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  1. 921

    The melodramatic poetics of the Seicento: beyond the myth of Count Bardi's camerata by Daniel Martín Sáez

    Published 2021-07-01
    “…The new idea of realizing a commedia tutta in musica, contrary to what the myth of the camerata, was not relevant and was only introduced ad hoc by Rinuccini and Caccini, followed later by other theorists who hardly questioned the old ideas. …”
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    Conspiracy and meme in the alt-right: notes on the myth of cultural marxism by Miguel Ángel Rego Robles, Alejandro Sánchez Berrocal

    Published 2019-12-01
    “…The widespread idea of “cultural Marxism” among alt-right collectives takes on the shape of a dark and bewildering myth that works like a conspiracy theory. This article offers, in its first part, a journey through the genesis, structure and meaning of the myth, placing the focus on the misleading link between Marxism and postmodern philosophies, which is essential for the conspiracy theory to be operative. …”
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    Metaphysical measurements of the process of transition from myth to fairy tale by V. Yatchenko

    Published 2002-05-01
    “…The process of turning a myth into a fairy tale, its internal and external causes, patterns, consequences ... …”
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  7. 927

    Danser, créer, vivre ensemble: un mythe à défendre by Anna Kalyvi

    Published 2020-12-01
    “…Can we still create myths nowadays? How does the ancient Greek myth manifest itself and by which  means of expression? …”
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  8. 928

    Les mythes, les sciences et la raison commune by Charles Morazê

    Published 1974-12-01
    “…L'histoire quantitative évalue les mouvement s de ressources auxquels le s évènement s s'ajustent ; mai s ce s évènement s aux-même s relè - vent aussi de croyances et de sentiments et témoignent de la puissance de mythes . D e son côt é l'histoir e des science s découvr e de s développements en réseaux où tout e invention s e situe.…”
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    Reseña de Bottici (2007) A Philosophy of Political Myth by Gaston Souroujon

    Published 2010-07-01
    “…Se presenta una reseña del libro Philosphy of political Myth en la cual se señala los puntos más salientes del argumento sostenido por la autora, así como ciertas reflexiones personales de las virtudes que el mismo presenta.…”
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    Erwin Piscator's Russia's Day: Agitprop between History and Myth by Monika Bregović

    Published 2015-12-01
    “…These performances embodied the contradiction that can be found in communist practice, which appealed to the scientifically rational analysis of history as class struggle, but in practice abolished criticism and transformed class struggle into a myth. Piscator’s production of Russia’s Day staged the conflict between the capitalist and the proletarian class according to the scientific analysis of history as class struggle, but the irrational aesthetics of the performance immersed the audience into the staged history, transforming the communist narrative into a myth.Keywords: Erwin Piscator, agitprop, Proletarian Theatre, Russia’s Day, myth, historical materialism, rationality, emotion…”
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  13. 933

    The Limits of the Russian Continental Shelf: Myths, Reality, Ministerial Errors by M. G. Melkov

    Published 2008-12-01
    “…Apart from reality there are several myths conjured by mass media.In 2001 Russia has made a submission to the Commission on the limits of the continental shelf, which in its place made several recommendations in respect of the submission. …”
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    Roland Barthes and Film: Myth, Eroticism and Poetics, by Patrick ffrench by Josh Heaps

    Published 2021-08-01
    “…Patrick ffrench’s Roland Barthes and Film: Myth, Eroticism and Poetics is dizzying in scope; at just under 300 pages, this newest addition to Bloomsbury’s “Film Thinks” series is dense and sinewy, with over 1,000 footnotes. …”
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  17. 937

    An 18th Century Ukrainian Parallel to the Baltic Myth of Sovius by Kostyantyn Rakhno

    Published 2022-09-01
    “…Certain elements of this myth have been preserved in the interlude within the Easter drama of the Ukrainian cultural figure and educational writer, the priest-monk Mytrofan Dovgalevsky. …”
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