Insertion of Persian Poetry in Prose Texts (Relying on 8th-Century Prose Texts) by Marzieh Askari, Mahmoud Barati Khansari, Hossein Agha Hosseini

“…By looking at the list of old and new rhetorical science books, it became clear that so far, rhetoricians have not paid enough attention to the types of poetry insertion in prose texts, which is one of the aesthetic aspects. …”
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Polysemic Function of Harp in Persian Poetry Based on Conceptual Metaphor Theory by Narges Zaker Jafari

“…“Synesthesia”, as Europeans call it, is a rhetorical device through which one can describe a sense in terms of another and is capable to convey a wide range of meanings (Shafiei Kadkani, 1991, p. 271). …”
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The Aesthetics of the Satiric Language in “Tanz Al-Tafasil” by Fereydoun Tavallali with an Emphasis on Saadi’s “Golestan” by Qolamreza salimi, Zahra Rafie, Alireza Byaban Navard Sarvestani

“…However, the use of the letter "waw" as an inflection in the sentence structure causes the sentences to elongate in terms of their details.The use of syntactic equilibrium and the fusion of internal and external linguistic elegance through the application of balances in Golestan prose is another rhetorical element in the realm of internal language. …”
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The false choice between public health and civil liberties by Ava Kamb

“…The protests remain relatively small and spread out, and, according to a Pew Research Center survey, the majority of Americans on both sides of the political spectrum support the current social distancing restrictions.[4] Despite its current partisan amplification, the rhetorical strategy that positions public health and civil liberties against one another is not new. …”
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Epistemologies of intention : uncertainty and translation in Bertolt Brecht's life of Galileo and Michael Frayn's Copenhagen by Schwob, Anneke (Anneke Ellen)

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A New Look at the Translation of the Holy Quran Based on the Components of the Translation Unit (Case Critique: Translations by Moezi, Payandeh, Makarem Shirazi and Ansarian) by Javad Asghari, Hossein Jowkar

“…Finally, they offer a recommended translation that is determined by analyzing the linguistic context using three key factors: lexical, morphological-syntactic, and rhetorical.Based on our observations, it has been discovered that numerous researchers have engaged in research endeavors focused on critiquing, examining, and evaluating translations of the Holy Quran. …”
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Symbols, Scopes, and Functions of Ismail Shahroudi's Social-Protest Poems by Marziye Ghaffari, Hosain Salimi, Seyed Naser Jaberi Ardakani

“…The purpose of this research, was analysis of Ismail Shahroudi's poetry in terms of the qualities of symbols and their rhetorical and artistic roles in suspending meaning, providing semantic multiplicity, and explaining social and critical issues through a descriptive-analytical method. …”
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Imagery and meaning creation of Azerbaijani school poets with stringed instruments by Mohammad Parsanasab, Masoud Moazami Goodarzi

“…In terms of comparison, Mojir Beilaqani's poem is somewhat close to Khaqani's from an aesthetic point of view, but the verses of Nizami have more of a narrative aspect and are devoid of significant rhetorical beauty. Among all the poems of the researched poets, only one verse of Mojir Beilaqani can be used to imagine a type of musical instrument from the word "Zir". …”
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comparative study of Saadi's Gulistan and Yoshida's Essays in Idleness by Gholamreza Kafi, Mohammad Barfar

“…Even so, Sa’adi’ s work, is far superior to Yoshida’s, from an aesthetic and rhetorical point of view. Warning about the instability of the world, the preciousness of contentment and importance of dignity in the old age are the common themes of two books. …”
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The structure and doctrine of the path of praxis (Muʿāmala) of the Iḥyāʾ ʿUlūm al-Dīn: The integration of reason and revelation in al-Ghazālī’s revival project by Styer, S

“…Showing how, even at his most philosophical, that al-Ghazālī is not only waxing rhetorical, but synthesising and accommodating, requires discipline and an ear for more than one subject or discourse. …”

Simon V of Montfort: The exercise and aims of independent Baronial power at home and on crusade, 1195-1218 by Lippiatt, G

“…</p> <p>Such independence, however, required alternative bases for his own power that could not be found in the largely rhetorical refuge offered by a distant overlord. In the absence of support from above, Simon worked to cultivate relationships with his social peers and the lesser French nobility. …”

The response to Horace in the seventeenth century by Martindale, J, Martindale, Joanna

“…Thirdly, his close, craftsmanly, rhetorical interest in Horace is described, with reference to his underlinings in Parthenio's commentary, his translations of Horace and his imitations of Horatian features of style in <em>An Ode</em>. …”

Factors Affecting the Change in the Strategies of Sweden Democrat Party Behavior by Reza Rahmati

“…An issue that has led to a significant increase in the level of social and economic inequality in this country, and finally, the feeling of inequality has caused a break in the main idea of "the people's home".At the same time when this break was created, the most important political force to take advantage of this situation was the political force that rhetorically opposed the Social Democratic Party's inability to protect the "people's home". …”
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Has Frye ignored ethos in ethical criticism? by Marjan Hosseinpoor Jeerhandeh, Omid Zakerikish, Masoud Algooneh Juneghani

“…In line with this division on the question of type or genre, and in contrast to the question of style, and also to achieve the ideal of a poetic design that is comprehensive and includes all valid criticism, he divides four categories of mood, symbol, archetype, and genre in his book "Anatomy of Criticism," under the separate four articles of historical criticism, ethical criticism, archetypal criticism, and rhetorical criticism. He, who deals with "Ethical Criticism" in the second article of the book by promising that literature consists of interwoven stages and the work draws its totality from this interwovenness of stages, distinguishes between mythos, ethos, and dianoia (see Frye, 1998: 93). …”
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