Macro Photogrammetry & Surface Features Extraction for Paleolithic Portable Art Documentation by Miriam Cabrelles, José Luis Lerma, Valentín Villaverde

“…The plaquette number 16330 is presented, belonging to the portable art collection in Cova del Parpalló (Gandía, Spain), one of the most important Paleolithic sites in the UNESCO’s Rock Art of the Mediterranean Basin on the Iberian Peninsula. …”
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Portable art of the Côa Valley (Vila Nova de Foz Côa, Portugal): Fariseu archeological site by Marcos GARCÍA DIEZ, Thierry AUBRY

“…The repertoire of Palaeolithic portable art in Portugal is very meager. In December of 1999, during salvage archaeological excavations at the Fariseu Station (Vila Nova de Foz Côa, Portugal), two schist slabs were found in stratigraphic context. …”
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A Unique Collection of Palaeolithic Painted Portable Art: Characterization of Red and Yellow Pigments from the Parpalló Cave (Spain). by Clodoaldo Roldán García, Valentín Villaverde Bonilla, Isabel Ródenas Marín, Sonia Murcia Mascarós

“…In this work we analyze the pigments used in the decoration of red and yellow motifs present in the portable art of the Parpalló Cave (Gandía, Spain), one of the most important Palaeolithic sites in the Spanish Mediterranean region. …”
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On the Attribution of Palaeolithic Artworks: The Case of La Marche (Lussac-les-Châteaux, Vienne) by Chisena Simone, Delage Christophe

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Rediscovered Mesolithic Rock Art Collection from Kamyana Mohyla Complex in Eastern Ukraine by Radchenko Simon

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Medieval Islamic objects and the architecture of the mind by Matt Saba

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From the cave to the virtual museum: accessibility and democratisation of Franco-Cantabrian Palaeolithic art by Miguel García-Bustos, Olivia Rivero, Paula García Bustos, Ana María Mateo-Pellitero

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El reconocimiento del arte mobilar cantábrico : la aportación del H. Alcalde del Río by Ignacio Barandiarán Maestu

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Nuevo hallazgo de arte mueble de estilo Paleolítico en el Noreste peninsular: la plaqueta grabada de les Coves del Fem (Ulldemolins, Tarragona) by Inés Domingo, Antoni Palomo, Xavier Terradas, Anna Berrocal Barberà, Igor Bodganovic, Oriol López-Bultó, Rafael Rosillo Turra, Raquel Piqué

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Древнейшее искусство Северной Азии: современные возможности документации, публикации и обмена данными... by Панкина, А.И., Ростяженко, Т.Е.

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El fin del estilo paleolítico: un caso de estudio en el Noroeste peninsular by Tania Mosquera Castro, André Santos, Ramón Fábregas Valcarce, Xosé Pedro Rodríguez-Álvarez, Arturo De Lombera-Hermida

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ARQUEOLOGÍA DE PASOS CORDILLERANOS: UN CASO DE ESTUDIO EN PATAGONIA NORTE DURANTE EL HOLOCENO TARDÍO ARCHAEOLOGY OF ANDEAN PASSES: A CASE STUDY OF NORTHERN PATAGONIA DURING THE LAT... by Cristina Bellelli, Vivian Scheinsohn, M. Mercedes Podestá

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Paleocatálogo 3D: Photogrammetry for the realization of a high quality, accessible and free 3D Virtual Catalog by Raúl Maqueda García-Morales, Manuel Luque Cortina

“…The access to archaeological collections, to have at our disposal a repertoire of portable art, tools, etc. of European Prehistory, neither will be. …”
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The Cave of Isturitz (West Pyrenees, France): One Century of Research in Paleolithic Parietal Art by Christian Normand, Olivia Rivero, Aude Labarge, Diego Garate, Joëlle Darricau

“…In this excavation, the Magdalenian levels yielded a considerable quantity of portable art objects. In the last few years, several workers have resumed the study of those pieces. …”
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El arte mueble magdaleniense en Arancou (Pirineos atlánticos, Francia) by Michèle CREMADES

“…</p><p>ABSTRACT: The magdalenian site of Arancou has yielded 22 portable art objects which were found in the backdirt of a clandestine excavation. …”
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A Paleolithic bird figurine from the Lingjing site, Henan, China. by Zhanyang Li, Luc Doyon, Hui Fang, Ronan Ledevin, Alain Queffelec, Emeline Raguin, Francesco d'Errico

“…However, no instances of three-dimensional portable art, well attested in Europe since at least 40 ka BP, were documented thus far in East Asia prior to the Neolithic. …”
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El Magdaleniense con triángulos de Las Caldas (Asturias, España). Nuevos datos para la definición del Magdalenense inferior cantábrico by Soledad CORCHÓN RODRÍGUEZ

“…The bone industry and its portable art contribute to make emphasize the strong personality of this Magdalenian, keeping a great number of Perigordian and Solutrian elements. …”
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Representaciones de fauna fría en el Arte mueble de la Cueva de Caldas (Asturias, España). Significación e implicaciones en el Arte parietal by Soledad CORCHÓN RODRÍGUEZ

“…It has a complete magdalenian stratigraphycal sequence, with plentiful and typical lithic, osseous and Portable Art series. In this article we study three plates with rock carving of stepping fauna, such as reindeer, mammoth and rhynoceros, which were found in the Middle Magdalenian base. …”
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Cuentas de madera magdalenienses de la cueva de Santa Catalina (Lekeitio, Bizkaia, España) by Eduardo Berganza, Mónica Ruiz-Alonso, Rosa Ruiz-Idarraga

“…Within the collection of portable art recovered, there are two wooden beads, which are the subject of the present study. …”
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Landscape and connections: petroglyphs of the Altai in the 2nd and 1st Millennium BCE by O'Sullivan, R

“…More broadly, similarities between motifs at rock-art sites, as well as on portable art, demonstrate that the people making them, regardless of whether they were aware of it or not, were part of a wider understanding of <em>how</em> to depict subjects. …”