Problémy s interpretáciou umeleckého diela by Peter Michalovič

“…As a serious matter in aesthetics, philosophy, and art theory, interpretation was born with the emergence of works of art that required interpretation, for without it they would make no sense and could scarcely become part of the art world. …”
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Heidegger and van Gogh’s Shoes by Wrathall, M

“…Heidegger’s discussion of one of van Gogh’s paintings of a pair of shoes plays a critical role in the development of his philosophy of art. Few passages in Heidegger’s entire corpus have occasioned more controversy and commentary than his short discussion of this painting. …”

MENO APIBRĖŽTIES PROBLEMA: MORRISO WEITZO METODO LOGINIS REDUKTYVIZMAS by Ieva Straukaitė

“…Keywords: definition of art, analytic philosophy of art, essentialist theories of art, Morris Weitz.…”
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VALORE E AUTONOMIA DELL’IMPROVVISAZIONE. TRA ARTI E PRATICHE by Alessandro Bertinetto

“…In this paper I will accept Georg Bertram’s criticism against what he calls the “autonomist paradigm” in philosophy of art and I will follow his theoretical suggestion: a coherent, informed, and accomplished philosophy of art should consider not only the specific nature of art, but also its value for the human practices and as one of the human practices. …”
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Reflective Judgment's Potentials in the Formation of Juridical Nature in Kant by Ali Salmani, Saeed Hajrashidian

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An Inquiry into Beauty Perception on the Basis of 'Allāma Sayyid Muhammad Hossein Tabātabāei's View Regarding the Difference between Contingents (I'tibārīāt) and Truths by Effatossadat Hosseini, Parviz Ziashahabi

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Postmodern Nihilism: There Is No Truth Even the Truth That There Is No Truth by Ahmad Ebrahimipur, Malek Hosseini

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Orientalism in M. Voloshin’s creative work by S M Pinaev

“…The article describes an influence of east philosophy and art upon M. Voloshin’s creative work especially upon his “Kimmerian” poetry.…”
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TIESOS IR MENO KŪRINIO SANTYKIS: B. CROCE IR H. G. GADAMERIS by Vaiva Daraškevičiūtė

“…The article concludes that the relationship between truth and the art work which we find in Croce’s aesthetics is analogous to the one that lies in Gadamer’s philosophy of art. Keywords: Truth, Art work, Hermeneutics, Intuition, Experience. …”
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Le Corbusier, play, Bataille Interpreting Ronchamp chapel according to the concept of formless in Bataille philosophy by Negar Saboori, Amir Nasri

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Removing Compliance: Interpersonal and Social Factors Affecting Insight Assessments by Polona Curk, Sándor Gurbai, Sándor Gurbai, Sándor Gurbai, Fabian Freyenhagen, Fabian Freyenhagen

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Analysis of Danto's Historical-Hegelian Narrative of the Transfiguration of the Commonplace into Artwork by Farid Rahnama, Amir Nasri

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Hegel's Reading of the Tragedy “Antigone” by Amir Maziar, Mohaddeseh Rabbaninia

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Aesthetic Manifestations in Ibn Miskawayh's Thought by Amin Rahbar, Esma'il Bani Ardalan, Zahra Golnaz Manteghi Fasaie

“…It cannot be claimed that Ibn Miskawayh, the philosopher of the fourth century AH, systematically addressed the basic issues of aesthetics and philosophy of art in his works. However, he considers the issue of aesthetic experience and beauty as an issue and believes that the basic features of aesthetic experience are related to unity. …”
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Fine Arts in Dr Seyyed Hossein Nasr's Thought by Mahbubeh Moghimnejad Hosseini, Amir Maziar

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Point of View of Jean Baudrillard on the Philosophy of Cinema Survival by Mahdi Attarzadeh, Maryam Jamali, Mohammad Zaimaran

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Kielen, kulttuurin ja kognition filosofiaa rationalismista romantiikkaan. by Matti Huttunen

“…The book sheds new light on the history of music as well as on the conventional picture of the history of the philosophy of art.…”
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Allegoria: fu vera gloria? by Andrea Pinotti

“…Gadamer and many others considered Benjamin as the upholder of the allegoric and the advocate of allegory both as an object and as a method, opposed to the predominance of the symbolic, initiated in the philosophy of art by Goethe. My paper aims at verifying whether it is really possible to speak of a dismissal of the symbol in Benjamin’s discourse, intimately imbued as it is with Goethe’s morphology.…”
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Allegoria: fu vera gloria? by Andrea Pinotti

“…Gadamer and many others considered Benjamin as the upholder of the allegoric and the advocate of allegory both as an object and as a method, opposed to the predominance of the symbolic, initiated in the philosophy of art by Goethe. My paper aims at verifying whether it is really possible to speak of a dismissal of the symbol in Benjamin’s discourse, intimately imbued as it is with Goethe’s morphology.…”
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Il metodo mitico e i cattivi pensieri by Elio Franzini

“…Moving from a definition of his « mythical method», the essay aims to outline the so-called «Philosophy of Art» of Paul Valéry. It sketches a portrait of the French author as an authentic philosopher of phenomenology able to define in a non-abstract way what must be intended with «aesthetics».…”
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