, Nicolas Travers

Subjects: “…music collections…”
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Marie Cornaz, The Dukes of Arenberg and Music in the Eighteenth Century. The Story of a Music Collection by Albert Clement

Subjects: “…Private music collections…”
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Diversifying music collections by design: Responding to the needs of Iranian music researchers in North America by Houman Behzadi, Blair Kuntz

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FORMATION OF THE GENRE OF CLAVIER SONATA IN AUSTRIA: SONATAS BY LEOPOLD KOZELUCH (FROM THE MUSIC COLLECTION OF THE RAZUMOVSKYS) by SVYRYDENKO, NATALIA

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The music collection of the Brno St. James regenschori Matthaeus Rusmann and its inventory from 1763 by Michaela Ratolístková, Jana Spáčilová

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How to Create a Public (Music) Library: The Case of Nikola Udina/Algarotti and His Music Collection by Vjera Katalinić

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The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart by Samantha Owens

“…In June 1695, Maria Elisabeth Kusser offered the Duke of Württemberg her late husband's music collection, describing it as consisting partly of works "from the imperial and other electoral and princely court musical establishments, composed by the best and most celebrated Kapellmeister, and partly also by many superb Italians". …”
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Previously Unknown Sources for Johann Philipp Kirnberger’s Flute Sonatas Found in the Former Rzewuski Music Collection from Podhorce (Pidhirtsi) by Irena Bieńkowska

“… The music-related sources kept at Tarnów Municipal Library (Department of Early Prints and Nineteenth-Century Books) include manuscripts (PL-TAb 44, PL-TAb 45) which once belonged to the music collection of Wacław Rzewuski’s court ensemble in Podhorce (Pidhirtsi in Ukrainian). …”
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Inventáře hudební sbírky v Blížkovicích na Moravě z 18. a 19. století a jejich srovnání se současným stavem pramenů by Michaela Ratolístková

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Erhaltenen Musikinstrumente aus der Pfarrkirche Mariä Himmelfahrt in Kvasice im Hinblick auf museale Sammlungen in Wien und Brünn by Miroslav Lukeš

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BÉLA BARTÓK: “CONCERTO FOR ORCHESTRA”. ELEMENTS OF TURKISH FOLKLORE IN THE SOURCES OF A MASTERPIECE by Boglárka SZAKÁCS

Subjects: “…Béla Bartók, Concerto for Orchestra, Turkish Folk Music Collection, Sources of Inspiration.…”
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Chiti, Martini e gli albori della storia della musica by Arnaldo Morelli

Subjects: “…music collecting…”
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Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše by Lukáš Pavlica

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The information value of a music inventory : "Musicalien und Instrumenten" listed in Sokolov (Falkenau) in the first half of the 18th century by Václav Kapsa

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Italian music in the 17th century in the regions of Spiš and Šariš in the Evangelical Churches of the Augsburg Confession by Marta Hulková

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Kontrafakturen in der böhmischen Kirchenmusik des 18. Jahrhunderts by Milada Jonášová

“…Even the unique quintet of the three Ladies, Tamino and Papageno of The Magic flute had been transformed into an offertory. 28 contrafacta from operas of Antonio Boroni are preserved in the music collection of the Benedictine monastery in Prague in Břevnov. …”
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Imported Music Scores in the Possession of the Gozze Family in Dubrovnik by Vjera Katalinić

“…On the basis of its notes on this music collection, a link between the catalogue and the material can be established. …”
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... einem ersamen Rath verehrt : über Widmungen der Musikalien an mährische Städte ca. 1560–1620 by Hana Studeničová

“…In the case of four Moravian royal towns (Brno, Znojmo, Jihlava, Olomouc), the surprising is frequency of records about remunerations provided to composers for dedicated compositions or purchases of music collections. The dedication of compositions can be understood as a personal author's promotion; by donating their work, the composers not only achieved their own presentation and dissemination of this music collection, but also expected some financial reward for the provided gift. …”
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Entre catedrales y parroquias: un fragmento olvidado de la memoria sonora en el México del siglo XIX by John G. Lazos

“…The dioceses of Chiapas (1548) and of Tulancingo (1866) were founded at distant times and separate places. Among their music collections they share a common name, that of José Antonio Gómez y Olguín (1805-1876). …”
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Jane Austen and the Music of the French Revolution by Gillian Dooley

“…In this paper, using her music collection as a starting point, I will consider the evidence for Austen’s knowledge of French politics and culture, and her attitude to the turbulent events taking place across the Channel during her teens and early twenties.…”
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