Hyperglossia in Olga Tokarczuk’s Flights by Elidio La Torre Lagares

“…If heteroglossia encompasses another's speech in another's language (Bakhtin), hyperglossia appeals to both the form that speech acquires and its precedence as utterance (the polyphonic aspect), as it is processed by the writer. …”
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Descodificar as paredes da cidade: da crítica à gentrificação ao direito da habitação no Porto by Inês Barbosa, João Teixeira Lopes

“…The gathered images translate a polyphonic discourse, underlying several agents, receivers and demands. …”
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THE CHORAL MINIATURE ARDE PĂMÂNTUL BY VASILE ZAGORSCHI: STYLISTIC AND INTERPRETATIVE CONCEPTION by MIHALAȘ MIHAI

“…Zagorschi, that is a highly expressive choral miniature, in which the author manages to express in 54 measures a number of important ideas such as longing for the country, love of homeland and nation. ”Arde pământul” stands out by quite a diverse choral writing in which prevail polyphonic processes combined with obvious homophone-harmonic exposure. …”
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Current Latin American chronicle: empathy as a key element of this gender by Laura Ventura

“…It is through empathy, a key element of the genre, the way in which these texts that belong to an autonomous and polyphonic genre are constructed. There is empathy in the chronicler towards the voices that the author gathers, and also, from the reception, in the capacity or potential identification that is aroused in the reader and that contributes to the promotion of a more plural and tolerant society.…”
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“Me Too”: Epistemic Injustice and the Struggle for Recognition by Debra L. Jackson

“…I argue that in declaring “me too,” the epistemic subject emerges in the context of a polyphonic symphony of victims claiming their status as agents who are able to make sense of their own social experiences and able to convey their knowledge to others.…”
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Des millets aux nations by Nicolas Pitsos

“…The predominant narrative paradigm is this of the Roum millet transition towards the Greeks' nation. It is about a polyphonic novel, regarding to the expression of traumatic experiences issued by the ethnic and cultural cleansing policies, conducted by the different actors implicated in the events which stirred up trouble in the ottoman empire at the end of 19th and at the beginning of the 20th century. …”
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Reconstruire une vision américaine de la Révolution française : Gouverneur Morris, architecte d’une pensée anti-Jeffersonienne ? by Émilie Mitran

“…The historiography of the French Revolution is a dense and polyphonic narrative; among its American voices, the writings of Gouverneur Morris, actor of two revolutions ‒ American and French – have been barely studied by historians, on each side of the Atlantic, contrary to those of Thomas Jefferson. …”
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Lugares de infancia en Los papeles salvajes de Marosa di Giorgio by Hebert Benítez Pezzolano

“…The decisive childhood space precedes and exceeds the thematic dimensions, to settle in the area of enunciation from which a tense polyphonic articulation of temporal implosion occurs. …”
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Making the Case for Spain’s Possession of Jerusalem: Diego de Valdés’s De dignitate regum regnorumque Hispaniae by Chad Leahy

“…Valdés’s granular view of the history of the title yields a diachronic critique of Spain’s perennial rival, France, that at the same time inscribes a more polyphonic set of Spanish connections to the throne of Jerusalem across the centuries.…”
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Acts as Performance in the Occupation of the Urban Space: against a model of city for mega-events by Beatriz Provasi (Pontifícia Universidade Católica do Rio de Janeiro, Rio de Janeiro/RJ, Brazil)

“…By perceiving the plurality of the activated forms of expression and the centrality of direct action in the practice of the protesters, I address these acts with reference to the notion of performance, considering especially the bodies which have occupied the urban space with their choreopolitics, theatres of invasion, polyphonic choirs, multiple writings, and the creation of Temporary Autonomous Zones always ready to re (in)ssurect.  …”
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Insularizare barocǎ: o relecturǎ a poemelor Olgǎi Ştefan - Baroque Insulation: Re-reading Olga Ştefan’s Poetry by Graţiela Benga

“…It follows a fourfold outline: the recourse to associative poetics and multiple focalizations, the relation between body, concept and writing, the use of baroque techniques, especially geared towards mixing voices and plenteous figures, the insulation not only as a stronghold of recalibrated human beings, but also as a stimulus for polyphonic poetry writing. Undertaken in the light of resistance and metamorphosis, her poems do not celebrate the weirdness of imaginary, but a sparing alternative to the decentrede mental horizon. …”
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5. Didactic Strategies for the Development of Professional Musical Hearing by Duţică Luminiţa

“…In this respect, I focused my research on the following typologies: melodic, polyphonic, harmonic, dynamic, timbral, with particular reference to the formation of internal hearing and sense of rhythm.…”
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La polémique entre scientifiques: une approche polyphonique by Daciana Vlad

“…This approach of polemics is a polyphonic one, explaining the plurivocity of polemical discourse by the co-presence of several voices in conflict. …”
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"Ut omni tempore inservire queant…" : a reflection on the structure of Jacobus Handl's Opus musicum and its association with a liturgical context by Marc Desmet

“…This task has still to be realised from the start, although many clues seem to converge in favour of a collection of ecclesiastical concerts rather than a series of polyphonic settings of liturgical chant quotations.…”
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'Lusitania' by Almeida Faria: between historiographical fiction and autobiographical testimony by Agnès Levécot

“…We will show how the narrative’s epistolary polyphonic structure underlines the post-April 25th distress felt by part of the Portuguese population and which is widely represented in the Portuguese novel from the end of the 20th century. …”
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Die Sahara - Wüste als heterotopischer und ambivalenter Raum in Karl Mays Roman Durch die Wüste by Bilel Bensalah

“…This essay attempts to analyze the ambivalent side of the desert as a polyphonic and transcultural space for possible moments of enunciation, using the example of Karl May’s novel „Durch die Wüste“ (1892). …”
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A Harki History Lesson: Dalila Kerchouche’s Filiation Narrative Mon père, ce harki by Rebecca Raitses

“…This allows the author to achieve a polyphonic account of the past. At the same time, her family serves as the prism through which she confronts the stigma attached to Harkis (Algerian soldiers hired by the French Army) and examines their unjust treatment in France.…”
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Crease by Maria Gil Ulldemolins, Kris Pint

“…As part of the methodology developed to create this polyphonic voice, the paper is structured in a non-linear fashion. …”
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The Question of the Author in Bakhtin by Pampa Olga Arán

“…I would like to reflect on the problem of the author in Bakhtin, who is subject to numerous sieges throughout his work: as character, as ideologist of the architectonics, as masked voice, as polyphonic ear, as interlocutor in chronotopized dialogue. …”
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El aplazamiento de la voz: dialogismo y simultaneidad en La feria de Juan José Arreola by Edgar Campos

“…Based on a review of selected criticism about the novel, the author takes out a methodical study under Bahktinian assumptions to deepen the polyphonic character of the work — a factor already detected by specialists without conducting a pointed study of the matter. …”
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