Dispositifs de catégorisation et construction du lien social : l’entrée dans une association homoparentale by Luca Greco

“…A primary issue concerning a polyphonic, categorical, and political vision of ethnographic texts is the interactional negotiation of identities between informants and fieldworkers and its contextualization in fieldwork notes and academic texts. …”
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'Dicho sea de paso' and 'por cierto': two markers of speaker’s exclamative attitude by Adelaida Hermoso Mellado-Damas

“…The aim of this article is to propose an analysis of the Spanish adverbs dicho sea de paso and por cierto as discourse markers. Within a polyphonic framework, we shall see in which way the use of dicho sea de paso and por cierto in discourse determines the organization of different points of view convoked by the utterance act. …”
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Mass literature of the late XX - early XXI century: technology or poetics?

“…The author considers a polyphonic in the cultural situation of the present and about its place in mass literature. …”
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THE NEW NARRATIVE DISORDER – SUBJECT, TIME AND DISCOURSE CENTERED IN THE WOMEN'S NOVELS IN PORTUGAL by João Barrento

“…Taking as paradigmatic reference novels by Maria Velho da Costa, Teolinda Gersão and Maria Gabriela Llansol (besides many others, including male fiction), the paper points out the main aspects of this "new narrative disorder" on the level of polyphonic discourse, temporality and hybridization of genres.…”
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Lyotard’s Missing Face by Monika Murawska

“…Studies in Lyotard’s Aesthetics) is a thorough and extensive – nearly 300-page – philosophical analysis of a number of topics selected from the vast, polyphonic and complex body of Jean-François Lyotard’s philosophy. …”
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A revisão notacional da <i>Sequenza I</i> para flauta solo de Berio e suas implicações interpretativas by Maria Di Cavalcanti, Liduino Pitombeira

“…Luciano Berio wrote, between 1958 and 1996, thirteen pieces for different solo instruments, each one of them entitled Sequenza, in which one of the purposes was to create, particularly in the monodic instruments, a polyphonic mode of listening by the suggestion of implicit counterpoint. …”
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Dialogiczny proces rekonstrukcji. 
Polifonia Czesława Miłosza 
jako krok w stronę poetyckiej apokatastazy by Kim Jastremski

“…In “The Dialogic Process of Restoration: Czeslaw Milosz’s Polyphony as Movement toward Poetic Apokatastasis,” Kim Jastremski explores Milosz’s use of polyphonic poetry as a defense against nihilism in its connection of Self and Other, which has the potential to develop into poetic apokatastasis. …”
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Unisono by Dorota Jarząbek-Wasyl

“…Like any large-scale undertaking of this kind, this volume also raises concerns and doubts, especially with regard to following the postulated polyphonic and refreshing approach to performance history, as well as the limitations of institutional critique, whose outlook has its "blind spot," too.…”
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Un teatro musicale danzato “polifonico” e polisenso: Rot (1970-1972) di Domenico Guaccero by Alessandro Mastropietro

“…In particular, the following features will be highlighted: the nonlinear and analytic-polyphonic conception in the organization of all the dimensions of the work (action, scenography and lighting, non instrumental – either vocal or electronic – sounding elements); Guaccero’s “informal” compositional thought, even if reminiscent of the generative-serial one; the choice and the construction of a twofold reading path (alchemic-psychological from the one side and civil-political from the other one) intended as the place for a possible humanistic synthesis and for a theatre intended as a rite of “active participation”.…”
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Athens: New capital of traditional Greek music: Testimonies on musical life at the beginning of the twentieth century by Peno Vesna

“…The editorial board believed that there was a connection between the preservation of musical traditions and their development on one side, and foreign musical influences that were evident in the promotion of polyphonic church music, which had been totally foreign to the Greek Orthodox church until the end of the 19th century, on the other. …”
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Logical and Constructive Principles of Musical Thinking in the Composer’s Creativity of Musicologist Igor Pyaskovsky by Kateryna Fadyeyeva

“…The analyzed cycles are an illustration of the modern polyphonic technique, systemic nature, logical and constructive principles of musical thinking of the composer and musicologist I. …”
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La narration polyphonique de la catastrophe dans Ouragan de Laurent Gaudé by Fida Hammoud

“…This study aims to analyze the polyphonic narrative in Ouragan by Laurent Gaudé, a novel published in 2010. …”
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Sharar's Novel Dilchasp: One Penny Too Many by Muhammad Naeem

“…To represent this complexity, Urdu writers found the polyphonic genre, i.e. the novel helpful. They used different techniques of characterization to narrate the social hierarchy of characters. …”
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Stéréotypes : images de soi ou images de l’autre ? by Camila Ribeiro

“…Having analyzed discourses about stereotypes, it is been shown how the self-image is built so as other selves images in two different Brazilian discursive spaces in order to reveal that the stereotyped images shown so as the discourses are built among a homogeneous and dualist basis – even knowing that every discourse is built under polyphonic basis and consequently heterogeneous. This construction would intent to align the collectiveness self-image efforts to convince itself that the image changes applied in Brazil are important due to the actual ongoing economic growth, which would have brought the group self-valorization. …”
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Beyond nations: A thematic history by Ferreirа Manuel Pedro

“…The importance of Africa in the understanding of some facets not only of modern popular music, but also of 16th- 18th century genres in Portugal and Brazil is particularly stressed; examples of both polyphonic and instrumental music are given to illustrate this early influence.…”
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THE TEXTURE OF SONATA-REMINISCENZA (ОР. 38, NO.1) BY NIKOLAY MEDTNER THROUGH THE PRISM OF INTERPRETATIVE TASKS by GEORGIEVA, MARIA

“…It is about such distinctive qualities of the musical texture of this work as graphicity, a combination of homophonic-harmonic and polyphonic structure, the relationship between the position in the form and the type of textural design. …”
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Creating Atmosphere and Meaning through Singing on the Religious Pilgrimage from Sali to Piškera by Petra Valovičić

“…During Mass, they perform a sung liturgy rooted in polyphonic folk singing; after Mass, the singing usually continues up until they depart. …”
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Elements of entertainment in accompanying musical programming, for example, programmes from selected commercial broadcasters by Paulina Czarnek-Wnuk

“…In the conclusion, this conglomerate radio genre is treated as a polyphonic, mosaic form, distinguished, though, by its dynamism and the nature of the programmes broadcast at the morning and afternoon peak hours of radio audiences.…”
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Los cuatro elementos en la construcción del discurso simbólico-espacial de la Fábula de Andrómeda y Perseo, de Calderón de la Barca by Francisco Sáez Raposo

“…Based on a polyphonic concept of the theatrical performance, this paper analyzes the way in which Pedro Calderón de la Barca designed the symbolic discourse of the Fábula de Andrómeda y Perseo, performed in the Buen Retiro Coliseum on the occasion of the health recovery of Queen Mariana of Austria. …”
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Zur Ikonographie der AM 350 fol. Skarðsbók by Stefan Drechsler

“…The study focuses on the symbolic importance of the historical book painting and sets it into the ideological background found in the polyphonic structure of the text. The article aims to show that in AM 350 fol. we find not only a strong Christian, holistic ideology visible in the interplay of text and image, but also that previous ideas about its commisson and the claimed intention of its production needs to be questioned.…”
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