ESPER 2, an improvised oscilloscope music set by Eric Lennartson

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The musical setting of text in Cantata no. 140 by J.S. Bach. by Malin, Laura

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Hasse's Siroe, Thirty Years Later: A Veritable Work in Progress by Mellace Raffaele

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The Relevance of a Conductor Competition for the Study of Emotional Synchronization Within and Between Groups in a Natural Musical Setting by Thibault Chabin, Grégory Tio, Grégory Tio, Alexandre Comte, Alexandre Comte, Alexandre Comte, Coralie Joucla, Damien Gabriel, Damien Gabriel, Damien Gabriel, Lionel Pazart, Lionel Pazart

“…In the future, with the implementation of an acquisition system recording synchronous neurophysiological data for a large group of participants, we may be able to highlight mechanisms involved in emotional synchronization in a natural musical setting.…”
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Commentary on: Solberg and Jensenius (2016) Investigation of 'intersubjectively embodied experience' in a controlled electronic dance music setting by Alinka E. Greasley

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Colour association to sound : a perceptual experiment using a CIELab haptic response interface and the Jyväskylä film music set by Lindborg, PerMagnus

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Das Sonett und die Musik: Poetiken, Konjunkturen, Transformationen, Reflexionen, eds. Sara Springfeld, Norbert Greiner, and Silke Leopold, Heidelberg 2016 by Antonio Chemotti

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Le compositeur se trompe-t-il? La mise en musique comme espace de dérèglement by Lucia Pasini

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The musical ode in Britain, c.1670-1800 by Trowles, T

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Demythologizing the Genesis of the Hungarian National Anthem by Katalin Kim

“…Hungary’s state anthem is the musical setting of Ferenc Kölcsey’s 1823 poem "Hymnus …," composed by Ferenc Erkel for a competition announced by the National Theater of Pest in 1844. …”
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Subjectivité et objectivité dans la mélodie française des XIXe et XXe siècles by Alain Corbellari

“…We present here a very brief history of the musical setting of French poetry by focusing on the period 1850-1950, which represents the “golden age” of the “French Song”, a genre caught between the poles of subjectivity (extreme attention to the letter of the text) and objectivity (predominance of musical structures). …”
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Piecing the Broken Golden Bowl: Dislocation and Diplomacy in Nixon in China by John Adams and Alice Goodman by Mathieu Duplay

“…In the opera, enjambments function first and foremost as literary devices; as such, they emphasize the text’s autonomy and its independence from its musical setting. On a meta-operatic level, the resulting discrepancy between words and music draws attention to the various modes of dislocation at play in an opera whose plot hinges on the acceptance of irreconcilable differences. …”
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Václav Jan Tomášeks Liederästhetik unter Berücksichtigung der Frage des Stils by Kateřina Alexandra Šťastná

“…Tomášek payd considerable attention to adequate musical setting of his chosen poems.…”
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A tradition-historical analysis of Psalm 55 by D.J. Human

“…The text of Psalm 55 will be remembered for its musical setting by Felix Mendelsohn and others and also for the fact that it is one of the most difficult psalms to analyse. …”
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Vocables and microtones in ancient Greek music by D'Angour, A

“…Since such variances could be heard in the context of microtonal music as creating wholly different musical notes, the Orestes papyrus is examined in detail to see if the enharmonic musical setting is affected in any way by principles of vowel pitch modification, with the conclusion that it is.…”

The Heinz Geyer Archive of the Sociedade Dramático-Musical Carlos Gomes, Blumenau: Cataloging and Editing by Roberto Fabiano Rossbach, Tiago Pereira

“…Based on the work developed with the Heinz Geyer Archive, this paper aims to reflect on and manage information in regards to the systematization of musical archives, as well as to contribute to make the State of Santa Catarina part of the musical setting of Brazil.…”
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An observation of a negative effect of social cohesion on creativity in musical improvisation by Adrian Kempf, Mathias Benedek, Andrea Schiavio

“…This approach highlights how, within a musical setting, creativity unfolds in the context of social contingencies as social cohesion and related factors.…”
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Engaging with Religious History and Theological Concepts through Music Composition: <i>Ave generosa</i> and <i>The Song of Margery Kempe</i> by Brian Andrew Inglis

“…In the case of <i>The Song of Margery Kempe</i>, recent scholarship on the text frames examples of the multiplication of meanings provided by dramatisation and musical setting. Art in general and music composition in particular are presented as a commentary, or gloss, on both religious history and enduring spiritual themes, and a different way of thinking about religion and spirituality.…”
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Self Representations and Music Performance Anxiety: A Study With Professional and Amateur Musicians by Claudia Castiglione, Alberto Rampullo, Silvia Cardullo

“…We predicted that higher self-discrepancies (actual vs. future self) would be associated with higher performance anxiety in a musical setting (vs. a non musical one), via musical self, and only in professional musicians. …”
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Le choix du mode musical comme geste compositionnel poético-rhétorique des monodies accompagnées : l’exemple de Giulio Caccini (c.1550-1618) by Fabien Delouvé

“…The affects were sublimated by a musical setting operating as a semantic and rhetorical counterpoint. …”
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