Le plus ample mouvement d'affirmation et d'émancipation nationale-politique des Roumains de l'empire soviétique: le Front Populaire de la Moldavie by Mihai Iacobescu

“…Among these demands are mentioned: the introduction of "Moldovan" language as the official language and the return to the Latin alphabet, the national anthem and coat of arms of Moldova, organization and debates of the International Conference "Molotov-Ribbentrop Pact and its consequences on Bessarabia" held in 26-28 June 1991, proclamation of Moldova's independence, in August 27, 1991.The author is convinced that in years to come, the progressive elite, which made and distributed the Popular Front of Moldova program, will find the resources to obtain moral and political conditions to legitimate it’s claims, to be released from the anachronistic remnants of the old communist nomenclature and the subordination to Moscow, joining in the Euro-Atlantic structures.…”
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The Investigation of the Identity Attributes and Attitudes of Romanians by CODRINA ŞANDRU

“…For the gathering of data, I used a questionnaire with open questions and the reflection-and answer-triggering method, using as stimulus patriotic-themed songs: lyrics from the national anthem and another patriotic song very well known in Romania, entitled "God, protect the Romanians!". …”
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Discourse on the Value of the Humanities in Lithuania: for the Sake of This Land, or for the People’s Well-Being? by Kęstas Kirtiklis

“…The title of this article paraphrases two lines of the Lithuanian National Anthem.…”
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Re-visiting Greek National Narrative through Devised Theatre Practices: The Case of Michael Marmarinos by Constantina Ziropoulou

“…The present paper focuses on Marmarinos’ devised performances, National Anthem, A Theorem About Togetherness (2002), 2004-Olympic Games, Instructions Manual (2005), Hairdressers/Metapolitefsi (2020), expounding the reasons these performances constituted a type of powerful intervention in Greek theatre, in terms of both stage practice and themes and ideological content.…”
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Art et nation en Grande-Bretagne : contexte et histoire d’un lien privilégié by Michel Baridon, Frédéric Ogee

“…That political progress was completed by religious freedom and economic prosperity, giving birth to a feeling of national pride, embodied by the emblematic figures of Britannia, John Bull in literature, and the national anthem, Rule Britannia, written by James Thomson and set to music by Thomas Arne. …”
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Metafora Konseptual Cinta dalam Lirik Lagu Taylor Swift di Album 1989 by Irwansyah

“…The results show that the conceptualization of love metaphors found on Taylor Swift's 1989 album namely (1) love is a game, (2) love is fire, (3) heartbreak is the national anthem, (4) love is the object of trouble, (5) love is the throne, (6) love as glassware, (7) love as an object of color, (8) love is journey, (9) love is a sin, (10) love as a ship object, (11) love is life, (12) love is a trap, (13) love as an object falls, (14) love as an intoxicating object, (15) love is power and (16) love as an object is hunted.…”
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The Circle of Unity: The power of symbols in a team sport context by Brendan O'Hallarn, Craig Morehead, Mark Slavich, Alicia Cintron

“…One under-researched aspect to modern sport activism is the study of the symbols themselves, such as the controversial kneeling during the national anthem by National Football League players, statement-making pregame apparel worn by National Basketball Association stars, and other political statements. …”
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The Patriotic Discourse from Blaj of the Priest Simion Bãrnuţiu-Source of Inspiration for Andrei Mureşanu and Condemnation Act of the Church Union? Plausible Assumptions by Florin I. Bojor

“…Through the importance of Simion Bãrnuţiu’s preaching in the consciousness of the participants, it becomes the inspiration for the National Anthem of Romania, composed by his student, Andrei Mureşanu. …”
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Implementation of Religious Moderation in the Non-Formal Education in Forming a Multicultural Society by Turhamun

“…Among the habits to form a moderate character are memorizing short letters that explain the interpretation of bismillah, praying in the congregation as a symbol of unity and integrity, then for confirmation of faith, and khatmil Quran, which begins with singing the national anthem.…”
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Are You Connected Through Consumption? The Role of Hashtags in Political Consumption by Olivia Johnson, Adrienne Hall-Phillips, Te-Lin (Doreen) Chung, Hyojung Cho

“…The debate surrounding protesting National Football League (NFL) games began with player Colin Kaepernick’s decision not to stand for the national anthem in response to increased police violence toward people of color in the United States. …”
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Shakespeare (way down) along the Nile: How a pidgin adaptation of Cymbeline gave South Sudan its theatre by Graziella Acquaviva, Ilaria Morgani

