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Between Universalism and Difference: The Singular Movement of the São Paulo Biennials
Published 2023-12-01“…OBOE…”
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83
Between the Biennials: Cultural Networks in Times of Geopolitical Crisis
Published 2024-12-01“…OBOE…”
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84
Disputes at the 1st Bienal de São Paulo: Limões by Danilo Di Prete and its Award
Published 2023-12-01“…OBOE…”
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85
The Role of International Exhibitions in the Aftermath of Empire: The 1948 British Pavilion at the Venice Biennale
Published 2024-12-01“…OBOE…”
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86
Women Sculptors Awarded at the First São Paulo Biennials and the Building of Artistic Recognition. The Cases of Maria Martins and Mary Vieira
Published 2023-12-01“…OBOE…”
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87
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Art and Politics at the Venice Biennale: The Portuguese Case
Published 2024-12-01“…OBOE…”
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89
Latin America at the Venice Biennale: Histories of Unrealised National Pavilions
Published 2024-12-01“…OBOE…”
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90
The British Pavilion at the Venice Biennale: Navigating Frames and Reimagining Cultural Relations
Published 2024-12-01“…OBOE…”
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91
“A Selection of Works by the Finest Modern Masters of Bianco e Nero”: The Print Rooms at the Venice Biennale, 1899-1901
Published 2022-10-01“…OBOE…”
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92
Rather Transitional than Transnational: The “meta-pavilions” of Germany and Russia at the 1993 Venice Biennale
Published 2025-02-01“…OBOE…”
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Triple Trouble: Biennials and Art fairs Under Discussion.
Published 2022-12-01“…OBOE…”
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Venice as the Archetypal Waterscape of the 21st Century: Aleksandra Mir’s Postcards for the 53rd Biennale
Published 2022-09-01“…OBOE…”
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Illuminating Identity: Two Visions of Israeli Cultural Politics at the 2011 Venice Biennale
Published 2024-12-01“…OBOE…”
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98
Industrial Transnationalism at the 44th Venice Biennale: Reinhard Mucha’s Das Deutschlandgerät (The Germany Device)
Published 2024-12-01“…OBOE…”
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Regional Plots: The São Paulo Biennial and Its Impact on Latin America (1960s)
Published 2023-12-01“…OBOE…”
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