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241
Constructing the fabel: Tony Kushner in conversation with Tom Kuhn
Published 2018“…The first event of the Recycling Brecht symposium took place on June 25, 2016 (the day after the Brexit vote result was announced) at Oxford’s North Wall Arts Centre, with multi-award-winning playwright Tony Kushner in conversation with Brecht scholar Tom Kuhn.…”
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242
Dziennik [Diary] by Władysław Konopczyński on Writing a Biography of Stanisław Konarski
Published 2022-11-01“…Stanisław Konarski (1700–1773) – a Piarist, playwright, poet, translator, publisher, publicist, reformer of education, and founder of the Collegium Nobilium; one of the most important personages of eighteenth-century Polish history. …”
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243
The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker
Published 2009-12-01“…The contemporary playwright Timberlake Wertenbaker has shown a long-standing engagement with the themes of language and identity formation. …”
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244
Marco Praga e Tatiana Pavlova: due mondi teatrali a confronto
Published 2017-07-01“…In the twenties the playwright and stage director Marco Praga became a dramatic critic on the “Illustrazione italiana”. …”
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245
Poèmes
Published 2023-03-01“…Jean d’Amérique (Haiti, 1994) has been one of the young and powerful voices of the Caribbean in recent years. A poet and playwright, he also regularly runs writing workshops. …”
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246
"La Grande Magie" di Dan Jemmet alla Comédie-Française: trucchi, artifici e menzogne
Published 2018-06-01“…This direction revisites the neapolitan playwright’s theatrical universe and, by the use of metatheatre, proposes at the same time an interpretation of the play consistent with Eduardo’s desire to establish a link between stage and audience in addition to a show impregnated with the history itself of theatre.…”
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247
The History of Editing Literary and Theatrical Works of Karol Wojtyła – John Paul II
Published 2019-08-01“…Based on the surviving materials in the archives, often unknown facts were presented showing the subsequent phases of discovery of Wojtyła as a poet, playwright, and actor. …”
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248
EMOCJONALIZM ARYSTOTELESA I ZNACZENIE POJĘCIA KATHARSIS
Published 2011-06-01“…The author suggests that pity, fear, and catharsis are experienced not only by the audience but by the playwright and actors as well. This, of course, inevitably involves him inthe old problem of whether the actor him-self must feel the emotions that he is trying to portray. …”
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249
Ibsen’s Rosmersholm: Socio-Political Elements
Published 2011-11-01“… The current study, displaying the reflection of political, ethical, psychological and social life of the times in Rosmersholm (1886), one of the middle plays of the Norwegian playwright Henrik Ibsen, aims at showing the social and political conditions in Norway in the early nineteenth century and the way how they influenced the behaviour and attitudes of people and the dramatis persona in the play. …”
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250
Estilos de la carne: una mutación antropológica
Published 2022-08-01“… The short essay proposes a proto-queer reading of the work of playwright Raul Dalmonte (aka COPI), based on the author’s extensive research work on this champion of the Argentinian avant-garde. …”
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251
SHADOW OF NIGHT /
Published 2012“…Many are unruly daemons, the creative minds of the age, including playwright Christopher Marlowe and mathematician Thomas Harriot. …”
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252
The Writing Style of Тawfīq al-Hakīm
Published 2022-04-01“…Thus, he has gained a reputation as an author and playwright who used a number of mythical, historical and social sources, different world and religious-philosophical approaches, and various styles. …”
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253
المتنبي في المسرح العربي المعاصر بين الواقع والطموح
Published 2018-12-01“…There have been essential reasons behind the playwrights' turning to the heritage which as a whole relates to artistic, political and cultural factors. …”
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254
المتنبي في المسرح العربي المعاصر بين الواقع والطموح
Published 2018-12-01“…There have been essential reasons behind the playwrights' turning to the heritage which as a whole relates to artistic, political and cultural factors. …”
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255
'Que yo le haré de suerte que os espante,/ si el fingimiento a la verdad excede': creative use of art in Lope de Vega's Los locos de Valencia (and Velázquez's Fábula de Aracne)
Published 2000“…By comparing the way painter and playwright employ art-within-art I hope to fortify some recent critics' interpretations of the Fábula de Aracne, and to reassess Lope's early play. …”
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256
The Resurgence of Ideology in Bernard Shaw’s Mrs Warren’s Profession (1893)
Published 2010-06-01“…In the last of his Plays Unpleasant, Shaw delves into the economic roots of prostitution, deconstructing the woman-with-a-past sham and its underlying conservative ideology. The socialist playwright and theorist seeks to lay the blame on the capitalist system and on a middle-class public all too eager to ascribe prostitution to merely individual villainy. …”
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257
The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker
Published 2009-12-01“…The contemporary playwright Timberlake Wertenbaker has shown a long-standing engagement with the themes of language and identity formation. …”
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258
Deon Opperman’s Donkerland: the rise and fall of Afrikaner nationalism
Published 2009-08-01“… In his epic play on Afrikaner history (from the Great Trek in 1838 to the birth of the new South Africa in 1994) Deon Opperman (award-winning South African playwright) presents the parallel and interlinked histories of two families – represented by a white patriarch and a black matriarch and their various descendants – against the background of important historical developments in South Africa. …”
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259
Il teatro: i concetti e la cosa
Published 2016-12-01“…The philosopher Alain Badiou, also a playwright and former collaborator of Antoine Vitez, has been active for many years in the arena of vivacious discussions that, at least in France, concern the future of the theater. …”
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260
The Drama of Naming Ireland: Brian Friel's Translations and The Communication Cord
Published 2001-06-01“…Abstract Irish playwright Brian Friel explores the complexity of names as they relate to Gaelic culture and British imperialism. …”
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