TikTok’s Queer Potential: Identity, Methods, Movements by Stefanie Duguay

“…By considering how queer identities, publics, and methods play out on TikTok, it becomes possible to locate the app’s existing and potential role in the realization of queer movements and futures.…”
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Reviews for the Special Collection on Architectural Historiography and Fourth Wave Feminism 2020 by Andrea J. Merrett, Inés Toscano, Olivier Vallerand

“…A Review of Elizabeth Otto, 'Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics'. Cambridge, MA and London: MIT Press, 2019.…”
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Past, present, and future in the context of queer ageing: a qualitative study with same-sex couples in Scotland by Dora Jandric

“… This paper explores imagined futures of same-sex couples in Scotland through the intersection of their age and queer identities, focusing on the concepts of queer time and chrononormativity. …”
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Becoming Queer Here: Integration and Adaptation Experiences of Sexual Minority Refugees in Toronto by David AB Murray

“…This paper, based on interviews with lesbian, gay, bisexual and transgender (LGBT) refugee claimants and participation in LGBT newcomer support groups in Toronto, explores the formal and informal processes, spaces and practices through which LGBT refugee claimants learn about the Canadian nation-state, citizenship and queer identities and communities, and in so doing enter a space/moment of becoming a ‘becoming’ refugee as they learn the social, cultural, and bureaucratic processes and norms of the Canadian refugee apparatus.…”
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Gender and Sexuality in Mathematics Education: Queer High School Students’ Experiences in the United States by Weverton Ataide Pinheiro

“…Through thematic analysis, findings show that mathematics teaching and learning are still disconnected from students' Queer identities and the real-world, and Queer students see a divide between Queerness and mathematics, which in many cases causes their exclusion from the STEM fields. …”
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Shame and Disavowing Queer Reality by Michelle Forrest, Phillip Joy

“…The authors recount firsthand experiences of having felt shame in connection with their queer identities and the disavowal this provoked, until such time as they met serendipitously as researchers with related interests and began sharing memories of being queer in a cis-heteronormative society. …”
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LGBTQ+ identity concealment and disclosure within the (heteronormative) health professions: “Do I? Do I not? And what are the potential consequences?” by Brenda L. Beagan, Stephanie R. Bizzeth, Tara M. Pride, Kaitlin R. Sibbald

“…In the power-laden context of the health professions, disclosure of LGBTQ+ (or queer) identities carries particular risks, with disclosures to patients/clients seen as ‘unprofessional.’ …”
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First Comes Love, Then Comes Marriage: (Homo)Normalizing Romance on American Television by Bridget Kies

“…However, this mainstream appeal comes at the expense of relative invisibility for other queer identities and lifestyles.…”
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“Áh yoù sílly àss, góds lìve in woóds!” Queer appropriations of Edwardian Classicism in Forster’s short fiction and Maurice by Claire Braunstein Barnes

“… This paper examines the interplay between classical tropes and queer identities in selected examples from Forster, in particular how his appropriation and interpretation of the scholarly classicism typical of his upbringing represents a point of divergence from the Wildean, Philhellenist hinterground of the previous century. …”
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Radical Exposures: Crip and Queer in Maggie Nelson’s Autotheory by Lucretia Rose McCarthy

“…Through disclosures on care, she confronts readers with crip and queer identities to challenge their otherness in a society that prioritises heteronormativity and able-bodiedness, silencing the ‘Other.’ …”
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Commedia dell’arte and the Gate Theatre by Ian R. Walsh

“…Building on the work of Eibhear Walshe and Richard Pine on mac Liammóir’s adoption of masks of identity, it is also argues that both Edwards and mac Liammóir assumed the masks of Harlequin and Pierrot, in their writing and performing in order to reveal and shape their queer identities. This examination confirms how embedded European theatrical practice was in the stagecraft of one of Ireland’s premiere theatres and in so doing allows for networks of international artistic influence to be traced in the development of contemporary Irish performance.…”
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Commedia dell’arte and the Gate Theatre by Ian R. Walsh

“…Building on the work of Eibhear Walshe and Richard Pine on mac Liammóir’s adoption of masks of identity, it is also argues that both Edwards and mac Liammóir assumed the masks of Harlequin and Pierrot, in their writing and performing in order to reveal and shape their queer identities. This examination confirms how embedded European theatrical practice was in the stagecraft of one of Ireland’s premiere theatres and in so doing allows for networks of international artistic influence to be traced in the development of contemporary Irish performance. …”
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Resuscitating the Undead Queer in Stephanie Meyer’s Twilight Saga by Jami McFarland

“…I argue that Meyer’s hetero-romantic Twilight series can be regarded as participating in the century-old tradition of associating the vampire figure with queer identities and ways of being.…”
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Unveiling attitudes and dynamics by متیو اوموجمیت دامیلولا, الفینا نومابندلا سیشه

“…Despite significant opposition from religious and traditional leaders who view queer identities as incompatible with cultural norms, education and awareness efforts are contributing to gradual shifts in attitudes. …”
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#donttagyourhate: Reading Collecting and Curating as Genres of Participation in LGBT Youth Activism on Tumblr by Jon M Wargo

“…Zeroing in and tracing the connective lives Zeke, Camille, and Jack (all names are pseudonyms) led across their networked connections of writing, this paper illuminates how issues of race, gender expression, and queer identities converged to collect a social justice orientation into the larger Kilgore and San Miguels communities. …”
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‘We’ll be okay together’: navigating challenges as queer university students in Aotearoa New Zealand by Claudia Garcia, Eddy Grant, Gareth J. Treharne, Hitaua Arahanga-Doyle, Mathijs F. G. Lucassen, Damian Scarf, Mele Taumoepeau, Jaimie Veale, Charlene Rapsey

“…ABSTRACTQueer university students face multiple stressors which can contribute to mental health difficulties, including minority stressors unique to their queer identities. However, there is little literature exploring stressors faced by queer individuals in university settings. …”
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Factors influencing LGBTQ+ disclosure decision-making by Canadian health professionals: A qualitative study by Brenda L. Beagan, Kaitlin R. Sibbald, Stephanie R. Bizzeth, Tara M. Pride

“…Finally, intersections of queer identities with other privileged or marginalized identities complicated disclosures. …”
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Between “ghettos”, “safe spaces” and “gaytrification” by Pedro Costa, Paulo Pires

“…In recent decades, “LGBT neighbourhoods” or “gay Villages” have been gaining some prominence and particular characteristics within cities, representing safe spaces for the expression and negotiation of individual and collective identities as well as for the political affirmation of LGBT communities and queer identities. As other areas that have been the main drivers of urban revitalization of inner-cities, such as cultural and creative quarters or multicultural spaces, these territories distinguish for the social practices of their users and inhabitants, the specificities of their economic activity, or their contribute to creativity or social integration. …”
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Factors influencing LGBTQ+ disclosure decision-making by Canadian health professionals: A qualitative study. by Brenda L Beagan, Kaitlin R Sibbald, Stephanie R Bizzeth, Tara M Pride

“…Finally, intersections of queer identities with other privileged or marginalized identities complicated disclosures. …”
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Rousseau's Toe: the Confessions as queer archive, a reparative reading by Stacey, J

“…In the process, early modern queer identities, surface versus depth, and the Confessions as foundational text for modern autobiography – and the modern self – are all reconsidered.…”