The Information Searching Behaviour of Music Directors by Martin Chandler

“…Conclusions – This research highlighted the atemporal nature of information searching behaviour in music directors and suggested a similar aspect in the broader information search process. …”
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Rethinking Leadership, or Team LEaders Are Not Music Directors by Hackman, Richard J.

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THE ROLE OF MUSIC DIRECTOR IN PROCESS OF SELECTING, EDITING, AND COMPILING SONGS OF GERONIMO THE WEEKLY TOP 40 CHART by , ANIS MIFTAKHUL ULFA, , Supriyono, SS., MA.

“…This graduating paper aims to explain about music director in Geronimo FM which focus on the analyzing the application of management function in the process of selecting, editing, and compiling music of Geronimo the Weekly TOP40 chart by music director in Geronimo FM. …”

“Even Amidst the Clash of Conflict, the Sweet Sounds of the Muses did not Fade Away Completely”: The Concert Life of the Philharmonic Society in Ljubljana in the Period of its Last Music Director Hans Gerstner by Jernej Weiss

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Musical Performance Activities of Josef Zöhrer at the Ljubljana Philharmonic Society by Jernej Weiss

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<em>Aus vergangenen Tagen</em>: The Forgotten Piano Compositions of Josef Zöhrer by Nataša Cigoj Krstulović

“…Josef Zöhrer (1841–1916) is remembered in Slovenia as a pianist, teacher, conductor and musical director of Ljubljana’s Philharmonische Gesellschaft (Philharmonic Society), but his compositional oeuvre has for various reasons remained overlooked. …”
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A Kiss for Cinderella (1925) The Importance of Historical Accuracy in Reconstructing Scores to Silent Films Based on the Mirskey Collection by Cieślak-Krupa Agnieszka

“…This article describes the historical context considered during the reconstruction and discusses the workflow applied by Nek Mirskey (Bronisław Mirski) as a musical director of movie theatres. A comparative analysis of sheet music from the Mirskey Collection accompanied by handwritten notes, original cue sheet compiled by James Bradford for the Paramount Pictures, and a digitised copy of the film, have led to conclusions that are applicable not only to Mirskey's methods of compiling scores, but also to the more general rules for the development of musical accompaniments to silent films in the 1920s.…”
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Keys for the participation of adolescents in youth musical groups: the case of choirs in Catalonia and bands in Valencia by Salvador Oriola-Requena, Diego Calderón-Garrido, Josep Gustems-Carnicer

“…Participants highly value the leadership exercised by the musical director, as well as the social-emotional benefits they obtain.…”
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Teatr Miejski we Lwowie u progu niepodległości (1918-1919) by Mariola Szydłowska

“…Stanisław Niewiadomski assisted Żelazowski as Musical Director. The new theatre management commenced their work with the intention of restoring the stage to its former glory, and their first productions met with favourable response from both the audiences and the critics. …”
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‘Il grosso pacco della musica’: The Galuppiana Consignments for August III and Count Heinrich von Brühl in Warsaw, 1757–1761 by Jóhannes Ágústsson

“…The Saxon prime minister count Heinrich von Brühl and his musically gifted daughter Maria Amalia also stayed in Warsaw during this period, as did Brühl’s secretary and musical director Friedrich August von Koenig, who arranged for the purchases from Galuppi and Baldan. …”
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Harmonic progressions of hindi songs based on North Indian Ragas by Ruwin Rangeeth Dias, Wajjakkara Kankanamalage

“…Hindi film music directors have been composing raga based Hindi film songs applying harmonic progressions as experienced through various contacts with western music. …”
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Von zaghaftem Nachhall : zur Rezeptionsgeschichte der Oratorien von Johann Joseph Fux by Thomas Hochradner

“…But the oratorios of the imperial court music director are taking a special position within the relatively hermetic inventory of the imperial ensemble. …”
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La música en las representaciones de lo latinoamericano en los primeros filmes hollywoodenses con sonido incorporado (1927-1932) by Juan Carlos Poveda

“…The rapid transition from the so-called “silent films” to the “sound films”, that took place in the late 1920s, raises questions and speculations related to the decisions and negotiations faced by musical directors, composers and arrangers of Hollywood when defining how to musically characterize Latin America. …”
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Director perspectives to equity, access, and inclusion in the school jazz ensemble by Leon R. de Bruin

“…This qualitative study of music directors investigates their approaches, perspectives and concerns regarding attitudes and practices in the teaching profession, the promoting of inclusive practices, access, and equity, amidst a pervasive masculinized performance and social structure that marginalizes non-male participation. …”
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Finding Freire: Punk, Praxis and the Quest for Spirituality in Krishnacore by Mike Dines

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Scipione impasticciato: Performing, Researching and Reviving London operas from 1730–1731 by Strohm Reinhard

“…Handel's decision-making role for the entire season as the company's music director is re-asserted, although the proposal of John H. …”
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KATALIN INCZE G.: PORTRAIT OF A COMPOSER by Krisztián KÁLLÓ

“…This study analyses the biography and work of Katalin Incze Gergely, a prominent figure in Cluj’s musical life, a composer, conductor, and music director, while also highlighting the fate and role of contemporary women composers in the musical field. …”
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Monteverdi on the modern stage by Camp, G, Gregory Camp

“…Next, audio and video evidence is used to investigate three aspects of modern Monteverdi performance in more depth, examining how stage directors have placed notions of community on stage in their interpretations of <em>L’Orfeo</em>, how stage and music directors have reshaped <em>Il ritorno d’Ulisse in patria</em> for widely varying dramaturgical and musical ends, and how singers have interpreted the role of Ottavia in <em>L’incoronazione di Poppea</em> vocally and dramatically. …”