The Meaning of Existence and Art in the Painting Pieta by Tadeusz Boruta by Michał Haake

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The Catholic press and rallies in the struggle for the rebirth of religious art in the second half of the nineteenth century by Elżbieta Matyaszewska

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Discussion of the “problem of modern religious art” in the context of the 2nd and 3rd Exhibition of Contemporary Religious Art in Poland by Katarzyna Chrudzimska-Uhera

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The Apophatica Project by Gor Chakhal. The Religious Theme in the New Media Art in Russia in the 2010s by Florkovskaya Anna K.

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The judgement of taste and the contemporary religious art by Ewa Klekot

Subjects: “…religious art…”
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An Investigation into the Importance of «Inculturation» in the Image of Our Lady in Relation to Visual Arts in Religious Education according to Monica Liu by Maria Min-Hui HSU

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Taevavõtmed ja kristusekäed – taimed lõunapoolse Kesk-Euroopa reformatsioonieelses kunstis by Ülle Sillasoo

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La peinture sur lave émaillée des façades des églises parisiennes du xixe siècle : une expérience de réintroduction de la polychromie by Josette Saint-Martin

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Searching for Mani's Picture Book in Textual and Pictorial Sources by Zsuzsanna Gulácsi

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The styles of illumination in Al-Qur'ans of the Malay world / N.H.M. Din, D.H.M. Zain and M. Mokhtar by Din, N.H.M., Zain, D.H.M., Mokhtar, M.

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Teaching with Images among the Jews and Manichaeans of Late Antique Mesopotamia by Zsuzsanna Gulácsi

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Understanding Hadrah Art as The Living Al-Qur’an: The Origin, Performance and Worldview by Agus Iswanto

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Religious Art at the Wiener Secession and Künstlerbund Hagen Exhibitions (1898–1933) by Dorota Kudelska

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Is Aesthetic Good? A Study on the Aesthetic and Vitality Judgment of Pictorial Representations of the Dead, Saints and Non-Saints by Sara Valentina Schieppati, Cinzia Di Dio, Antonella Marchetti, Davide Massaro, Gabriella Maria Gilli

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Perceptions of an Icon by Ksenija Pegaseva

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A Comparative Study of the Relationship of Kant's Theory of the Sublime with Paintings Related to the Images of Mary and Christ in the Byzantine and Gothic Periods by Peyman Alizadeh Oskuie, Ismaeel Bani Ardalan, Kamran Afshar Mohajer, Mohammad Reza Sharif Zadeh, Mohammad javad Safian

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Polychromes of Zofia Baudouin de Courtenay in churches of Gdańsk and Sopot by Hubert Bilewicz

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Aesthetics of recognition in contemporary religious art by Guillermo Gómez-Ferrer, Catalina Martín Lloris

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Deciphering the Inscriptions on “The Adoration of the Magi” by Bartholomäus Zeitblom on the High Altar of Blaubeuren by Vicente Jara-Vera, Carmen Sánchez-Ávila

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Religious art and the public in the Principality of Serbia (1830-1882) by Kostić Ana D.

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