Bernardino Poccetti’s ceiling of the loggia in Palazzo Marzichi-Lenzi: An iconological study by Liana De Girolami Cheney

“…Bernardino Barbatelli, known as Il Poccetti(1542–1612), was an Italian Mannerist artist, who was a prolific fresco painter, decorator, and printmaker. During his artistic career, he completed religious frescoes for Santa Maria Novella, Saint Mark, the Cloister of Santissima Annunziata, and the vault at the entrance of the Hospital of the Innocents. …”
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Lady of the House: Augustina Meza (ca. 1758–1819), Print Publishing, and the Women of Mexican Late Colonial Art by Kelly Donahue-Wallace

“…Using archival records of the Sagrario Metropolitano and material analysis of extant prints, the paper presents the life and work of the only known woman printmaker in viceregal New Spain, María Augustina Meza. …”
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Stanley William Hayter : Les nouveaux gestes de la gravure by Anne Béchard-Léauté, Laurence Tuot

“…In 1947, a small group of Surrealist artists, comprising Joan Miró, printmaker Stanley William Hayter and poet Ruthven Todd tried to resurrect Blake’s technique of “illuminated printing”. …”
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Looking for Dante: exploring the 'Divine Comedy' in print from the 15th century to today by Ho, W-G, Bowen, R, Gilson, S

“…</p> <p>In 2023, Rebecca Bowen and Simon Gilson – University of Oxford specialists in Dante Studies and Book History – invited artist-printmaker Wuon-Gean Ho to examine these books and make a contemporary response.…”

Syphilis and the use of mercury by Wong, SS, Deviese, T, Draycott, J, Betts, J, Johnston, M

“…<p>Marriage a-la-Mode No. 3 (The Inspection) belongs to a six part series of paintings by English painter, printmaker and society critic, William Hogarth. The print in the possession of the RPS Museum depicts Viscount Squanderfield and his child mistress visiting a quack. …”

KOMUNITAS SEBAGAI INFRASTRUKTUR PERKEMBANGAN SENI GRAFIS DI YOGYAKARTA by Alexander Nawangseto Mahendrapati

“…Keywords: mapping , community , printmaking, popular.…”
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Une leçon japonaise : la gravure sur bois en couleurs en France, 1889-1939 by Philippe Le Stum

“…The use of Japanese printmaking techniques by a handful of French engravers was part of a dual process involving the revival of the original woodcut and the advent of colour in Western printmaking. …”
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Sztuka i przestrzeń. Pawła Florenskiego interpretacja kategorii przestrzenności by Paulina SURY

“…Painting and printmaking are, for Florensky, the truest art forms — art par excellence. …”
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A multi-analytical approach to identify red colorants on woodblock prints attributed to Suzuki Harunobu by Lyndsay N. Kissell, Trine K. Quady, Dario Durastanti, Samantha Springer, Jeannie Kenmotsu, Tami Lasseter Clare

“…Of particular interest are the works of Suzuki Harunobu, who was working at the inception of full-color printmaking. These prints were made on thin kōzo paper and woodblock printed with semi-transparent to opaque regions of dye(s) and/or pigment(s) mixed with binder. …”
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Yoshida Hiroshi: A Japanese artist in India: Woodblock prints from the Lahiri Collection by Pollard, C, Kumbera Landrus, M

“…A leading figure in the ‘shin-hanga’ (new print) movement, which contributed to the renewal of Japanese printmaking after the end of the Meiji era (1912), Yoshida first trained in the Western oil painting tradition. …”

Remembering Our Leaders by Tiffany Gurprasad

“…Focusing mainly on the Caribbeandiaspora, Tiffany has worked extensively with painting,installation and intaglio printmaking.…”
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Authors and aquafortistes: the Goncourt brothers and the nineteenth-century etching revival by Skokowski, R

“…Finally, it aims to expand discussions of the links between literature and art in nineteenth-century France, moving beyond the sphere of painting to reveal important connections between printmaking and writing.…”

“From a Sheet of Paper to the Sky” by Inga

“…In that essay, I argued against the traditional art historical tendency to review an artist’s work in different media separately, and instead proposed that a consideration of Paul Nash’s painting alongside his three-dimensional and textile designs, his printmaking, and photography, resulted in a fuller understanding of both the conceptual underpinnings and the recurring visual motifs in Nash’s work.…”
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Move on Malaysian art by Abdullah, Sarena

“…Traditionally. the fine arts are drawing, painting, sculpture. photography and printmaking. However, since the 1990's, artw01ks that cross these traditional boundaries hove been produced extensively-names such as liew Kungyu, Wong Hoy Cheong, fan Chin Kvan. …”
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Exclusión-inclusión. El caso del exilio político germanoparlante en México y la solidaridad antifascista de artistas mexicanos del Taller de Gráfica Popular by Lizette Jacinto

“…Finally, the article addresses the solidarity shown towards the exiles by the group of artists and printmakers that formed the Taller de Gráfica Popular (Popular Graphics Workshop) in Mexico at that time, and by one of the most emblematic printmakers, Leopoldo Méndez, who provided poster designs to disseminate the exile group’s propaganda that focused on spreading the ideas if their anti-fascist struggle. …”
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The ecological techniques and materials in artistic graphic art by Winczek Katarzyna, Winczek Jerzy

“…In the paper, against the background of art and ecology associations, formerly and today, modern ecological techniques and materials used in artistic printmaking have been presented. The considerations were related to the culture of past centuries and searching for the threads of ecological thought in philosophy, religion or art. …”
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Page65 by Chu, Isaac Weng Yip

“…The visual arts umbrella discussed in this report will represent the following art genres: ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video and filmmaking. …”
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Violent Impression by Niamh Fahy

“…The purpose of this text is to examine the cyclical methodologies of fieldwork, deep mapping and printmaking employed to investigate the changing land use of the Slieve Aughty Mountains, located in the west of Ireland. …”
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Nanotechnology and metal engraving: collaborative work in scientific laboratory by Angela Raffin Pohlmann, Karina Paese, Adriana Raffin Pohlmann, Silvia Stanisçuaski Guterres

“…The main goal of the research is to use nanotechnology knowledge to characterize, plan, develop and produce alternative non-toxic materials for use in the printmaking, such as varnishes and intaglio inks. We analyze the types, profile and size of particles present in the varnishes, to improve the alternative materials in order to obtain a differentiated technical and artistic response. …”
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imprints by Mindi Rhoades

“…There is the imprint of the text itself, the prints of the photos, the fictional prints and printmaking referenced, the mental images burned into memory, the lasting impression. …”
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