TRADITIONAL FEMALE COSTUME OF THE ETHNOGRAPHIC TIME OF ALTAI-SAYAN PEOPLES (AS REVEALED IN PETROGLYPHS) by Yu. M. Ladygina

Subjects: “…rock art…”
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Arqueología del arte. Lo imaginario y lo real en el arte rupestre by Ana María Rocchietti

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L’art [rupestre] de la chasse aux mammifères marins dans le désert d’Atacama, au nord du Chili by Benjamín Ballester

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Figurative representations of the Pali Aike volcanic field (Santa Cruz, Argentina - Magallanes, Chile) in comparative perspective with the southern extreme of Patagonia by Paula Daniela Funes

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Le site d’Azrou Iklane : un exemple d’usage de l’imagerie numérique pour l’étude et la préservation de l’art rupestre saharien by Gwenola Graff, Martin Loyer, Abdelhadi Ewague, Romain Simenel, Maxence Bailly

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Les chasseurs de poissons d’El-Hosh (Haute-Égypte) : l’art rupestre le plus ancien de la vallée du Nil by Dirk Huyge, Morgan De Dapper, Elena Marchi, Alan Watchman

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The Bacinete Main Shelter: A Prehistoric Theatre? by Lidia Alvarez-Morales, Neemias Santos da Rosa, Daniel Benítez-Aragón, Laura Fernández Macías, María Lazarich, Margarita Díaz-Andreu

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L’art rupestre de style dit « arabo-éthiopien » et l’école de Chabbè-Galma by Jean-Loïc Le Quellec

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Cruces e iglesias en un contexto chullpario.Arte rupestre colonial en las tierras altas atacameñas by María Carolina Rivet

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Rock art and frontier conflict in Southeast Asia: Insights from direct radiocarbon ages for the large human figures of Gua Sireh, Sarawak by Jillian Huntley, Paul S. C. Taçon, Andrea Jalandoni, Fiona Petchey, Emilie Dotte-Sarout, Mohammad Sherman Sauffi William

“…Gua Sireh, located in western Sarawak (Malaysian Borneo), is known for its rock art. The cave houses hundreds of charcoal drawings depicting people, often with headdresses, knives and other accoutrements. …”
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Rock art and frontier conflict in Southeast Asia: Insights from direct radiocarbon ages for the large human figures of Gua Sireh, Sarawak. by Jillian Huntley, Paul S C Taçon, Andrea Jalandoni, Fiona Petchey, Emilie Dotte-Sarout, Mohammad Sherman Sauffi William

“…Gua Sireh, located in western Sarawak (Malaysian Borneo), is known for its rock art. The cave houses hundreds of charcoal drawings depicting people, often with headdresses, knives and other accoutrements. …”
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Multi-light photogrammetric survey applied to the complex documentation of engravings in Palaeolithic rock art: the Cova de les Meravelles (Gandia, Valencia, Spain) by Ana Cantó, José Luis Lerma, Rafael Martínez Valle, Valentín Villaverde

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Konteks Budaya Gambar Binatang pada Seni Cadas di Sulawesi Selatan by Yosua Adrian Pasaribu

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Thermally-induced color transformation of hematite: insight into the prehistoric natural pigment preparation by Nadya Nurdini, Moh. Mualliful Ilmi, Evi Maryanti, Pindi Setiawan, Grandprix Thomryes Marth Kadja, Ismunandar

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Weathering Processes on Sandstone Painting and Carving Surfaces at Prehistoric Rock Sites in Southern Spain by Juan Carlos Cañaveras, Enrique Sanz-Rubio, Sergio Sánchez-Moral

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Les peintures rupestres de l’abri de Zamla (Jebel Ousselat – Tunisie centrale) : la représentation d’une planimétrie agraire ? by Jaâfar Ben Nasr

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Art and Influence, Presence and Navigation in Southern African Forager Landscapes by Sam Challis, Andrew Skinner

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La mission archéologique de Minas Gerais (Brésil) by André Prous, Marie-Jacqueline Rodet, Andrei Isnardis, Camila Jacome, Lilian Panachuk, Loredana Ribeiro, Alenice Baeta, Marcio Alonso, Martha Castro Silva

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Chasse aux mammifères marins dans le passé by Sangmog Lee, Jimena Torres

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A prehistoric Native American pictograph that signals the summer solstice by McHugh John, Lundwall John, Howells Tom

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