Amateur mythographies: Fan fiction and the myth of myth by Ika Willis

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Early Music Recordings as Mythography: Monteverdi and the ‘Other’ Vespers by Bartłomiej Gembicki

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Greek Mythography at Work: The Story of Perseus from Pherecydes to Tzetzes by Ulrike Kenens

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Variorum vitae: Theseus and the arts of mythography in Medieval and early modern Europe by Smith-Laing, T

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Le cycle thébain des Métamorphoses : un exemple de mythographie genrée ? by Jacqueline Fabre-Serris

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Margot. K. Louis. Persephone rises, 1860-1927. Mythography, Gender, and the Creation of a New Spirituality by Bénédicte Coste

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L’impertinence du commentaire : de la mythographie à la scène dans l’Angleterre élisabéthaine by Charlotte Coffin

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La fabrique dialectique du Songe de Versailles dans la littérature de voyage européenne du xviie siècle by Sylvie Requemora

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Zamieszkiwać w bezdomności, czyli motyw domu w powieści Olgi Tokarczuk Dom dzienny, dom nocny by Viktória Vas

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Frammenti mitografici latini provenienti dall’Egitto by Tafuri, Felicia

Subjects: “…Mythographic fragments. Mythography. Roman divinities…”
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Laura Endress, Les trajectoires textuelles de l’Hercule médiéval : de la mythographie à l’historiographie et au-delà. Avec édition critique partielle du livre IX de l’Ovide moralisé by Laura Endress

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Vickermann-Ribémont Gabriele, Adam et Ève et la pensée des Lumières entre fondement du droit et questionnement du mythe, Presses Universitaires Blaise Pascal, coll. « Mythographies et sociétés », Clermont-Ferrand, 2014, 198 p. by Sylvio De Franceschi

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L’île et l’archipel chez Erik Orsenna by Maria de Fátima Outeirinho

“…The works of Erik Orsenna, Deux étés (1997) and The Company of the Indies (2012) allow, in various ways, exploring the role of the island, inscribed on a personal and collective mythography or even on historical mythography. In fact, the approach of these two works can be carried out independently, considering the symbolic values of the island in each fictional universe, as applicable with pseudo-autobiographical or pseudo-biographical shortcuts, but rather a relational approach in the overall context of the work of Orsenna is relevant, connected with a conception of literary creation in archipelago where each book is presented as an island located in the main sea, to regain the etymological source of the term. …”
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Michael Field’s Long Ago (1889): A Transcendental Mythopoesis of Desire and Death by Mayron Estefan Cantillo Lucuara

“…I present all these myths jointly, discuss their assonances with the Sapphic archetype, and reveal how they constitute a coherent and elaborate mythography that portrays Sappho as a tragic heroine who, through the power of myth, embodies a universal paradigm of human affectivity.…”
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An art history of machines? by Daniel Bridgman

“…A toast offered in honor of Donald Preziosi on the cusp of his seventy-fifth birthday, this essay considers a range of machine metaphors, their art historical settings, and their implications. Addressing the mythography of Daedalus and his wonder machines in relation to art history’s machinic enterprises, an ancient art-archaeology seminar Preziosi directed at UCLA (in 1988) and the book, Rethinking Art History: Meditations on a Coy Science (1989) form the focus of my thinking about Preziosi’s work. …”
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Propaganda y mitografía en el cine de la guerra civil española (1936-1939) by Vicente Sánchez Biosca

“…In this sense we propose the term “mythography”.…”
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Photo-graphies: memories of the eternal presence in the age of digital mortality by Letizia Bollini

“…The paper presents and discusses the paradox the end of ‘mythography’ –the visual form history storytelling as we know it– and the cultural creation of the ‘eternal present’ due to the mortality of digital images.…”
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Interculturalità e Humanitätsgedanke: dalla prospettiva tardo-illuminista di Herder agli sguardi sull’Africa nel romanzo postcoloniale tedesco “Usambara” di Christof Hamann (2007)... by Elena Agazzi

“…Before and after his novel Usambara (2007), he has shared with others the study of mountain symbolism as referred to the ascent of Kilimanjaro, focussing on the relationship between historical event, colonial propaganda and mythography. Going beyond the interest in exoticism and orientalism on the basis of Said’s reflections, German Studies have evolved towards a new appraisal of the intermediality which is inherently bound to the experiential interweaving of exploration, discovery and conquest in the former German colonies…”
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Early Historians, Myth and the Aristocracy of Ancient Greece by Surikov, Igor Evgenyevich

“…The main subject of early Greek historians’ studies was genealogical mythography. And genealogies in Ancient Greece were always of interest firstly for aristocrats. …”
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Apollo in the North: Transmutations of the Sun God in Walter Pater’s Imaginary Portraits by Lene Østermark-Johansen

“…The essay discusses some of Pater’s complex dialogue with Victorian science, mythography and folklore in the texts, in an attempt to map the topicality of his fiction. …”
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