Romantic and Neo-Romantic in W. B. Yeats’s Poetry by E. A. Markova

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A Metamodernist Utopia: The Neo-Romantic Sense and Sensibility of the Bridgerton Series by Šporčič Anamarija

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Specifics of the Breaking of Neo-Romantic Tradition in the Work of R. L. Stevenson by O. Yu. Osmuhina

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The concept of “neo” and the novels of G. Rodenbach: between romanticism and symbolism by Ninel A. Litvinenko

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Повесть Собака Баскервилей А. Конан Дойла и ее киноверсия И. Масленникова в контексте теории культурного трансфера... by Анна Степанова

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Mowgli’s Poetic Schooling: On Lyrical Parts of Kipling’s Jungle Books by Elena V. Haltrin-Khalturina

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Принцесса Греза Э. Ростана: на пути от Прохожей Ш. Бодлера к Незнакомке А. Блока by Анна Степанова

Subjects: “…neo-romanticism…”
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S. A. Yesenin’s Creative Work in the 1910s in the Context of Russian Neo-Romanticism by Tatyana Vasil'evna Fedoseeva

“…Referring to the theoretical works of the time, the author defines the peculiarities of the neo-romantic aesthetics and poetics conditioned by the realization of the change in cultural epochs. …”
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Il coinvolgimento tecnologico: il Sé incerto e i nuovi media by Gianfranco Pecchinenda

“…By taking some recently theoretical remarks on the «culture of presentification» concept as a starting point, the essay propose some considerations about transformations in the experiential modalities that are involving the young generations and about the widespread debate on the passage from the modern «homo legens» to the neo-romantic «homo communicans» (also called «homo game»).…”
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Lithuanian Literature in Search of Historical Truth: Three Decades of Independence by Audinga Peluritytė-Tikuišienė

“…In the face of political upheaval, such a dominant feature was the question of truth; however, the well-established poetry tradition – romantic, neo-romantic, modern neo-romantic, which coexisted with social realism in Soviet times, and experimental – did not raise such questions of truth but only reflected the nation’s collective expectations. …”
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Ferdynand Ruszczyc: A Polish Painter at the Crossroads of Cultures by Agnieszka Rosales Rodríguez

“…The oeuvre of beloved Polish painter Ferdynand Ruszczyc (1870–1936) reflected the patriotic Neo-Romantic landscape trend of the fin-de-siècle prevalent in Germany and the Nordic countries (Denmark, Finland, Norway, Sweden). …”
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Historical notes: simpathy and community relations in the literatures of the African Portuguese-speaking countries by Benjamin Abdala Junior

“…Common historical traits are stressed, pointing to neo-romantic perspectives when these literatures contemplate questions related to their constitution as nations; strategies of renewal of the literary Portuguese language, whose plasticity goes back, in each nation, to Medieval times; the network they create in the universe of Portuguese written literature.…”
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The Image of Bluebeard in the Age of Symbolism by Olga S. Pospelova

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LUTTUOSO BY VLADIMIR CIOLAC: NEOROMANTICAL CONCEPTION OF FUNERAL MUSIC by COCEAROVA GALINA

“…The author analyzes the imaginative conception of this miniature for string orchestra, in relation to the symbolism of the „tragic- style markers” of the past (from Baroque to Romanticism), presented in the context of modern language and free-form, and then draws a conclusion about the neo-romantic nature of this piece.…”
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Playing with fire: struggling with ‘experience’ and ‘play’ in war tourism by Mads Daugbjerg

“…It is argued that the current obsession with ‘experience’ in the heritage sector displays a range of neo-romantic traits. At the Danish centre, staff and visitors are shown to negotiate and struggle to ‘balance off’ their playful and romantic engagements against more distanced, non-involved stances towards the war past.…”
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Externality and materiality as themes in the history of the human sciences by Henrik Sinding-Larsen

“…This article characterises Ingold's position as a neo-romantic reaction to the "linguistic turn" in the human sciences and the "genetic turn" in biology and compares his position to historical romanticism.…”
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Circumscribing a gesture: war, breath and memory in De Keersmaeker’s staging of Rilke’s Die Weise von Liebe und Tod des Cornets Christoph Rilke by Peters, M

“…De Keersmaeker’s piece sheds new light on Rilke’s often-dismissed early prose poem and its neo-Romantic medievalist as well as modernist poetics. …”

Program artystyczny Teatru Rapsodycznego by Jacek Popiel

“…In the first years after the end of World War II it played a significant role, realising the dreams of its founders from the time of Nazi occupation concerning the repertory programme of the theatre, in which the main place would be that of Polish Romantic and neo-Romantic writers. In 1953 the Rhapsody Theatre was closed for propagation of the „mistaken, antirealistic and mystic, ideologically hostile" artistic programme. …”
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La recepción de la <i>Celestina</i> en Alemania: su primera adaptación teatral (Richard Zoozmann, 1905) by Fernando Carmona Ruiz

“…This first German adaptation of Celestina for the stage results in a neo-romantic play which leaves out any daring or provocative element so as not to offend the moral and customs of the society at the time. …”
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Eva Luna: Writing as History by Lynne Diamond-Nigh

“…Four primary categories suggest themselves: myth and the mythic consciousness; magical realism; Boom writers; and then a miscellaneous grouping that subsumes a host of other significant literatures and literary themes: the picaresque, the neo-romantic, novels of the dictators, the ever-present conflict between civilization and barbarism, and testimonial literature.…”
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