Los días terrenales: la distorsión y la perversidad a partir de la vinculación ecfrasis-protagonistas by Gabriela Trejo Valencia

“…I propose a reading that (re)assess the extra textual elements (spaces other, posters, paintings) presents in the novel in order to elucidate how ekphrasis resources unveil a distortion similar to the protagonists. Thus, it is devoted to the review that Los días terrenales the work of El Greco, a painting by Georges Braque and political poster have a high symbolic density that underpins the perversion implicit throughout narrative.…”
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Beyond the Binary: Queer (Im)possibilities of Bisexual Desires in Selected US Young Adult Novels by Carrie Spencer

“…There has been rapid growth in the representation of bisexual characters in US YA since 2010 in both genre fiction that has traditionally been dominated by the stories of heterosexual protagonists, and in popular YA trends, particularly the teen love triangle plot. …”
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Afilierea lui Mattei Dogan la sociologia românească (1990-2000) by Cristian Preda

“…To capture the institutional and editorial strategies that were used, I conducted interviews with several protagonists of the Romanian sociology renaissance movement. …”
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A Careful Reading of Latin/x American Womens Electronic Literature by Thea Pitman

“…Portales Machado and Sandra AbdAllah-,varez Ram챥z, as well as two science-fiction games/interactive narratives with trans of color protagonists made by Latina digital media and performance artist micha c౤enas and collaborators. …”
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H. G. Wells’s and E. M. Forster’s Transformative Arts: Theoretical Divergences and Formal Connections by Laurent Mellet

“…In Wells’s Edwardian novels, the only way to fulfil oneself is precisely to try and change the world through political commitment and action, while Forsterian protagonists find salvation in a much more aesthetic progression to sentience. …”
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« Li vallés qui est mescine » - Ambiguïté du masque, ambiguïté de la parole dans Le roman de Silence by Gabriela Tanase

“…La plupart des études consacrées au Roman de Silence partent en effet de l’ambiguïté sexuelle de Silence, la protagoniste du roman, pour déboucher sur le tissu intriqué d’une histoire où aucune parole n’est stable. …”
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Representation of Whom? Ancient Moments of Seeking Refuge and Protection by Elena Isayev

“…Remaining depictions are of named, recognisable protagonists, whose stories are known. There is no ‘mass’ of refuge seekers, to whom a single set of rules could apply across time and space. …”
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Larva. Babel de una noche de San Juan (1984), de Julián Ríos : un exemple de récriture comme dispositif narratif et conception de l’écriture by Stéphane Pagès

“…Atteints d’une force pulsionnelle graphomaniaque, les deux protagonistes passent leur temps non pas à écrire ce qu’ils vivent mais à vivre ce qu’ils écrivent où l’excès est la règle. …”
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Écrire le temps au Moyen Âge by Myriam Chopin-Faron

“…This led to the practice of history often written by the protagonists and/or witnesses—or by a memorialist. This implies a new periodisation: that of events witnessed by people, and the history of the crusaders within a biblical timespan. …”
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La retòrica de la ironia en la narrativa femenina catalana del període d’entreguerres by Dolors Madrenas Tinoco, Juan M. Ribera Llopis

“…Lewi (1910- s.d)…, en aquesta ocasió abordarem els indicis i els recursos d’ironia que, d’acord amb les pautes de la narrativa d’entreguerres, projecten sobre temes, protagonistes i llenguatge configuradors del seu corpus generacional.…”
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History of Anestesiology ad Resuscitation in Cienfuegos by Omar Rojas Santana, Evangelina Davila Cabo de Villa, Rosa Mirta Molina Lois, Indira Rojas Molina

“…Interviews were conducted with protagonists who were part of the development of the specialty in Cienfuegos. …”
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Mafieux ou héros ? Mythes et motifs tragiques dans Le Parrain et Le Parrain II de Francis Ford Coppola by Rosario Giovanni Scalia

“…La caractérisation tragique attribuée aux personnages de la saga des Corleone et aux événements dont ils sont les protagonistes ont contribué à rendre iconique et légendaire le stéréotype du chef mafieux et à consolider le mythe d’une « bonne mafia » exprimant les valeurs traditionnelles de la famille patriarcale et dotée d’un sens aigu de la justice et de l’honneur. …”
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BOOK REVIEW: AMÉLIE NOTHOMB, "SOIF", PARIS, ÉDITIONS ALBIN MICHEL, 2019, 162 P. by Andreea-Gabriela STANCIU

“…Contrairement aux attentes, le roman présente une histoire qui ne se trouve pas dans les pages de la Bible, les épi­sodes canoniques étant interprétés, réinterprétés ou dévoilés par leur propre protagoniste : Jésus-Christ. Les dernières heures de sa vie ont mis à l'épreuve son côté divin, lui rappelant constamment son amour non consommé pour Marie-Madeleine, l’amour maternel, son temps avec ceux qu'il aime. …”
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EthnoFilm: cinema-school and ethno-laboratory by Ivan Golovnev

“…Besides, the film draft version accompanied with a language translation and updating of film details has been showed to protagonists of shootings. This process involved into account the opinion of participants from the national environment. …”
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Constantinople viewed by the Renaissance-era West by Pasquale Tunzi

“…Nor are the makers of these images neglected: cartographers, draughtsmen, early archaeologists, engravers, printers, artists and travellers – true protagonists in a season abundant in cultural manifestation.…”
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Method and Test Course for the Evaluation of Industrial Exoskeletons by Lennart Ralfs, Niclas Hoffmann, Robert Weidner

“…Due to the vastness and heterogeneity of possible application scenarios, the test course offers a pool of modular configurable stations or tasks, and thus enables a guided self-evaluation for different protagonists. Finally, several exemplary exoskeletons supporting varying body regions passed the test course to evaluate and reflect its representativity and suitability as well as to derive discernible trends regarding the applicability and effectiveness of exoskeleton types.…”
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¿Paraíso, mágico y natural? Historia y memorias de la represión política en El Bolsón. 1974-2012 by Ayelén Mereb

“…In order to recount that, I have resorted to protagonists memories, the analysis of diverse documentaries and local and regional media, official documentation, human rights organizations, correspondence, personal archives and other sources that give an account of the recent micro-history of the local social and political conflicts.…”
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La Commedia tra testo e immagine: breve viaggio nella letteratura dantesca a fumetti by Celeste Cassina

“…In fact, the comic is not only synonymous with entertainment, but also a means capable of adapting the complex content of the Divine Comedy to an audience of primary school pupils, from which it is possible to start a profitable didactic planning, which sees protagonists and “cartoonists” the children themselves. …”
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EthnoFilm: cinema-school and ethno-laboratory by Ivan Golovnev

“…Besides, the film draft version accompanied with a language translation and updating of film details has been showed to protagonists of shootings. This process involved into account the opinion of participants from the national environment. …”
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Spontaneous writing: co-creating a play by Ioulia Balaska

“…And when these persons, who are not actors, present their own play on a stage, they see themselves as protagonists in their lives and at the same time as active members of society. …”
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