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Immagine, con(testo) e performatività tecnologica. Joan Jonas, Krzysztof Wodiczko e Antoni Muntadas
Published 2022-08-01Subjects: “…Performativity…”
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122
Subjectivity as a Scalar and Context-Dependent Semantic Category in Persian Modality
Published 2021-06-01Subjects: Get full text
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123
A Performative Urban Intervention: displacements of a buffoon
Published 2019-04-01Subjects: Get full text
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124
Conceptualizing the Aurora: An Exploration of Performative Understanding through Interactive Art
Published 2020-12-01Subjects: Get full text
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125
Exploring Narcopolis as a Postmodern Narrative and Semiotic Text
Published 2024-06-01Subjects: Get full text
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126
Flesh as Communication -- Body Art and Body Theory
Published 2012-01-01Subjects: Get full text
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127
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Shelley Jacksons’s Gender Politics in Patchwork Girl (1995): a Cyborg Approach
Published 2021-10-01Subjects: “…performance…”
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129
Performing the Theatricality in the Game of Framings: rethinking the weaving of the dramatic
Published 2017-01-01Subjects: “…Performativity…”
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130
From Performativity to Performances: Reconsidering Platforms’ Production of the Future of Work, Organizing, and Society
Published 2021-01-01Subjects: Get full text
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131
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Macedonian Cultural Plurality at the Crossroads of the Balkans: Drama, Music and Dance
Published 2020-07-01Subjects: Get full text
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133
L’interaction entre un dispositif d’apprentissage numérique et les représentations de l’apprenant
Published 2018-12-01Subjects: Get full text
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134
¿Qué hay en un nombre?”: una apología del performance
Published 2014-09-01Subjects: “…performativity…”
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135
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Performatiwiteit en die hedendaagse skool(hoof)
Published 2008-07-01Subjects: Get full text
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137
Female Student Migration: A Brief Opportunity for Freedom from Religio-Philosophical Obedience
Published 2020-10-01Subjects: Get full text
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138
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Alessandro CATALANO et al. (a cura di), "manifestAzioni. I manifesti avanguardisti tra performance e performatività", 2014
Published 2015-06-01Subjects: Get full text
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140
The Deaths of Pan
Published 2016-07-01Subjects: “…performativity and theatricality…”
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