Open Dialogue: A case study on the influence of sharing or withholding reflections during a network meeting by Albert van Dieren, Corine Clavero

“…In Open Dialogue, sharing of reflections by professionals constitutes an important contribution to promoting a polyphonic dialogue between participants. In the inner dialogue, past and future influence the present moment. …”
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Existentialism, Epiphany, and Polyphony in Dostoevsky’s Post-Siberian Novels by Bilal Siddiqi

“…This interpretation will also provide an original route towards a polyphonic reading of Dostoevsky.…”
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La voix féminine dans les motets français à deux et trois voix du XIIIe siècle by Rachel Méegens

“…French polyphonic secular motets are based on polytextuality: several texts are simultaneously set out by several voices. …”
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ANALYTICAL ASPECTS IN MISSA DE BEATA VIRGINE BY JOSQUIN DES PREZ by Apolka FÁBIÁN

“…He used different techniques from the XVI. century: paraphrased cantus firmus melody, tropus, imitative and polyphonic techniques. His early style testifies to the influence of Guillaume Dufay and Jan van Ockeghem. …”
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La « crise grecque » dans l’Ultime Humiliation de Rhéa Galanaki by Loïc Marcou

“…In The Ultimate Humiliation, her last book, Rhea Galanaki (1947‑), one of the greatest contemporary novelists, offers a radiograph of the "Greek crisis" in a polyphonic novel featuring characters representative of the current Greek society: two retired ladies damaged by life and turned into beggars, a crooked politician, an anarchist fighting against the political establishment, a neo‑Nazi prompt to fight against strangers and migrants, an immigrant housekeeper, a devoted female social worker. …”
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Le roman-fugue – modèles et réalisations by Roumiana L. Stantchéva

“…The evolution of literary ideas, related to music and fugue, especially the reflections of some twentieth-century writers – forerunners of the literary research in the field of polyphony – allow us to grasp its progression in the novel. Polyphonic music is above all a device that allows some authors to give a narrative voice to each of their main characters. …”
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Transcendentalist Women in Conversation: Margaret Fuller, Sophia Ripley, and “Woman” by Alice de Galzain

“…Originally written as homework for one of Fuller’s Boston Conversations (1839–1844), Ripley’s plea in favor of women’s right to education perfectly epitomizes the polyphonic nature of feminist social advances in antebellum America. …”
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Le jeu de la parodie dans Woman and Nature: The Roaring Inside Her de Susan Griffin by Marion Coste

“…Finally, I will show that parody allows Susan Griffin to write in a polysemic and polyphonic language, capable both of showing the arbitrariness of the association of women and nature and of using this association for the purposes of empowerment.…”
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Translating Faith: Field Narratives as a Means of Dialogue in Collaborative Ethnographic Research by Eve Gregory PhD, Vally Lytra PhD, Arani Ilankuberan, Halimun Choudhury, Malgorzata Woodham

“…After outlining a sociocultural approach to learning and discussing how faith situates itself within this frame, we show ways in which field narratives provide a bridge between the past, present and future of cultural events and practices and allow a polyphonic gaze by different researchers describing the same setting. …”
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An Analysis of Music Composition Techniques of Bao Yuankai: Case Study of “Little Cabbage” by Wei Sun, Daoruang Krisada

“…The results of the research findings were: 1) The Chinese pentatonic scale 2) The use of Chinese folk melody in Western orchestra and 3) 3 Music texture: polyphonic technique and Chinese melody fusion. Exploring the composer's concept of symphonic Chinese folk songs is of paramount importance for further inheriting and advocating China's outstanding folk music culture.…”
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Quelle définition pour le flou interpellatif ? by Liana Pop

“…There are a great number of synonyms to “interpellation”, anf for a more or less direct manifestation of it, we can enumerate: linguistic and non-linguistic (non-verbal) summoning; propositional or non-propositional, nominal, verbal, and interjectional summoning; summoning as an act or non-act, dialogic or polyphonic; in trilogue or polylogue situations, cancelled summoning, etc. – the last ones defined as “tropes communicationnels”. …”
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Oak Tree, Gum Tree by Catherine Gough-Brady, Christine Rogers

“…Aston and Odorico use this polyphonic approach as a way of exploring relationships between documentary works and audience. …”
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Des voix pour un bilo. L’expulsion rituelle du maléfique à travers les chants polyphoniques by Delphine Burguet

“…Recovery from sickness is facilitated by polyphonic and polyrhythmic acts. The adhesion of the community is promoted by singing and provides the social cohesion necessary to fight against illness, evil or misfortune as suffered by an individual or a group which would otherwise impact on the stability of the whole community. …”
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African Philosophy Post 1994: In Conversation with Alena Rettova by Isaiah Negedu, SimonMary Asese Aihiokhai

“…We identify several issues in her historical account of African philosophical thoughts that need polyphonic engagement in order to ensure that Africa’s pluralistic intellectual heritage is not reduced to a monophonic one. …”
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COMPOSITION PORTRAIT IRINA ODĂGESCU-ȚUȚUIANU by RADU-ŢAGA CONSUELA

“…Her creative personality is distinguished by a solid composition technique, a modal melodic thinking with ample harmonic-polyphonic developements, a subtle knowledge of orchestration and effective conduct of the human voices, dimensions ennobled by a direct and spontaneous expression, penetrated by sincerity…”
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“Manufactured By The Sun”: Eve Langley’s The Pea-Pickers on The Move by Nicholas Birns

“…This paper seeks to rescue the contemporary relevance of this novel of two young women who go into the rural areas of Gippsland to pick peas, showing its pioneering attention to transgender concerns, the polyphonic panoply of its style and soundscape,. and its portrayal of a settler culture not anchored in a perilous identity but dynamically on the move. …”
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Open Access scientific, electronic publishing and Bakhtinian dialogism by Tarik Sabry

“…Increasingly since the 1960s, communication and public relations theory have shifted their focus away from one-way, asymmetrical to two-way, symmetrical models, thereby progressing to more equitable and interactive, multi-levelled conceptual models of dialogic and polyphonic communication (Grunig, 2001). It is in this context that Bakhtinian dialogism becomes highly relevant. …”
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Enacting polyphony: An interview with Florian Thalhofer by Judith Aston, Stefano Odorico

“…Starting from a SNU (Smallest Narrative Units, as he calls them) his film are polyphonic representations of our world. Florian gave a keynote at the first i-Docs Symposium in 2011, and has been an active and deeply committed member of the i-Docs community ever since.…”
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‘“We’re getting the victory we fought for” we were told’: retrospective subjectivities in oral histories of Irish republicanism by Hepworth, J

“…Following linguist Mikhail Bakhtin’s conception of heteroglossia, these oral histories navigated republican leaders’ monological representations of republicanism and polyphonic micro-dynamics through the heterogeneous movement. …”

Pro defunctis: Lassos frühe Toten- und Memorialkompositionen zwischen Individualisierung und Generalisierung by Leitmeir, C

“…This has a decisive impact on the tradition of the genre of the polyphonic Requiem, to which Orlando di Lasso made his first contribution only in his mid-forties. …”