Passacaglia by Fanuel Maciel Lima Júnior

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La vita a ritmo di passacaglia by Stephen Davies

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Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich's Symphony No. 8 by Iyad Abdelhafeez Mohammad

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Litanei und Ostinato in Bachs Passacaglia c-moll BWV 582 by Klemens Schnorr

“…[de] Das Thema von Bachs Passacaglia c-moll beruht auf dem Bass eines Trio en Passacaille, der Christe-eleison- Versette aus der Messe du Deuziesme ton von André Raison. …”
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HISTORY OF A FORGOTTEN PASSACAGLIA: THE SYMPHONY NO.3 “OVID” FINALE BY SIGISMUND TODUŢĂ by Ecaterina BANCIU

Subjects: “…Toduță, Ovid, Effigy-themed symphony, passacaglia.…”
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AN EVIL LETTER, AND THE DESTINIES OF THE FORGOTTEN PASSACAGLIA. THE TWILIGHT OF THE THIRD SYMPHONY “OVID” BY SIGISMUND TODUȚĂ by Ecaterina BANCIU

“…Now, in 2022, at the 30th anniversary of the establishment of the Toduță Foundation, we reveal those derogatory remarks that led to the ‘amputated’ publication of the Passacaglia followed by the symphony’s fade into oblivion. …”
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Pachelbels d-Moll-Ciacona als strukturelles Vorbild für eine Aemulatio: zur Form der Passacaglia in c-Moll von J. S. Bach by Katarina Larissa Peach

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Methodology for teaching the folk dance of the Pasacalle rhythm/Metodología para la enseñanza de la danza folclórica del ritmo Pasacalle by Willian Andrés Cárdenas Toledo, July Elizabeth Fabre Cavanna

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Absicht oder Zufall?. Über Terzen- und andere Intervallketten in Brahms’ 4. Sinfonie samt einer neuen Deutung des Zitats im Variationen-Finale by Peter Petersen

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«Пассакалия и фуга» для большого симфонического оркестра Здравко Манолова - вклад в европейские музыкально-творческие традиции XX в... by Врангова-Петкова, Снежина Величкова

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Francisco Corbetta’s Contribution to the Evolution of the Baroque Guitar by Mihail AGAFIȚA

“…Corbetta was the inventor of a distinctive style based on combining the chords writing with the melodic one, thereby contributing to the affirmation of the homophonic-harmonic style in European music, placing at the center of his repertoire the suite of court dances of different origins: allemande, courante, gigue, ciaccona, passacaglia and others. …”
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Concerto para violino de György Ligeti: sua relevância enquanto obra representativa do estilo tardio “Não-Atonal” do compositor by Ivan Paula Santos Machado Dantas, Alexandre Roberto Lunsqui

“…Uma análise do Concerto permite, então, criar relações com as características e singularidades deste estilo tardio, tais quais a utilização de tríades fora de um contexto tonal, uso simultâneo de sistemas de afinação distintos, uso de formas tradicionais como Passacaglia e Hoquetus, e trazer um entendimento mais amplo e contextualizado da obra. …”
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The tonal webern: a physiognomy of early modernism by Wedler, S

“…Through close study of key works such as the symphonic tone poem <em>Im Sommerwind</em>, the ‘Segantini’ string quartet, and the <em>Passacaglia</em> for large orchestra op. 1 in light of recent developments in the theory and analysis of late nineteenth-century tonal music (sonata deformation theory, extended Schenkerian techniques, and neo-Riemannian transformations), each chapter illuminates a unique aspect of Webern’s early modernist imagination. …”