“And Again, the Skald Will Add Someone Else’s Song”: “Marine”, “Scottish”, “May” and Other Ballad Stylizations by Georgy Ivanov by Elena Yu. Kulikova

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A Dinner Engagement (1954) de Lennox Berkeley : un opéra-bouffe anachronique ? by Jean-Philippe Heberlé

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Paròdia sobre paròdia. C. A. Jordana reescrit per Mercè Rodoreda by Catalina Mir

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I memi come parodia del discorso politico italiano durante la pandemia di Covid-19 (2020-2021). by Franco Lai

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Choices and Patterns of English Names among Taiwanese Students by Lindsey N. H. Chen

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За смъртта на разказвача в маранята на магическия реализъм. Наблюдения върху творчеството на Георги Марковски... by Angelova, Maia

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A Journey to „a Magic of Unwanted“ (Peter Pišťanek: Young Dônč) by René Bílik

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Moses revisited. August Strindberg’s and Edvard Munch’s dramatic use of the figure of Moses by Camilla Storskog

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Incredulity toward Heroism: Ackroyd as a Gallant Storyteller against the Heroic Tradition by Nazan Yıldız

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Naqise-ye Hamasi as a Literary Genre And its examples in Persian Poetry by mojahed gholami

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“I think it was in poor taste that you were doing Murtaugh in whiteface” – Blackface goes West (and White) in It’s Always Sunny in Philadelphia (FX, 2005-) by Sébastien Lefait

Subjects: “…parody…”
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"Grift-runor, skrifne 1769" by Daniel Möller

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L’almanacco serio-faceto tra Italia e Spagna (secoli XVII-XVIII) by Lora Márquez, Claudia

Subjects: “…Literature Research. Parody. Street literature…”
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“Telemachising” the Poor Old Woman: Cathleen ni Houlihan “Restaged” at the Martello Tower by Mick Greer

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Anatomy of a Mermaid: Subverting the performative image of the pregnant woman by Adriana Páramo Pérez

Subjects: “…parody…”
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DeThe Searchers (1956) à Gideon’s Day (1958) : un cas emblématique d’autoparodie chez John Ford by Fabien Meynier

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In the distorting mirror. West-European dramaturgy in the Russian comedy of beginning of the 20th century. Motives and genres by Jadwiga Gracla

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I memi come parodia del discorso politico italiano durante la pandemia di Covid-19 (2020-2021). by Franco Lai

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Identity and Intertextuality in Kate Atkinson’s Emotionally Weird by Hatice Yurttaş

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Silentiaires fin-de-siècle : émergence et épuisement d’un motif poétique by Antoine Piantoni

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