Yoshida Hiroshi: A Japanese artist in India: Woodblock prints from the Lahiri Collection by Pollard, C, Kumbera Landrus, M

“…A leading figure in the ‘shin-hanga’ (new print) movement, which contributed to the renewal of Japanese printmaking after the end of the Meiji era (1912), Yoshida first trained in the Western oil painting tradition. …”

Authors and aquafortistes: the Goncourt brothers and the nineteenth-century etching revival by Skokowski, R

“…Finally, it aims to expand discussions of the links between literature and art in nineteenth-century France, moving beyond the sphere of painting to reveal important connections between printmaking and writing.…”

Remembering Our Leaders by Tiffany Gurprasad

“…Focusing mainly on the Caribbeandiaspora, Tiffany has worked extensively with painting,installation and intaglio printmaking.…”
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“From a Sheet of Paper to the Sky” by Inga

“…In that essay, I argued against the traditional art historical tendency to review an artist’s work in different media separately, and instead proposed that a consideration of Paul Nash’s painting alongside his three-dimensional and textile designs, his printmaking, and photography, resulted in a fuller understanding of both the conceptual underpinnings and the recurring visual motifs in Nash’s work.…”
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Move on Malaysian art by Abdullah, Sarena

“…Traditionally. the fine arts are drawing, painting, sculpture. photography and printmaking. However, since the 1990's, artw01ks that cross these traditional boundaries hove been produced extensively-names such as liew Kungyu, Wong Hoy Cheong, fan Chin Kvan. …”
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Violent Impression by Niamh Fahy

“…The purpose of this text is to examine the cyclical methodologies of fieldwork, deep mapping and printmaking employed to investigate the changing land use of the Slieve Aughty Mountains, located in the west of Ireland. …”
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The ecological techniques and materials in artistic graphic art by Winczek Katarzyna, Winczek Jerzy

“…In the paper, against the background of art and ecology associations, formerly and today, modern ecological techniques and materials used in artistic printmaking have been presented. The considerations were related to the culture of past centuries and searching for the threads of ecological thought in philosophy, religion or art. …”
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Page65 by Chu, Isaac Weng Yip

“…The visual arts umbrella discussed in this report will represent the following art genres: ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video and filmmaking. …”
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imprints by Mindi Rhoades

“…There is the imprint of the text itself, the prints of the photos, the fictional prints and printmaking referenced, the mental images burned into memory, the lasting impression. …”
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Three Observations on Filming Tactility and Movement in Crafts-based Practice by Wuon-Gean Ho

“…The author, Wuon-Gean Ho, studied the craft of traditional woodblock printmaking in Japan, and demonstrates planning, carving and printing of a woodblock print. …”
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Lady of the House: Augustina Meza (ca. 1758–1819), Print Publishing, and the Women of Mexican Late Colonial Art by Kelly Donahue-Wallace

“…Using archival records of the Sagrario Metropolitano and material analysis of extant prints, the paper presents the life and work of the only known woman printmaker in viceregal New Spain, María Augustina Meza. …”
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Joseph Berres’s Phototyp by Martin Jürgens, Ioannis Vasallos, Lénia Fernandes

“…Today, Phototyp is recognized as a key work in the pioneering combination of photography and traditional printmaking as a means of disseminating visual information in the mid-nineteenth century. …”
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Nanotechnology and metal engraving: collaborative work in scientific laboratory by Angela Raffin Pohlmann, Karina Paese, Adriana Raffin Pohlmann, Silvia Stanisçuaski Guterres

“…The main goal of the research is to use nanotechnology knowledge to characterize, plan, develop and produce alternative non-toxic materials for use in the printmaking, such as varnishes and intaglio inks. We analyze the types, profile and size of particles present in the varnishes, to improve the alternative materials in order to obtain a differentiated technical and artistic response. …”
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Pierre-Jean Mariette, enlightened art connoisseur and scholar of art history by Ingrid R. Vermeulen

“…Economic and social shrewdness in the case of printmaking, the very core of his art connoisseurship in the case of drawing, and his art-historical scholarship in the case of gem engraving. …”
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The Technical Dimension of the Works of Artists Robert Rauschenberg and Jasper Johns by Nawras Hameed Majeed

“…As for the fourth chapter, it included the results, conclusions, proposals, and recommendations, and the most important of these results reached by the researcher are: 1- Robert Rauschenberg and Jasper Johns used the collage technique (mixed medium), where the artist created multiple processes between gluing, composition, and color painting, thus presenting mutually reinforcing techniques within one visual field. 2- Most postmodern artists invested in disparate ready – made objects to develop them through color, collage, composition, printmaking, photography, and other techniques, as in models (1,2,3).…”
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Shared Brains, Proprioceptiveness, and Critically Approaching the Animal as the Animal in Artworks by Angela Bartram, Lee Deigaard

“…Their works in performance, video, drawing, and printmaking foreground animal proximity and behaviour, inter-species proprioception, reciprocal caretaking, synchronised respiration, and companionate movement. …”
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A Dynamic Mode Decomposition Based Edge Detection Method for Art Images by Chongke Bi, Ye Yuan, Ronghui Zhang, Yiqing Xiang, Yuehuan Wang, Jiawan Zhang

“…Finally, the effectiveness of our method will be demonstrated through detecting the edges of three classical types of art images (Comic, Oil Painting, and Printmaking).…”
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Listen: a litho-phonic encounter by Serena Smith

“…It is, however, difficult to put into words the nuances of this printmaking practice, and consequently, handbooks rarely refer to sensory information and phenomenological experience. …”
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Image Enhancement via Special Functions and Its Application for Near Infrared Imaging by Ruoxi Yang, Long Chen, Ling Zhang, Zongan Li, Yingcheng Lin, Ye Wu

“…Secondly, a filter is built using hyperbolic cosine and its inverse function, where a printmaking feature can be extracted. Thirdly, a filter is made via a hyperbolic secant function and its inverse. …”
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Aesop’s Fables in Disguise: a Creative Interpretation of Gheeraerts’s Illustrations for De warachtighe fabulen der dieren in Two Early Publications by Johann Weichard Valvasor by Martin Germ

“…An original reinterpretation of Gheeraerts’s etchings has recently been discovered in two publications by Johann Weichard Valvasor (1641-1693), the great patron of the arts, who established the first printmaking workshop in the Duchy of Carniola. The engravings in the Dominicae Passionis Icones (1679) and Theatrum mortis humanae tripartitum (1682) produced in Valvasor’s workshop at Bogenšperk Castle are embellished by original decorative borders, designed by Valvasor’s master engraver Andreas Trost. …”
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