An Account of Emotional Specificity in Classic-Romantic Music by Jeffrey Swinkin

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Dom Mocquereau’s theories of music and romantic musical aesthetics by Walden, D

Features of Johannes Brahms’s Musical Thought by Zaytseva Marina

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Dynamic Levels in Classical and Romantic Keyboard Music: Effect of Musical Mode by Olivia Ladinig, David Huron

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Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance by Branko Ladič

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Music for Our (Hi)Stories: Reading Beethoven through Adorno in Alex Kuo’s Chinese Opera by Fulvia Sarnelli

Subjects: “…asian american studies, transnational american studies, alex kuo, romantic music and aesthetics, adorno’s sociology of music…”
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Gustav Mahler the Protomodernist by Austin M. Doub

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Imitação musical segundo o <i>Kantor</i> Caspar Ruetz (1754) by Mônica Lucas

“…However, in the Lutheran world, this ideal was accommodated to the Augustinian musical thought, and the resulting synthesis provided the basis for the Romantic music conception. This fusion of ideas is clearly perceptible in the comment to Batteux’s work (1754) published by the Kantor Caspar Ruetz (1708-1755).…”
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13. Transfigurations and Interferences of the Ballad Master Builder Manole with the Opera Genre. Choral Polychromies by Radu-Țaga Consuela

“…The three composers wrote a romantic music, in terms of content, and a classic one, in terms of the formal elements themselves.…”
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Analytical Listening and Aesthetic Experience in Music Criticism by Srđan Teparić

“…The interpretations of this pianist are suitable for the analysis precisely because he is commonly seen as an unconventional, even controversial pianist, and his interpretations of romantic music are often regarded as examples of anti-academicism and even deconstruction of pianistic canons accumulated during the 20th century. …”
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ON WAGNER AND SUBSTITUTE REPRISES-HOMAGE TO VLADIMIR AXIONOV — A LECTURER OF THE HISTORY OF WESTERN MUSIC by BROVER-LUBOVSKY BELLA

“…The essay recollects personal experience of the author as one of the former students of Vladimir Axionov’s course „History of Romantic Music”. Axionov’s style of lecturing and his understanding of the discipline are exemplified by his rendition of Siegfried’s Trauermarch from Richard Wagner’s Der Götterdämmerung. …”
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Joyful, Joyful! The Musical Significance of Beethoven's Ninth by Allison N. Zieg

“…Beethoven’s Ninth Symphony conclusively bridged the gap between classical and romantic music and set the standard for future composers through his use of the choral finale combined with past musical traditions.…”
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Post-factual music historiography: Legends of art-religion by Loos Helmut

“…In many of its areas, the writing of music history in Germany is characterised by the Romantic music outlook and its “Two-World-Model”: the real world is seen as opposing the ideal world of music as a higher existence of ideas and ideals. …”
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Three Sketches on Nineteenth-Century Multicultural Trieste and Its Music: The Renewal of Social Classes, the Whirlpool of National Awakening by Ivano Cavallini

“…With the help of Czech intellectuals and musicians, during the 1860s the native Slovenes established a group of societies in which Romantic music and national anthems or Lieder were played. …”
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Review of David Ferris. 2000. Schumann’s Eichendorff “Liederkreis” and the Genre of the Romantic Cycle. Oxford and New York: Oxford University Press by Richard Kramer

“…Schumann’s cycle, in tune with much Romantic music, intones hermeneutical riddles. To engage the riddling means less to solve a mystery than to apprehend something of its obscure complexity: not to dissolve an ambiguity, but to take some pleasure in the discomfort that it arouses. …”
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Effect of Music on the Decreased Enamel-Surface Mineral Content of Rat Teeth with Protein Deficiency by Ria Puspitawati, Harun A. Gunawan, Dewi F. Suniarti, Aynie Yunita

“…Music were given twice daily, lullabies every early morning, and classic, baroc, and romantic music every evening. At 2-days-old the rat-pups were further divided into groups with normal diet contained 19.5% protein, and groups with protein deficiency diet contained 7.5% protein. …”
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The Origins of a Romantic Piano Concerto (a Case Study of Daniel Steibelt’s Oeuvre) by H. O. Stakhevych

“…Some pianistic techniques and dramatic decisions of the artist anticipate the genre and stylistic features of romantic music, which determines the relevance of studying the artist’s work. …”
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Karel Janeček − a leading figure in Czech Music Theory and Pedagogy: his theoretical writings from the 1930s and 1940s by Miloš Hons

“…Its classification and determination of dissonant or consonant characteristics apply to both the chords of traditional Classical-Romantic music and to modern music of the twentieth century. …”
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15. Polonaise for Violin and Piano OP. 4 in d Major by Henryk Wieniawski by Ioniță Raluca Dobre

“…Wieniawski’s creations for violin imposed themselves in the romantic musical literature both by their special melodic musicality and by the difficulty of the technical passages. …”
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Zorn: Avant/Après/Passé by John Lowell Brackett

“…Hoffmann, Friedrich Schlegel, Robert Schumann, and Eduard Hanslick) all contributed to the development of a romantic musical aesthetic in the nineteenth century that emphasized the role of the artist (as a “genius” or “god-like”) who created “works” that – through purely musical relations that exist irregardless of the listener’s abilities – reveal hidden worlds of truth and beauty, worlds far-removed from the humdrum concerns of daily existence. …”
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