Sublime and precise: Mind sonorities of Vlastimir Peričić by Stojanović-Novičić Dragana

“…His style was characterized by post-romantic musical expression. He was convinced that a tonal system was the only acceptable base for making new music. …”
Get full text

One method to excel them all: on the Holy Trinity as a scientific principle and criterion in François Delsarte's 'course in applied aesthetics' (1839-1870) by Hoover, B

“…Ultimately, the aim of this project is to re-establish Delsarte’s aesthetic system on sound epistemological and methodological foundations, to show that the system is based on both medieval Aristotelian-Scholasticism and nineteenth-century French Spiritualist Realism, that the “Delsarte system” is actually a musical system par excellence, and that the system played a much more significant role in the history of French Romantic musical aesthetics and the evolution of nineteenth-century opera more generally than has hitherto been assumed.…”