Performative gestures in Beethoven’s piano sonatas by Dinov Marija

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Examples in the development of Clementi’s four-hand piano sonata by Valentin MUREȘAN

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The Lyrical Themes of Neukomm’s Piano Sonata in G (1819) by L. Poundie Burstein

“…Analysis of the first movement of Sigismund Neukomm’s Piano Sonata for G helps highlight the issues regarding this matter. …”
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Intertextuality, Narrativity and Tradition: 8 Brazilian Piano Sonatas by Cristina Capparelli Gerling

“… Based on theories of intertextuality and narrativity as well as historical and social contextualization, the present paper discusses how eight piano sonatas written between 1950 and 1967 by César Guerra-Peixe (1914-1993), Eunice Catunda (1915-1990), Claudio Santoro (1919-1989), Esther Scliar (1926-1978) and Edino Krieger (1928) respectively, formed a new corpus of Brazilian concert music thoroughly grounded on neoclassical formal principles.  …”
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Is there any scope for another edition of Beethoven's piano sonatas? by Noorduin, M

“…Beethoven's piano sonatas have appeared in innumerable editions – most of them in more than one hundred, as the collection in the library of the Beethoven-Haus in Bonn reveals. …”

AN ANALYSIS OF THE PIANO SONATA IN C MINOR, OP. 4 BY FRÉDÉRIC CHOPIN by Lioara FRĂŢILĂ

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An Appreciation of the First Movement of Mozart’s Piano Sonata in D Major, KV.576 by Wang Le

“…The most outstanding and influential composer of the Viennese classical school is Mozart, and the Piano Sonata in D Major (KV.576) is Mozart's last sonata, written in 1789. …”
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The First Piano Sonata by Ge Qing: the Fundamentals of the Composer’s Interpretation of the European Genre of Music by Tuo Yang

“…Results consist in revealing the specific character of the composer’s interpretation of the classical genre of piano sonatas for the European music culture in the work of the contemporary Chinese composer Ge Qing. …”
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DIES IRAE AS CENTRAL DRAMATURGICAL ELEMENT IN NIKOLAI MYASKOVSKY’S PIANO SONATA OP. 13 by STOLEARCIUC XENIA

“…The present article examines the interpretation of the Piano Sonata genre (as part of Nikolai Myaskovsky’s musical legacy) in terms of musical dramaturgy. …”
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A critical ear: Analysis of value judgements in reviews of Beethoven’s piano sonata recordings by Elena eAlessandri, Elena eAlessandri, Victoria Jane Williamson, Victoria Jane Williamson, Hubert eEiholzer, Aaron eWilliamon

“…One hundred reviews of recordings of Beethoven’s piano sonatas, published in the Gramophone between 1934 and 2010, were analyzed through a three-step qualitative analysis that identified the valence (positive/negative) expressed by critics’ statements and the evaluation criteria that underpinned their judgements. …”
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SERGEI PROKOFIEV’S PIANO SONATA NO. 5 IN C MAJOR OP. 135: A STYLISTIC APPROACH by PRIP EMANUELA

“…The Piano Sonata No. 5 in C major Op. 135 had two versions: the first one appeared in 1923 (The Piano Sonata no.5 op. 38) and the second one (no. 5 op. 135) was released in 1953, the year when the composer died, nevertheless he had started working at it a year before. …”
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‘Das, was eigentlich Musik’: Richard Wagner’s reception of Beethoven’s Piano Sonata No. 28, Op. 101 by Allen, R

A Clustering-Based Approach to Automatic Harmonic Analysis: An Exploratory Study of Harmony and Form in Mozart’s Piano Sonatas by Jason Yust, Jaeseong Lee, Eugene Pinsky

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7. Echoes of Romanticism in Violin and Piano Sonata No. 2, Op. 45 by Marcel Mihalovici - Analytical Landmarks for an Upscale Interpretation by Florea Augustina

“…The evolution of the genre of violin and piano sonata in the Romanian composition creation in the first half of the 20th century, marked by the tendency towards getting close to the European musical phenomenon by assimilating stylistic influences of Romanticism, especially, of Enescian Romanticism, distinctly manifesting in Violin and Piano Sonata no. 2, op. 45, by Marcel Mihalovici, one of the most renowned Romanian composers settled in Paris, appreciated by the famous contemporaries, such as M.Ravel, V.d’Indy, F. …”
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TRADITIONAL AND INNOVATIVE APPROACHES TO THE PIANO SONATA IN THE CREATION OF COMPOSERS FROM THE REPUBLIC OF MOLDOVA ON THE BORDERLINE OF THE 20TH-21ST CENTURIES by Hatipova, Inna

“…In the present article the author reviews the piano sonatas penned by national composers on the borderline of the 20th-21st centuries. …”
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Permanência e transformação no terceiro movimento da Sonata Op. 109 de Beethoven by Eduardo Monteiro, Pedro Brack Aguilar

Subjects: “…beethoven. piano. sonata op. 109. variações. interpretação.…”
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Performance Strategies of the First Eight Bars in Beethoven's Piano Sonata op.2, no. 1 – a Comparative Analysis of Thirteen Recordings Made in Different Periods by Mirna Azevedo Costa, Ernesto Hartmann

“…In the present work we investigate the possible relationship between the structure (identified by Arnold Schoenberg as a "sentence") of the first eight bars of Ludwig van Beethoven's Piano Sonata, op.2, no. 1 and the performance strategies perceived in thirteen audio recordings of the piece made by renowned pianists between 1930 to 2006. …”
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10. Summary of Some Aspects of Piano Interpretation in Schubert Sonatas, According to Musical Notation by Tudor Brîndușa

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Sonata n.1 para Piano e Divertimento para Cordas de Edino Kriger: adaptações idiomáticas no processo de transcrição Edino Krieger's Piano Sonata N.1 and Divertimento for Strings: idiomatic adaptations in a transcription process by Bruna Vieira, Cristina Capparelli Gerling, Fredi Gerling

“…<br>Comparative study between Edino Krieger's Piano Sonata n.1 and its transcription for string orchestra entitled Divertimento para Cordas. …”
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Construction of a Music Database for Earphone Hearing Loss Prevention and Music Therapy - Discussions on the Relationship Between Beethoven's Music and His Deafness - by Hirotoshi Hishida, Yoshihiro Komatsu, Keiko Hishida, Dai Yamamoto, Yasuhiro Hishida

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