Jakobson and Peirce: Translational intersemiosis and symbiosis in opera by Dinda L. Gorlée

“…The word-tone synthesis of opera (or semiosic symbiosis) will demonstrate the typological unification of verbal and nonverbal languages.…”
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Antiretroviral therapy and liver disorders in the OPERA cohort by Michael Wohlfeiler, Karam Mounzer, Laurence Brunet, Jennifer Fusco, Vani Vannappagari, Lloyd Curtis, Nassrin Payvandi, Michael Aboud, Ricky Hsu, Philip Lackey, Gregory Fusco

“…Methods: Treatment-naïve and experienced PLWH first initiating dolutegravir (DTG), elvitegravir (EVG), raltegravir (RAL), or darunavir (DRV) in the OPERA ® cohort were included if they had ⩾1 liver chemistry test performed both within 12 months before regimen start and over follow-up. …”
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Introduzione all’opera di Jacqueline Bishop by Calderaro, Michela

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Stimulus Implications of Television Soap Opera Names by Gary S. Felton

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Puškin and opera: three musical transposition of fantastic by Elisabetta Fava

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A Ruthless Rewriting of The Beggar’s Opera in Timişoara by Maria Zărnescu

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Analysis of the Opera Kerem by Akhmet Adnan Saygun by Айсель Асадова

Subjects: “…opera…”
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Giorgio Strehler e l’opera lirica by Matteo Paoletti

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Insegnare l'opera lirica all'università by Philip Gossett

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Identità narrative e progettazione dell’“opera” by Giuseppe Annacontini

“…Producing “opera” means knowing how to narrate oneself and decide to narrate means “cultivating and caring for own subjectivity creatively oriented”. …”
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Results from the OPERA Experiment in the CNGS Beam by Alessandro Paoloni, on Behalf of OPERA Collaboration

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"The Cult of the Diva" – Rufus Wainwright as Opera Queen by Oliver C. E. Smith

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L’opéra, miroir des sociétés européennes by Clémence Schupp

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Teatro de la Opera - Sydney (Australia) by Jorn Utzon, Ingenieros Over Arup and Partners

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Giulio Cesare Opera in tre atti (1724) by Daniele Pitrolo

“…Giulio Cesare Opera in tre atti (1724) Musica di Georg Friedrich Händel (1685-1759) Libretto di Nicola Francesco Haym, da un’idea di Giacomo Francesco Bussani Direzione musicale: Emmanuelle Haïm Regia e costumi: Laurent Pelly Scenografia: Chantal Thomas Luci: Joël Adam Drammaturgia e collaborazione alla regia: Agathe Mélinand Direzione del coro: Alessandro Di Stefano Giulio Cesare: Lawrence Zazzo Cornelia: Varduhi Abrahamyan Sesto: Isabel Leonard Cleopatra: Natalie Dessay/Jane Archibald Tolomeo: Christophe Dumaux Nireno: Dominique Visse Curio: Aimery Lefèvre…”
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Towards Leitmotif Activity Detection in Opera Recordings by Michael Krause, Meinard Müller, Christof Weiß

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Resenha de: A ópera no Brasil Imperial by Odilon Nogueira de Matos

“…MARTINS PENA. — A ópera no Brasil Imperial. Instituto Nacional do Livro. …”
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Dikadoa (Una ópera para Philip Glass) by Alfonso Zurro

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Opera, Sound Recording, and Critical Race Theory by Matthew Timmermans

“…This review essay considers the relationships among opera, sound recording, and critical race theory, and explores them at a moment when these fields are beginning to converge. …”
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The Imagosphere of Myroslav Skoryk's Opera Moses1 by Berehova Olena

“…The paper is dedicated to the eminent Ukrainian composer Myroslav Skoryk's opera Moses, which has been researched here from the standpoint of musical imagology for the first time. …”
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