Perceiving Sound Objects in the Musique Concrète by Rolf Inge Godøy, Rolf Inge Godøy

Subjects: “…musique concrète…”
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From Grapefruit to Plastic Surgery: Experiments in Contemporary Musique Concrète by Brian Daniel Speise

Subjects: “…musique concrète…”
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About Electroacoustic Music: From the Beginning until Our Days by Anca-Teodora PIEPTĂNATU

Subjects: “…electroacoustic, technology, musique concrète, Theremin.…”
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"Ritratto di città": Hearing, Listening, Imagining by Anna Scalfaro

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Bidirectional Interactions With Humpback Whale Singer Using Concrete Sound Elements by Aline Pénitot, Diemo Schwarz, Paul Nguyen Hong Duc, Dorian Cazau, Olivier Adam, Olivier Adam

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La notion d’appareil empruntée à W. Benjamin, appliquée à la création musicale en studio électroacoustique, et à sa diffusion by Anne Sèdes

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Obra musical opaca: a confluência de valores da música experimental em Pierre Schaeffer e John Cage by Alexandre Sperandéo Fenerich

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Intermedialità e sinmedialità nella videoarte contemporanea: Robert Cahen e Pierre Boulez by Raffaele Pozzi

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Od ne-hudby k hudbě. Hudební využití hluku ve 20. století // From non-music to music. Musical use of noise in the 20th century by Matěj Kratochvíl

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›Schreiben‹ als Differenz von Stille und Klang. Aspekte der musikalischen Form in Helmut Lachenmanns Schreiben. Musik für Orchester by Cosima Linke

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The Concrete and the Ephemeral of Electronic Music Production by Colin P. McGuire

Subjects: “…Colin McGuire, Ronin E-Ville, DJ, DJs, deejay, deejays, production, producer, studio music, music production, composition, electronic music, electronica, EDM, digital music, digital media, digital reproduction, original vs copy, musique concrète, ontology…”
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Cruising for Burgers by Martin Knakkergaard

“…In its concrete material Uncle Meat appears both textually and musically as a close pastiche put kaleidoscopically together from unique samples of especially rock, jazz, musique concrète, pop, electronic, and neoclassic, which in unison with lyrics based on a somewhat absurd imagery depict human alienation, debasement and reification. …”
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Imaginary Video Landscape: John Cage, Mugam Music, Video Art by Gabriele, Matias Guerra

“…The essay offers a critical analysis of this artwork in relation to John Cage’s influence on video-art, the several existing versions of his musical work, Robert Cahen’s musique concrète as well as to Guerra’s multimedia approach and to the composer Jahangir Selimkhanov’s studies and music inspired by Mugam musical tradition in Azerbaigian. …”
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“The Trumpet in the Bottom” by Per Bäckström

“…In 1953, he wrote the world’s first manifesto for concrete poetry, inspired by Pierre Schaeffer’s musique concrète, and soon became a driving force in the Swedish and international neo-avant-garde. …”
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Stravinsky and Others by Timothy D. Taylor

“…The new ideology of exchangeability introduced by the rise of finance capital continued through musique concrète in the 1940s and into the rise of digital sampling in the 1980s and after.…”
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Andrey Smirnov. 2013. Sound in Z: Experiments in Sound and Electronic Music in Early 20th-Century Russia by Thomas Patteson

“…In both general histories and specialized accounts of “electronic music,” these topics are generally treated as appetizers preceding the main course, which commences promptly after World War II with the emergence of the dueling schools of musique concrète and elektronische Musik. In recent years, this narrative has been questioned and extended in a number of important ways, and the previously unsuspected depths of early twentieth-century musical technoculture have begun to be sounded.1 This is not merely a matter of quibbling over whether electronic music began in the 1950s or the 1920s; broadening the historical scope to include earlier phenomena makes for a new image of electronic music, one that highlights the social and cultural contexts that are often written out of canonic histories.…”
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The Impact of Avant-Garde Art on Brutalist Architecture by Wojciech Niebrzydowski

“…The greatest impact on brutalism was exerted by such avant-garde trends as art autre, art brut, and musique concrète. Architects were most inspired by the works of such artists as Jackson Pollock, Jean Dubuffet, Pierre Schaeffer, Eduardo Paolozzi, and Nigel Henderson. …”
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The Composition of Experience in the Musical-Holistic Art of Dario Buccino by Stefano Lombardi Vallauri

“…Buccino goes farther on the way of Karlheinz Stockhausen's "intuitive music" (about 1968-70), Dieter Schnebel's <em>Maulwerke</em> (1968-74), Helmut Lachenmann's "musique concrète instrumentale", Brian Ferneyhough's extreme demand for effort, and radicalises an approach which instead is typical of other musical genres, where form at all levels arises in composition (often extemporaneous) from the singular physical relationship of the interpreter with the instrument.…”
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“A Claim to Be Heard”: Voices of Ordinary People in BBC Radio Features by Peter M. Lewis

“…By this time a Europe-wide culture of radio feature-making had developed, influenced by the French exploration of musique concrète and the flourishing German Hörspiel, and fostered by the Prix Italia and the International Features Workshop. …”
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“Enfoncer une porte ouverte”. Madame Bovary sounds as music by Roberto Doati

“…One of the founding principles of Musique Concréte is the “reduced listening” (écoute réduit). …”
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