“…Aim of the paper is to analyse the gradual development of Southern Sudanese theatre, focusing on the development of Juba Arabic in the light of the contemporary translation of Shakespeare’s Cymbeline by the prominent intellectual Joseph Abuk, who is also the father of the South Sudan national anthem. The paper is divided in two parts: in the first one, the authors investigate the history of theatre in Sudan and South Sudan, considering the historical background that influenced it with a focus on the adaptations of Shakespeare’s works in Arab and African countries. …”
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Preserving memory, campaigning nationalism: the haul of Habib Hasan bin Thaha and the remaking of the Hadhrami-Arab identity in Indonesia by Rabith Jihan Amaruli, Singgih Tri Sulistiyono, Dewi Yuliati

“…The presence of state elements through the national anthem, the red and white flag, and the reading of Pancasila, makes Habib Hasan bin Thana’s haul distinct from other hauls in Indonesia. …”
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A revolution of dignity and poetry by Omri, M

“…The most famous slogan chanted in Tunisia in January, then in Egypt, Yemen, Libya, and Syria, is a reincarnation of opening lines of the poem "The Will of Life," written in 1933 by the Tunisian poet Abou el-Kasem Chebbi (1909-1934), which now form the closing part of Tunisia's national anthem and have been sung by some of the most influential Arab stars, written on protest banners, and shouted by students in the face of French and English occupiers and their own governments. …”

Concerns of students from Malaysian Institutions of Higher Learning on the symbols of nationality as Malaysian identity by Mohamad, Ayu Nor Azilah, Haniffa, Mohamed Ali, Mohamad, Wayu Nor Asikin

“…These national symbols include the National Assembly, National Anthem, National Flag, National Flower and National Language. …”
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THE ROLE OF INTERGENERATIONAL LEARNING IN BUILDING NATIONAL IDENTITY AND IN CHILDREN’S PATRIOTIC EDUCATION by ANA-MARIA SOMÎTCĂ, CRISTIAN NICOLAE STAN

“…Both activities had the role to enable the preschoolers’ patriotic education and to make them aware of their local, regional and national identity through discussions about the national symbols, about the country and the people, through the intonation of the national anthem and of other patriotic songs, through wearing traditional costumes and through the execution of some Romanian dances.…”
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Jerusalema, a Heritage Day Song of the COVID-19 Pandemic by Julia Mantsali Modise

“…<i>Nkosi Sikelel’ iAfrika</i> (God Bless Africa), became the national anthem of a democratic South Africa. <i>Jerusalema</i> music and dance was unofficially adopted as the Heritage Day song when President Cyril Ramaphosa encouraged the people to participate in the Jerusalemadancechallenge “to remember the loved ones lost to the COVID-19 disease and to quietly rejoice in the diverse heritage of our nation”. …”
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Isang Mapanuring Paghahambing sa Ingles, Filipino, at Sebwanong Mga Salin ng Orihinal na Espanyol na Lyrics ng Pambansang Awit ng Pilipinas by Deborrah S. Anastacio, Gem Carlo B. Ausa, Jamie G. Guerrero

“…This paper is about the translations made from Palma’s poem “Filipinas” that was used as the official lyrics of the Philippine national anthem. Four texts were examined in this paper: 1) the aforementioned Spanish poem “Filipinas,” 2) Osias and Lane’s English translation entitled “Land of the Morning,” 3) de Leon’s Filipino translation entitled “Lupang Hinirang,” and 4) Vestil’s Cebuano translation entitled “Yutang Tabunon.” …”
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Konferensi Inter-Indonesia Tahun 1949: Wujud Konsensus Nasional antara Republik Indonesia dengan Bijeenkomst voor Federaal Overleg by Widhi Setyo Putro

“…They reached a consensus by agreeing on fundamental issues as the identity of a sovereign state, such as the name of the country, Merah Putih as the official flag, Bahasa Indonesia as the official language, and the Indonesia Raya as the national anthem.…”
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A Malaysian nation brand: the dissemination of it by Radio Malaya via the song Tanah Pusaka by Shazlin Amir Hamzah

“…This is essentially a nation branding effort that utilises symbols like colours, the national flower, the national anthem, military uniforms, medallions, rituals and patriotic songs. …”
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Rhythm Politics in a Changing Brazil: A Study of the Musical Mobilization of Voters by Bolsonaro and Haddad in the 2018 Election by Kjetil Klette Bøhler

“…For Bolsonaro supporters and right-wing movements, jingles, produced as part of larger election campaigns, were disseminated through massive sound cars in the heart of São Paulo while demonstrators sang the national anthem and waved Brazilian flags. In contrast, leftist musical politics appears to be more spontaneous and bohemian. …”
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