Cathode Mamma: Post-punk and Television in Italy by Gabriele

“… Spanning from the late 1970s throughout the 1980s, the music-based subculture known as post-punk was characterized by an antagonistic attitude towards mass media and pop culture. …”
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“To the centre of the city in the night waiting for you.” Centro e periferie nella sottocultura post-punk inglese = “To the centre of the city in the night waiting for you.” Centre and peripheries in English post-punk subculture by Alfonso Amendola, Novella Troianiello

Subjects: “…post-punk…”
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Manchester’s Post-punk Heritage: Mobilising and Contesting Transcultural Memory in the Context of Urban Regeneration by Dagmar Brunow

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Manchester's Post-punk Heritage: Mobilising and Contesting Transcultural Memory in the Context of Urban Regeneration by Dagmar Brunow

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Dark Enactments in Milan: A Practice-Centred Exploration of an Italian Post-Punk Subculture of the ‘80s by Simone Tosoni

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From Post-Punk to PC Music: Subcultural Discourses and Practices in Two Underground Scenes (1979, 2015) by Philippe Birgy

Subjects: “…post-punk…”
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Paul Edwards, Elodie Grossi & Paul Schor (dir.), Disorder. Histoire sociale des mouvements punk & post-punk by Sarah Benhaïm

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The Ambivalence in the Metaphor Life is Wine from the song “No I in Threesome” by Interpol by David Boza Méndez

Subjects: “…Literary analysis, song, poetry, post-punk, Interpol, metaphor…”
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Jon Savage, This Searing Light, The Sun and Everything Else: Joy Division The Oral History; Stephen Morris, Record Play Pause: Confessions of a Post-Punk Percussionist. Volume 1 by Dennis Kersten

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Making a Noise – Making a Difference: Techno-Punk and Terra-ism by Graham St John

Subjects: “…techno, post-punk, anarcho-punk, hardcore, sound systems, post-colonialism, Sydney techno-punk scene…”
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Ian Curtis by Tim Richardson

“…Tim Richardson’s work considers some of the influences and material interventions – books, records, rooms, paint - that supported Ian Curtis’s breakthrough contributions to post-punk music as well as the cassette tapes that allowed high school kids in West Texas to find and love him afterward. …”
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New potentials for "independent" music : social networks, old and new, and the ongoing struggles to reshape the music industry by Wendel, Evan Landon

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Fedeli alla linea: CCCP and the Italian Way to Punk by Vincenzo Romania

“…This article examines the Italian punk scene and its transition from classic to post-punk, focussing on its most famous and significant band: CCCP – Fedeli alla linea.After a short introduction to the historical and cultural background, the results of a qualitative textual analysis of CCCP lyrics using algirdas Greimas’ methodology for narrative semiotics (1983) will be presented. as the results show, CCCP’s artistic production can be interpreted as a subversive and ironic parody of the collectivist traditions that were dominant in Italian politics and culture at the time (communism and Catholicism), and as a creative critical reaction to neoliberalism. …”
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The Irony and the Ecstasy by Larissa Wodtke

“…Neither of these bands makes straightforward EDM—Pet Shop Boys fall under pop and LCD Soundsystem can be considered post-punk—but both are influenced by the New York City dance scene of the late 70s and early 80s, and are characterized as ironic. …”
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Esistere – Resistere – Produrre – Riprodurre - Riprodursi by Phoebe Zeitgeist

“…Una forma di autoproduzione che per la Compagnia corrisponde alle pratiche di lotta creativa legate all’artivismo e alla sua declinazione post-punk.…”
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