MUSIC QUOTATION IN CONTEMPORARY NON-ACADEMIC ART: ASPECTS OF GENRE AND STYLE TRANSFORMATION by Violetta ARTEMENKO

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O som elétrico de Fausto Romitelli by Alessandro Arbo

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Geist-Theme as a Meaningful Absence of Film Music by Mikheeva Julia V.

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As características pós-modernas na obra Rimsky de Gilberto Mendes Postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes by Vera Lúcia Rocha Pedron Peres

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Musikalisches Zitat als kulturelle Assoziation. Die ästhetische Bedeutung des musikalischen Zitats in der koreanischen Musik des 20. und 21. Jahrhunderts by Hee Sook Oh

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“Stayin’ Alive in Da Club”: The Illegality and Hyperreality of Mashups by Liam Alan Maloy

“…A taxonomy of listener competence is proposed, whilst ideas of signifyin(g) and detournement are used to investigate the ironic use of musical quotation.…”
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Interaction between polyphonic motets and monophonic songs in the thirteenth century by Thomson, M

“…</p> <p>The conversion of song material for motets and vice versa is placed within a larger context of musical quotation and re-use in the thirteenth century, showing that many of these case studies play with the pre-existence of their song or motet material: some transfer their voice parts from one medium to another in a way that consciously foregrounds their previous incarnations, whereas others mask the pre-existence of the voice part by absorbing it into new textual and musical structures.…”

La rete musicale. Citazione e comunicazione in “The Crying of the Lot 49” di Thomas Pynchon by Federico Francucci

“…Exploring the intricate intertextual network underlying Thomas Pynchon’s second novel, The Crying of Lot 49, this article focuses on two musical quotations from Béla Bartók and the Beatles. Both are linked to a tangled web of further references, throwing light on the socio-cultural concerns on which Pynchon’s writing is based, that is to say the interference between Europe and the United States as a consequence of the Second World War, and the banalization of culture due to the increasingly wider networks of global communication.…”
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Review on the book: Shuldishova A.A. Alexander Blok: The Musicality of the Lyrical Image: monograph. Kyiv: Publisnig House of Dmitry Burago, 2018 by Nina V. Semyonova

“…The article verifi the author's hypothesis of diff ways by which the text acquires some qualities of music, the latter including such techniques as musical quotations and allusions, verbal music and “zero degree of verbal music”. …”
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THE QUOTATION IN TIBERIU OLAH’S “SINFONIA GIOCOSA (!?)” by Olguţa LUPU

“…Different aspects of music quotation are then considered: cognoscibility, defamiliarization, incorporation of cultural associations and meanings, visibility, position and integration. …”
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THE QUOTATION IN TIBERIU OLAH’S “SINFONIA GIOCOSA (!?)” by Olguţa LUPU

“…Different aspects of music quotation are then considered: cognoscibility, defamiliarization, incorporation of cultural associations and meanings, visibility, position and integration. …”
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“DISGRACE” BY J.M. COETZEE AS A POSTMODERN VARIATION OF THE NOVEL ABOUT A MUSICIAN by Mariia S. Pshenychna

“…Music permeates the novel at all levels of poetics, from the plot and theme to the change in narrative tone and musical quotations, which is evidence of the novel’s diverse intermediality. …”
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