One in the Dance: Musical Correlates of Group Synchrony in a Real-World Club Environment. by Melissa Ellamil, Joshua Berson, Jen Wong, Louis Buckley, Daniel S Margulies

“…Smartphone acceleration measures were recorded from participants during a music set in a dance club and assessed to identify how group movement synchrony covaried with various features of the music. …”
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The (female) situated musical body: aspects of caring by Cecilia Ferm Almqvist, Linn Hentschel

“…It concerns actions made by the girls aiming to make the social and musical setting function in agreed upon ways, namely in the form of taking initiatives, filling “gaps”, and being flexible. …”
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Traditions of German Expressionism in the Cinematography of the Second Half of the 20th – Early 21st Centuries by E. A. Radaeva

“…The common denominator of foreign and domestic films of all the genres and subgenres considered in the article was the use of a special musical setting — music that originates from the new Viennese school (in other words, musical expressionism), which also confirms the theory put forward.…”
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DEAD DRAW? AN ENCOUNTER BETWEEN KURTÁG AND BECKETT: THE OPERA FIN DE PARTIE by Bianca ŢIPLEA TEMEŞ

“…He made use of Beckett in his piece for the Hungarian singer Ildikó Monyók What is the word, then in ...pas à pas – nulle part..., always proving that sounds and words share equal importance in musical setting. With his rich experience and mastery, the 92-year old Kurtág approached his first opera, plunging into the depths of Beckett’s piece Fin de partie; he infused the theatre of the absurd with exquisite lyricism, thus enhancing the metaphorical power of the text with a refined musical discourse. …”
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L'eroe cinese von Pietro Metastasio und Johann Adolf Hasse, Warschau 1754 by Alina Żórawska-Witkowska

“…The focus of the paper is placed on the special circumstances of Warsaw staging of L'eroe cinese, then the Author deals with ideological overtones and form of the Metastasian libretto (Vienna, 1752) as well as its musical setting by Hasse (Hubertusburg, 1753), in both cases Warsaw version bearing minor differences from original settings.…”
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Zwischen Sprechen und Singen. ›Performative Formgebung‹ in den Chansons von Edmund Nick und Erich Kästner aus der Münchner Schaubude by Daniel Ernst

“…. // The idea that chansons only become suitable objects of study through being performed serves as the starting point for this essay which focusses on aspects of text, musical setting, and interpretation. Thus, performative aspects are weighted equivalently to the notated version of the chanson. …”
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Beispiele zyklischer Elemente in mehrstimmigen Lamentationen des 16. und frühen 17. Jahrhunderts by Johannes Ring

“…But the focus of this essay lies on the musical cyclus. Returning musical sets or particels of sets will serve to structure and to attach the lamentation. …”
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Celtic encounters 1993: a programme of Irish studies by Irish Studies Workshop, ISW

“…Programme of activities for Autumn 1993, including Irish studies in various subjects, Irish language, traditional Irish music, set and ceili dancing, to be held at Soar Valley College, Leicester.…”
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Neural processing of poems and songs is based on melodic properties by Mathias Scharinger, Christine A. Knoop, Valentin Wagner, Winfried Menninghaus

“…The pattern of results suggests that the neural processing of poems and their musical settings is based on their melodic properties, supported by bilateral temporal auditory areas and an additional right fronto-temporal network known to be implicated in the processing of melodies in songs. …”
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Tenuti all’impossibile by Giorgio Pestelli

“…Faced with the impossibility of translating “music” in a broad sense into words, this contribution shifts attention to “musics”, which can be talked about by identifying relationships with codified musical forms or meanings through two main categories: music set to poetic texts, and absolute music for which a context can be outlined through recurring passages. …”
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Club 555 by Chew, Jia Hui

“…Pretty ladies, pulsing lights, and electronic dance music set the stage for the world of a Thai disco in Singapore, where partying the night away is a full-time job for three of its inhabitants. …”
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Fanny Mendelssohn’s Divan by Arora, A

“…The article concludes with a <i>Stammbuch</i> presented by Felix Mendelssohn to his wife, Cécile, in 1844, which featured illustrated musical settings of the <i>Divan</i> by Wilhelm Hensel and Fanny (now) Hensel.…”

From poem to song: music and musicality in “Vou-me embora pra pasárgada” by Tiago Gouveia Faria

“…The poetry of Manuel Bandeira, object in his generation of the greatest number of musical settings, originated, from 1915 until today, more than 140 songs. …”
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‘Per desiderio di farsi onore’: Singers and the Adaptation of Arias in Italian drammi per musica of the Early Eighteenth-Century Italy by Desler Anne

“…However, the substitution of both the texts and musical settings of arias constituted the default production practice in a period in which scores were not conceptualised as fixed texts but functioned as performance materials for specific productions. …”
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Performing rustics: pastoral moments and masques in Henry Purcell’s King Arthur (1691) and Benjamin Britten’s Gloriana (1953) by Catherine HOFFMANN

“…They invite reflection on the relation between the pastoral texts and their musical settings, and raise the question of what constitutes “pastoral” music. …”
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Evaluation of Acoustic Similarities in Two Italian Churches Honored to S. Dominic by Lamberto Tronchin, Antonella Bevilacqua

“…Dominic church of Foligno and Imola, which are subject to a permanent and temporary conversion respectively, to places dedicated for listening to live music. Sets of measurements have been undertaken before the acoustical treatments in order to calibrate the digital model; in Foligno, the measurements have also been performed after the installation of the acoustical features, to check if the aims have been achieved. …”
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Vibrations: women in sound art, 1980-2000 by Ouzounian, G

“…Kubisch, best known for her works with electronics, had produced intricately detailed diagrams of how to construct and use vibrators in various musical settings.…”

By the waters of the Tiber: Viacheslav Ivanov, Aleksandr Grechaninov, and Russian culture in interwar Europe by Bullock, P

“…This article examines a hybrid literary and musical work from the interwar period: Viacheslav Ivanov’s nine Roman Sonnets (Rimskie sonety, 1924) and the musical settings that the composer Aleksandr Grechaninov made of five of these as his Sonetti Romani in 1939. …”

Bronisław Mirski - Polish Music Director of the Silent Film Era by Cieślak Agnieszka

“…He was in charge of the musical settings for elaborate artistic programmes composed of silent films as well as music and stage attractions. …”
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The growing phenomenon of Malaysian musical theatre productions with a Buddhist theme by Loo, Fung Ying, Loo, Fung Chiat, Tee, Xiao Hao

“…Analysis includes text, music, setting, costume, and an ethnographic account of the life experience of the audience. …”
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