LIGHTS TO MULHERES MIX, OF IVO BENDER by Teresa Beatriz Azambuya Cibotari

“…The proposal for this analysis is to take a dramatic text in three luminosities: that brightens the page where the playwright writes; that illuminates the page to the reader; and the scenic spectacle of lights game. …”
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Révolution et amour : Victorien Sardou en Chine (1907-1946) by Ma Xiaodong

“…This article examines the translation and adaptation of French playwright Victorien Sardou’s works in China (1907-1946). …”
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Dream Collaborations: From the History of Eugene O’Neill’s Failed Projects by Amina A. Zhamanova

“…It is the first attempt, in the Russian theatre studies, to get to the truth behind the playwright’s unrealized tandem with the legendary opera singer Feodor Chaliapin. …”
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The comedia de privanza in Spain in the reign of Philip III by Rowntree, A

“…This study traces the development of this theatrical genre, focussing on the works of one minor and three major playwrights: Salucio del Poyo, Lope de Vega, Vélez de Guevara and Mira de Amescua. …”

Theatrical aesthetic and receiving text Reading in the play (Ahel Alcahve) Tawfiq al-Hakim by حورية حمو, حسن المصري

“…  Coupled drama recipient since ancient times, and constitute the pleasure derived by the theatrical text by the act of reading and viewing impetus to the demand of the receiver on the play that show, and the direct contact between supply playwright and the recipient is an advantage unique to the theatrical art from other other arts; it is not separated from the receiver any technical barriers, and is a recipient corner base in theatrical production. …”
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Conversioni religiose in Calderón de la Barca: ‘El gran príncipe de Fez’ (1669) by Emanuele Colombo

“…El gran príncipe de Fez (1669), one of the less studied works by the great playwright Calderón de la Barca, deals with the theme of religious conversions in the Early Modern Mediterranean through the story of Muhammad el-Attaz, prince of Fez, who converted to Christianity and entered the Society of Jesus. …”
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L'exaltation d'une figure historique au théâtre : le général Spinola dans la comedia El Sitio de Bredá de Calderón by Cyril Merique

“…Assuming that the reconstruction work by the playwright must have contributed to increasing the heroic dimension of Spinola in the play, we shall examine the links between historical discourse and the fictional dimension of the characters as portrayed by the playwright, as well as the way Calderon set up the historical discourse of his characters in order to glorify the magnanimity of the victors.…”
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Theatrical aesthetic and receiving text Reading in the play (Ahel Alcahve) Tawfiq al-Hakim by Hurea Hamou, Hassan Al-Masri

“…  Coupled drama recipient since ancient times, and constitute the pleasure derived by the theatrical text by the act of reading and viewing impetus to the demand of the receiver on the play that show, and the direct contact between supply playwright and the recipient is an advantage unique to the theatrical art from other other arts; it is not separated from the receiver any technical barriers, and is a recipient corner base in theatrical production. …”
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Manipulation of extrinsic and intrinsic language styles in the scripts Menunggu Lampu Hijau and My Honey by Othman, Shamsudin, Abdullah, Nur Afifah Vanitha

“…In the history of modern Malay drama, Hatta Azad Khan is the first playwright to have written, directed and staged ‘adult content’ plays in Malaysia. …”

Autor vs. Poeta, o de lo que los espectadores del Siglo de Oro no vieron ni escucharon: Amor con vista de Lope de Vega by Daniele Crivellari

“…First of all, I will analyze the autograph manuscript to observe the changes made by the playwright during the composition of his play, which reveal a great deal about the usus scribendi of the author. …”
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Die proloë van Terentius - ’n teatercredo by J. Scholtemeijer

“…By employing technical terminology from Roman public and legal life, however, Terence makes theatre a res publica, a public affair where playwright, actor and audience have a civic duty to promote theatre.…”
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Questioning History, Nationality and Identity in Timberlake Wertenbaker’s Credible Witness by Nursen Gömceli

“…The aim of this paper is to examine the Anglo-American playwright Timberlake Wertenbaker’s approach to the issues of history, nationality and identity in her play Credible Witness (2001), and to discuss the significance of these concepts in our modern world through a close analysis of the play. …”
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Ramón Vinyes y Jacques Gilard. Dos sabios para el Grupo de Barranquilla by José Manuel Camacho Delgado

“…The tremendous impact that the publication of One Hundred Years of Solitude had on the world of letters was a lure to scrutinize and understand García Márquez’s personal background, from his group of friends in the Colombian coast to the teachings of playwright and storyteller from Barcelona, Ramon Vinyes, portrayed in the celebrated novel as the «Catalan Wise Man». …”
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Subjugation of Women in Girish Karnad’s Naga-Mandala by Bisnu Charan Mahato

“…One of the Prominent playwright Girish Karnad in most of his plays, meticulously presents the ordeal of a typical Indian female, dominated and exploited by the patriarchal society while the spirit of the caged women strive for liberation from the chains of inequality, superstition, myth and tradition. …”
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Dion Boucicault’s Robert Emmet?: the question of authorship and the season premiere at the McVicker's Theatre, Chicago, on November 5, 1884 by Fernanda Korovsky Moura

“…The Irish playwright Dion Boucicault (1820-1890) spent most of his career in the United States, where he established himself, adapting crucial moments of Irish history to the stage. …”
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APPROPRIATION OF SYMBOL AS DISCLOSURE OF THE WORLD OF THE PLAY IN TENNESSEE WILLIAMS’S "THE GLASS MENAGERIE" by Jurgita Astrauskienė, Indrė Šležaitė

“…The analysis of particular symbols reveals that the playwright artistically uses Christian iconographic and liturgical implications as the symbolic pattern of the play. …”
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Women in the World of Gays: An Exploration into the Female Characters in Angels in America by Haiying WANG

“…By reviewing the image of women created by female playwrights on the stage and the two stereotypes of women created by male authors in history, the paper also argues that the double faces of the two characters display an obvious contradiction of the playwright himself in characterization. …”
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Appropriation of Symbol as Disclosure of the World of the Play in Tennessee Williams’s “The Glass Menagerie” by Jurgita Astrauskienė, Indrė Šležaitė

“…The analysis of particular symbols reveals that the playwright artistically uses Christian iconographic and liturgical implications as the symbolic pattern of the play. …”
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Influenze russe nella commedia “Al Dio ignoto” di Diego Fabbri by Antonella Cavazza

“…Diego Fabbri’s plays have been interpreted as part of the “theatre of ideas”. The playwright was inspired by many European writers. Among these Dostoevsky’s novels had a great influence on him. …”
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Oscar Wilde, Dion Boucicault and the pragmatics of being Irish: Fashioning a new brand of modern Irish Celt by Eltis, S

“…Wilde's strategies are similar to those of Dion Boucicault, the most successful Irish playwright of the 1860s and 1870s. The influence of Boucicault in helping Wilde to shape his professional career and develop his stagecraft illuminates not only Wilde's construction of a modern brand of Irish Celt, but also how both writers expressed such a conception on stage. …”