Les tourments de l’absence dans Gazole de Bertrand Gervais by Karolina Kapołka

“…The main character, Lancelot Tremblay, whose job is to write lyrics for a rock band Le Livre des Morts (Eng. The Book of the Dead), hangs himself in his apartment. …”
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Number 13 / Part I. Music. 6. Requiem by Karl Jenkins. An Analytical Approach to The Interweaving of Various Traditions in Music by Iațeșen Loredana Viorica

“…Open to assimilating and processing music from various sources (academic, liturgical, folk, entertainment, oriental, exotic), the all-round musician Karl Jenkins impresses the public with unexpected artistic choices, giving up the hypostasis of instrumentalist of the jazz-rock band Nucleus and of the group Softmachine in favour of the postmodern creator he has become today, synthetizing trends from musical compositions of the last decades of the 20th century. …”
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Team Building Through Team Video Games: Randomized Controlled Trial by Mark J Keith, Douglas L Dean, James Gaskin, Greg Anderson

“…After the pretest, teams who were involved in the team video gaming treatment competed against other teams by playing the Halo or Rock Band video game for 45 minutes. After the pretest, teams in the control treatment worked alone for 45 minutes. …”
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Current Legal Issues in Crowdfunding by Thomas Neumann

“…One of the first to harness the power of crowdfunding over the internet was the British rock band Marillion who, in 1996, raised USD 60,000 to finance their tour of the United States using crowdfunding in 1996. …”
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The music of radiohead : creativity and optimism in a post-postmodern world by Saeful Hakim Aziz

“…Radiohead, a rock band hailing from Oxford in England which to date has released nine full length albums, have over the years been revered in the music industry for their approach to music making. …”
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Alice’n Records / Adam Badruddin Syah by Adam, Badruddin Syah

“…Many famous bands have signed under Alice’n Records’ label such as “Bunkface” of Malaysia and also The Raconteurs which is a highly acclaimed rock band from the United States. Adam Badruddin Syah’s admiration has also led him to do other projects with the record company. …”
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Chris McDonald. Rush, Music, and Middleclass: Dreaming in Middletown by Bradley Sroka

“…It is perhaps not coincidental that a teenager who listened to Yes or Rush in high school in the 1970s-which was the peak of progressive rock’s popularity-would be between 35 and 40 years-of-age in 1996, a stage of life when he or she could perhaps complete and publish a book about his or her favorite progressive rock band. This would account for the mildly polemical tone that underlies so many of these works, including McDonald’s. …”
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Is there addiction to loud music? Findings in a group of non-professional pop/rock musicians by Nicolas Schmuziger, Patscheke Jochen, Rolf Stieglitz, Rudolf Probst

“…We hypothesized that members of non-professional pop/rock bands with regular exposure to loud music are more likely to show an addictive-like behavior for loud music than matched control subjects. …”
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Turnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior by Luiza Bittencourt

“…This article aims to analyze the strategies employed by Brazilian rock bands with regard to touring abroad from an entrepreneurship perspective (Schumpeter, 1982; Timmons, 1985; Dornelas, 2007), in order to understand how the formation of an international au- dience occurs. …”
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Radiohead et le rock progressif : histoire d’un malentendu by Michel Delville

“…In the mid-1990s, Radiohead entered the restricted circle of rock bands whose ability to carry out the creative synthesis of their era has earned them the enviable status of experimental group worshipped by large audiences, like the Beatles or Pink Floyd, to which they are (too) often compared. …”
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<b>Rock and drugs: multiliteracies and an aesthetics of violence for teenagers in school by Vera Helena Gomes Wielewicki

“…The paper is theoretically based on theory by Lévy (2010), Kress (2000) and Kalantzis and Cope (2000) for multiliteracy concepts and on Walser (1993) for the criticism on the musical language. Songs by the USA rock bands Metallica and Guns N’Roses are discussed.…”
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The Funky Monk and the Myth of the Solitary Author: John Frusciante and the Meaning of Authorship by Jessica L. Williams

“…John Frusciante, both a solo artist and a member of one of the most successful rock bands of the last few decades, the Red Hot Chili Peppers, has struggled throughout his career with defining himself as a collaborator and a solo artist. …”
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Ritmi ed estasi del caos. Percorsi per un popolo a-venire all'interno del campo di individuazione della canzone by Antonio Ricciardi

“…The aim of this article is to ‘re-read’ the main concepts about the music crafted by Deleuze and Guattari within the context of A thousand plateaus, and make them communicate with the work of one of the most important indie-rock bands of the last years, that means, The National. …”
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Religious and Philosophical Meaning of Mythonyms in Russian Rock-Folk Music by Victoria A. Goncharova, Anton A. Kochkin

“…The article presents an analysis of the meaning of mythonyms and theonyms in the cultural paradigm of folk music on the example of the work of the domestic folk-rock bands «The Melnitsa» and «The Nemnogo nervno». …”
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From Pablo Honey to A Moon Shaped Pool: Radiohead’s Experimental, Political Journey by Guillaume Clément

“…Radiohead are often credited as one of the most avant-garde rock bands in Britain, having both bent and expanded the boundaries of this genre beyond its traditional definition as guitar-based music. …”
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Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo ! by Fausto Borém

“…Departing from the interaction between three creative musical processes - composing, arranging and playing, in various musical genres (classical song, Broadway musical song, blues, rock, ballad and samba), I discus (1) the refinement of the notation in the score; (2) the heterogeneity of the seven double bass registers; (3) exploring the double bass as a harmonic instrument; (4) exploring the double bass as percussion instrument; (5) the exploration of the text-music binomial (6) the reduction of larger instrumentations (symphony orchestra, chamber groups, blues and rock bands) to smaller groups (duo, trio and quartet with double bass, voice, piano and percussion) and (7) the development of extended techniques on the double bass not documented in the literature.…”
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Collaborative Composition and Urban Popular Music in Digital Music Didactics by Javier F. Merchán-Sánchez-Jara, Sara González-Gutiérrez

“…From this perspective, this work proposes a structured and sequential model for the collaborative composition of musical productions in the field of popular urban music (with special attention to the rock style), addressing and exemplifying in a practical way issues such as the layered structure in the prototypical song of rock bands, the fundamental rhythmic bases, the harmonic function and the development of chord progressions or the creation and development of melodic lines for the voice.…”
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Wat maak �n kerkorrel gereformeerd? �n Verkenning van Afrikaanse �gereformeerde� musiek in die jare 1980 en 1990 in Suid-Afrika by Cas J. Wepener

“…His exposure to both reformed church music and the alternative Afrikaans music movement, which included rock bands such as <em>Johannes Kerkorrel en die Gereformeerde Blues Band</em> will be scrutinised. …”
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Music and the Altered State of Consciousness by Lajos KIRÁLY

“…The world of popular music has also been inspired by the concepts of Christianity and ecstasy, and some rock bands have emerged from a combination of the two. …”
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“Not So Glamorous at All”: The Consequences of Fame and Celebrity Status in The Cranberries’ To The Faithful Departed by Josep Baró Casanovas

“…The Cranberries have been considered to be one of the major rock bands from Ireland. From 1993 until 2019, they released eight studio albums, and hit the world charts with songs such as “Linger” and “Zombie”, before disbanding following singer Dolores O’Riordan’s death. …”
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