Storm Sevenster – ’n roman. by Phil Van Schalkwyk

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Total Perfect Roman Domination by Ahlam Almulhim

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Erwählung als Roman gelesen by Stefan Berg

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Le Roman de Renart by Roger Bellon

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Perspectives on Greek and Roman catapults by Mark Hassall

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Roman colonial et mythe by Valérie Joëlle Kouam Ngocka

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Teaching Roman Law in Iceland by Milazzo, Francesco

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Mai est un roman by Luís Carlos Pimenta Gonçalves

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Public opinion in the Roman Republic by A T Gasparishvili, L V Zotova

“…The authors show that in the Roman Republic the public opinion existed in the form of the ‘public tribunal’ of the Roman people that was respected, omnipresent, all-pervading and volatile.…”
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THE OXFORD HANDBOOK OF ROMAN EPIGRAPHY by Rus Gabriel Emanuel

“…THE OXFORD HANDBOOK OF ROMAN EPIGRAPHY, EDITED BY CHRISTER BRUUN AND JONATHAN EDMONDSON, OXFORD UNIVERSITY PRESS, 2015, 928 PAGES, 155 ILLUSTRATIONS, 248X171MM ISBN 978–0–19–533646–7…”
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Co-Roman dominating of girds by Rana Khoeilr, marzieh soroudi, Maryam Atapour

Subjects: “…roman dominating function…”
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Onomastic Remarks on Roman Sardinia by Robert J. Rowland

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Roman domination in oriented trees by Lyes Ouldrabah, Mostafa Blidia, Ahmed Bouchou

Subjects: “…roman domination, digraph, oriented tree…”
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Priscian and the Graeco-Roman bilingualism by Fábio Fortes

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STATUS AS PERFORMANCE IN ROMAN SOCIETY by NEVILLE MORLEY

“…Roman social historians have tended to focus on the choice between the modern terms ‘status’ and ‘class’ to characterise the nature of the groups that made up Roman society. …”
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Total Roman Reinforcement in Graphs by Ahangar H. Abdollahzadeh, Amjadi J., Chellali M., Nazari-Moghaddam S., Sheikholeslami S.M.

Subjects: “…total roman domination number…”
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Román családnevek Bereg megyében by Lajos Mizser

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Late Roman Graves in Dombóvár by Katalin Boruzs, Géza Szabó

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The Acoustics of the Benevento Roman Theatre by Silvana Sukaj, Giuseppe Ciaburro, Gino Iannace, Ilaria Lombardi, Amelia Trematerra

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Vestimenta drawing in use by the Romans by Alessandra Avella

“…The study of the Pompeii clothes, representative of the wider Roman culture, is carried out starting from the graphic analysis of the classical iconography of the MANN (National Archaeological Museum of Naples) in comparison with historiographical sources, by means of the representation of the main patterns of women's clothing in use by the Romans and their respective decorative and chromatic motifs, also in relation to the fibres of which the fabrics were made. …”
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