What Language Does the French “Musical Comedy” Speak? On Some Stylistic Experiments of the Legrand — Demy Tandem by Platonova Olesia A.

“…The article is devoted to analysing the stylistic dialogue in the music of Michel Legrand to three films by Jacques Demy: The Umbrellas of Cherbourg (1964), The Young Girls of Rochefort (1967), and Donkeyskin (1971) created in the genre of “comédie musicale” (musical comedy, musical). In the first part of the article the author examines the French sources of the American musical (from the comedy-ballet Le Bourgeois Gentilhomme by Moliere and Lully to the operettas by Jacques Offenbach), which allow us to comprehend the deep connection of the genre with the European art of the past and to understand the naturalness of the appeal to the idea of the musical by Demy and Legrand. …”
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<i>«Celestina», a Tragic Music Comedy</i> by Brad Bond. Creation and evolution of a Broadway musical by Enrique Fernández

“…We edit here the libretto of the adaptation of La Celestina that, with the title «Celestina», a Tragic Music Comedy, Brad Bond authored and staged in Broadway in 1999. …”
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<i>Celestina. A Tragic Musical Comedy</i>, adaptación de Brad Bond y Jason-Michael Fiske by Raúl Romero

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Becoming musical performance artists – Challenging organisational norms and traditional Municipal Arts School structures by Cecilia Ferm Almqvist, Linn Hentschel

Subjects: “…musical comedy…”
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THE FIRST ROMANIAN THEATRICAL-MUSICAL FORMS by Radu-Ţaga Consuela

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Staging the Arctic 1819–1909 and 2014 by Heidi Hansson

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DIE ERSTEN INSZENIERUNGEN DER ROCKOPER IN DER MUSIK-COMEDY-THEATER DER UKRAINE by SCHIUKINA JULIA

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Reflecting on “Red Laughter”: English-Language Studies of Soviet Comedy / Осмысляя «красный смех»: англоязычные исследования о советской кинокомедии... by ZHURKOVA DARIA A. / ЖУРКОВА Д.А.

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Small Generators of Desire. On the Meronimic Function of Objects in Ivan A. Pyr’ev’s Cinema by Irina Marchesini

“…Drawing from the theoretical frameworks provided by the Soviet cultural studies and the so-called “gaze theories”, this study examines several films belonging to the genre of the Kolchoz musical comedy, such as Svinarka i Pastuch (1941) and Kubanskie Kazaki (1950).…”
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Shakespeare, the Musical and Political Humour in Kiss Me, Kate Revived by Gabriela Iuliana COLIPCĂ-CIOBANU

“…The present study focuses on Michael Blakemore’s turn-of-the-millennium revival for Broadway and the London stage of the 1948 musical comedy Kiss Me, Kate by Cole Porter (music and lyrics) and Bella and Samuel Spewack (book). …”
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Jazz in Soviet Cinema. The Experience of Retrospective Analysis by Rikker Natalia G.

“…There was a traceable shift from musical comedy to satirical pamphlet, from lyrical comedy to melodrama. …”
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CULTURAL POLICY OF THE USSR IN THE POSTWAR DECADE (THEATRES IN THE SOUTHERN URALS) Anna by Anna G. Aliatina, Natal'ia A. Degtiareva

“…The result was a loss of interest in theatrical productions and a decrease in the number of audience of drama and musical comedy theatres in the region. The death of Stalin followed by the party and state reorganization brought about positive changes in the functioning of the regional theatres. …”
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A study on early 20th century Tatar drama by Ramilya YARULLİNA YILDIRIM

“…In the context of the topics focused on the drama genre, new forms and subgenres of drama (e.g., melodrama, musical drama, historical drama, psychological drama, romantic drama, revolutionary drama), tragedy, and comedy (e.g., satirical comedy, musical comedy, vaudeville, farcical comedy) were explained along with literary examples. …”
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The “Montage of Attractions” in T.S. Eliot’s The Waste Land by Olga I. Polovinkina

“…The term “music hall” in the article refers to a type of theater that was represented by the English music hall, the American minstrel shows, vaudeville and musical comedy of Eliot's youth, the Parisian variety theater which he came to know intimately in the early 1910s, and revue. …”
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Penciptaan Drama Musikal Sweeney Todd: The Demon Barber of Fleet Street (Sweeney Todd:Tukang Cukur Haus Darah) by Husni Wardhana, Suharyoso Suharyoso

“…The musical drama Sweeney Todd: The Demon Barber of Fleet Street was fi rstly created from the musical comedy drama and since 1920 has shown serious themes that are well known as Broadway music or American music. …”
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A Thematic Analysis of Advertisement in the Telecommunication Industry by Esther Amah, Olaleke Oluseye Ogunnaike, Adebanji William Ayeni, Mercy Ojo

“…The findings show that the advertisements adopt emotional (love, celebrity appearance, music, comedy, humor, drama) and rational appeal to persuade the subscribers. …”
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«Purpurowy płomień»: Helena Grossówna w Operze Pomorskiej i Teatrze Toruńskim by Artur Duda

“…At the time, Grossówna was able to improve her dancing skills by performing in operas, operettas, and musical comedies. Having travelled to France, where she took classes from Matylda Krzesińska and Bronislava Nijinska (Vaslav Nijinsky’s sister), Grossówna returned to Toruń and worked as a choreographer at the Toruński Theatre, run again by Karol Benda (1930-1932). …”
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Persepsi Wisatawan Terhadap Night Life Attraction by Hary Hermawan

“…Kata kunci: pertunjukan Kabaret, atraksi malam, atraksi wisata, persepsi wisatwan, pemasaran pariwisata ABSTRACT Cabaret is a term performances of music, comedy, dance, drama, and other special mix of art perfomed by men who dressed in women (ladyboy) on stage. …”
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A star is born : Kitty Clive and female representation in eighteenth-century English musical theatre by Joncus, B

“…Chapter 4 considers Henry Fielding's Clive publicity in his musical comedies and writings for her, 1732-6. Initially, he vivified the impudent nymph of her first 1729 mezzotint through stage characters, songs and epilogues. …”