The Artist, the Image and the Self: Representation in Rembrandt, Bacon, Mapplethorpe, Sherman, and Nan Goldin by Luiz Sérgio de Oliveira

“…Before photography, only painters, printmakers, and sculptors could tell, through self-portraits, how they saw themselves and how they were perceived. …”
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Stanley William Hayter : Les nouveaux gestes de la gravure by Anne Béchard-Léauté, Laurence Tuot

“…In 1947, a small group of Surrealist artists, comprising Joan Miró, printmaker Stanley William Hayter and poet Ruthven Todd tried to resurrect Blake’s technique of “illuminated printing”. …”
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Syphilis and the use of mercury by Wong, SS, Deviese, T, Draycott, J, Betts, J, Johnston, M

“…<p>Marriage a-la-Mode No. 3 (The Inspection) belongs to a six part series of paintings by English painter, printmaker and society critic, William Hogarth. The print in the possession of the RPS Museum depicts Viscount Squanderfield and his child mistress visiting a quack. …”

Spanish Prints from the Peninsular War: Propaganda, Commemoration and Testimony Estampas españolas de la Guerra de la Independencia: propaganda, conmemoración y testimonio by José Manuel MATILLA

“…Since the mid 18th century the State had been encouraging the development of engraving and this favoured the existence of printmakers who satisfied the requirements of the market during these years. …”
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Art, archaeology, imperialism: Western Anatolia and its railways in the Victorian imagination (1854-1877) by Solovyev, A

“…It is these developments, as seen through the eyes of painters, photographers, and printmakers, as well as travelogue authors, clerics, journalists, and politicians, who worked for a British audience in Izmir and at home, that form the subject of my dissertation.…”

Hubert Goltzius’s <i>Lebendige Bilder Gar Nach Aller Keysern</i>, Emperor Maximilian II, and Renaissance Cycles of Fresco Portraits of Emperors in Palaces in Silesia by Andrzej Kozieł

“…This is where they purchased a work by the Dutch printmaker, painter, and numismatist, Hubert Goltzius, <i>Lebendige Bilder Gar Nach Aller Keysern</i> […] (published in Antwerp in 1557), whose specially prepared copy had been solemnly presented to Emperor Maximilian II in 1562. …”
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Kunst, keskkond ja keskkonnaliikumine Eestis 1960.–1980. aastatel / Art, Environment, and Environmentalism in Estonia in the 1960s–1980s by Linda Kaljundi

“…The art of the 1970s and 1980s gradually comes to bear witness to the expansion of an entirely new approach to the environment, as many of the leading painters and printmakers of the period abandon the genres of landscapes and cityscapes and instead begin to show the natural and the human-made or technological environments as closely entangled and inseparable. …”
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