Opera in the Arctic: Knud Rasmussen, Inside and Outside Modernity by Smaro Kamboureli

“…Thus, through attention to such tropes as anachronism and opera as a sign of modernity, the article addresses, via Rasmussen, the colonial determinations that inform modernity as well as the decolonizing methods employed in the film that re-purpose modernity while at the same time exposing its limits.…”
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Polskie doświadczenia z operą w dobie oświecenia by Grzegorz Markiewicz

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From Novella to Opera: Dominick Argento’s The Aspern Papers by Nelly VALTAT-COMET

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Ópera decimonónica: al banquillo de los acusados by Carmen Peña Fuenzalida

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OPERA ON THE FOND COURTYARD: REPRESENTATION OF THE CITY IN ODESSA PAINTING by Анна Місюн

“…The purpose of the analysis is to establish a correlation between the object and subject of artistic creation and various mythologies of the city as the basis of representation. The Opera is presented in the article as a marker of the European type of urban infrastructure, which localizes special lifestyles, types of communication, special visuals that form the historical type of Odessa identity. …”
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Review of “Sweet Land,” a new opera by The Industry by Jelena Novak

“… Sweet Land, a new opera by The Industry. February 29–March 15, 2020, Los Angeles State Historic Park. …”
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Bee health in Europe – Facts & figures. An Opera document by Alix, Anne, Brown, Mike, Campbell, Peter, Capri, Ettore, Kafka, Amalia, Kasiotis, Konstantinos, Machera, Kiki, Maus, Christian, Miles, Mark, Moraru, Petru, Navarro, Lisa, Pistorius, Jens, Thompson, Helen, Marchis, Alexandru

Franco Ferrarotti: il pensiero e l’opera by Francesca Colella, Valentina Grassi

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The Precuneus Contributes to Embodied Scene Construction for Singing in an Opera by Shoji Tanaka, Eiji Kirino, Eiji Kirino

“…Performing an opera requires singers on stage to process mental imagery and theory of mind tasks in conjunction with singing and action control. …”
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«BASTARDS IN THE OPERA», OR ANORMATIVITY AS NORM IN CONTEMPORARY MUSICAL THEATRE by Ніна Ковальова, Віктор Левченко

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MUSICAL SYMBOLS IN THE OPERA "THE THREE SISTERS" BY PÉTER EÖTVÖS by Krisztina SINKA

Subjects: “…Péter Eötvös, opera, Three Sisters, libretto, musical symbolism, triad, third-parallels, instrumental symbolism, prose, sung speech, song…”
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THE VOCAL SCORE IN THE OPERA “THE LYING WOLF” BY ZLATA TCACH by Luminiţa GUŢANU STOIAN

Subjects: “…Bessarabian opera, Zlata Tcach, The Lying Wolf, Bessarabian composer, musical theatre for children.…”
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Editoriale – L'estetica all'opera. Focus Genette by Filippo Fimiani, Pierre-Henry Frangne

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The Teatro Sant'Angelo : cradle of fledgling opera troupes by Eleanor Selfridge-Field

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Straturi ale interpretării în opera "Flautul Fermecat" by Traian Penciuc

“…Layers of Interpretation in the Opera “Magic Flute” In the centuries after its opening, the opera “Magic Flute” had faced various interpretations, from a political pamphlet to the allegoric encoding of esoteric knowledge. …”
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La lezione di Tucidide nell’opera hobbesiana by Anna Nutini

“…La prima opera pubblicata da Hobbes è la traduzione della Guerra del Peloponneso di Tucidide. …”
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Zora D. by Isidora Žebeljan: Towards the new opera by Čičovački Borislav

“…Opera Zora D., composed by Isidora Žebeljan during 2002 and 2003, and which was premiered in Amsterdam in June 2003, is the first Serbian opera that had a world premiere abroad. …”
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L’epicureismo nell’opera di Leo Strauss by Raimondo Cubeddu

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Artistic Career of Bass Julij Betetto in Ljubljana Opera by Tina Bohak Adam

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An Introduction to the Use of Chinese Opera Expressions in Experimental Drama by Si Zhengyu

“…The author investigates pieces like The Wound Disappeared in the Boundless Night and The Green Snake for references to and applications of experimental drama in opera performances, thereby revealing the inextricable bond between opera and experimental drama. …”
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