Nemzedéki önértelmezések a 80-as évek magyar színházában: Színházi formakísérletek Kornis Mihály „Kozma” című színművének előadásaiban by Erika N. Mandl

“…It can be regarded as a national self-definition, the common experience of the Hungarian playwrights. It should be mentioned the effect of Pilinszky’s “Síremlék” (“Tombstone”) -dramaturgy, which in Hungarian literature created in a unique way the silence of the postwar anxiety (“Gyerekek és katonák”, “Kids and Soldiers”, Pécs, 1981). …”
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新加坡的华文同志剧场（1992—2011 年）= Chinese gay theatre in Singapore (1992–2011) by 黄爱莉 Ng, Shirleywijaya Ai Li

“…The local arts scene gradually flourished alongside the country’s development, and censorship restrictions were reportedly relaxed. In the late 80s, playwrights began to experiment gay themes on the Singaporean stage. …”
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Opera and nationalism in mid-eighteenth-century Britain by Aspden, S, Aspden, Suzanne

“…Chapter four examines the concerted attempt in the 1730s to associate English opera and musical theatre with topics of national interest through composers' and playwrights' appropriation of the stories of historical British ballads as the local equivalents of the venerable texts of Italian opera. …”

Dramatic extracting and the reception of early modern English drama by Montedoro, B

“…Chapters 3 and 4 explore how the practice was received by playwrights, how popular it was, and how it affected the popularity of drama. …”

Before genre: tragedy in patches in the early English playhouses by Hodge, R

“…Recent theatre history has demonstrated that early modern plays were textual patchworks, written in and preserved as pieces: whole acts and scenes of plays could be written out of order and by different playwrights, and prologues, epilogues and songs often existed only on separate sheets of paper, instead of being copied into consolidated scripts. …”

Protocol for evaluating external facilitation as a strategy to nationally implement a novel stigma reduction training tool for healthcare providers by Sally Wasmuth, Johnna Belkiewitz, Dawn Bravata, Caitlin Horsford, Alex Harris, Carlton Smith, Charles Austin, Edward Miech

“…IDEAS films are created by collecting narratives from people who have experienced discrimination and healthcare inequity, partnering with professional playwrights to create theatrical scripts that maintain the words of the narratives while arranging them into compelling storylines involving several interviews, and hiring professional actors to perform and record scenes. …”
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William Shakespeare and Slovene dramatists (II) : J. Jurčič, F. Levstik, I. Cankar, O. Župančič, B. Kreft : (the makers of myths) by Mirko Jurak

“…purpose of this study is to explore the influence of William Shakespeare on Slovene playwrights in the period between 1876, which marks the appearance of Jurčič - Levstik's Tugomer, and the 1930s, when Oton Župančič published his tragedy Veronika Deseniška (Veronika of Desenice, 1924) and, a few years later, Bratko Kreft his history, Celjski grofje (The Counts of Celje, 1932). …”
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Workers' playtime: an enquiry into the relationship between Paris May '68 and the development of British political theatre 1968-1978 by Smith, Steve

“…The thesis does not argue that political playwrights were always aware of these texts at source. …”
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Tras los pasos de los grandes escritores áureos en la enseñanza universitaria: de las biografías canónicas a la visión del cine, la televisión y la publicidad / Following in the fo... by Alberto Gutiérrez Gil

“…University education has given priority, on a historical basis, to the knowledge of our classical playwrights’ lives through canonical biographies. However, currently an interdisciplinary approach in which the world of literature joins cinema, television and advertising is preferred inside classrooms to give a contemporary and complete vision to students who are digital natives and, thus, are more used to audiovisual media. …”
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Европа на сцената на современата македонска драма by Наташа [Nataša] Аврамовска [Avramovska]

“…Along those lines, it’s safe to say that Stefanovski is the paradigmatic (emblematic) Macedonian playwrighter. 3. The play-script for Stefanovski’s theatre productions written during the past decade and a half, as integral parts of international theatre projects and productions, have received a wider international acclaim and visibility by the European theatre audiences. …”
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Voces contra la desigualdad. El teatro testimonial de Emily Mann e Eve Ensler / Voices against Inequality. Emily Mann´s and Eve Ensler´s Theatre of Testimony by Marta Fernández Morales

“…In the 20th-to-21st turn of the century, several North American female playwrights have become inheritors to these documentarians, developing what Emily Mann –inspired by South African oral traditions– has called «theatre of testimony». …”
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Recapturing the timeless past in selected science-based postmodern British plays through lens of chaos theory by Yas, Khalid Ahmad

“…By interweaving past with the present, the playwrights reveal not only the level of determinism, but also how chaos works in the universe. …”
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Kas "balti kirjanik" on olemas? / Does the "Baltic Writer" Exist? by Cornelius Hasselblatt

“…Also one of the following sentences is not convincing, but highly problematic: “For a long time, the writers, poets, playwrights and literary critics of each of these countries have deserved to be introduced to a wider international literary audience as a regional phenomenon.” …”
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