THE VOICE OF ROMANTICIST: THE MEMOIRS OF ALEXANDRE DUMAS by Maria Lúcia Dias Mendes

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‘'That' They Point Is All There Is to It’: Wittgenstein’s Romanticist Aesthetics by Clinton Peter Verdonschot

“…Third, through a comparison with Friedrich Schlegel’s writings on allegory, I try to show that the way in which Wittgenstein resolves the aporia renders him a Romanticist philosopher. The point of an aesthetic interaction, for Wittgenstein, is that it can render clear what cannot be described without running against the walls of our cage: the absolute. …”
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MODERNIST OR ROMANTICIST? ARTISTIC ELEMENTS IN NÎMA YUSHIJ’S AFSANEH by Sinan TAŞDELEN

“…Afsaneh, for which it sticks out to be more proper to be pronounced as romanticist rather than modernist in terms of its artistic features appears to be designated the other way round. …”
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European-enlightenment and national-romanticist sources of cultural memory: Reflections in contemporary debates by Đerić Gordana

“…Starting from the assumptions that shaping cultural history, its heritage and "memory" is closely connected to the beginnings of nation-building and that cultural memory is a never-ending political process it is my intention in this research project to examine the rivalry juxtapositions, "interruptions" and new foundations of traditions, focusing on the interdependent relation of Enlightenment and Romanticist strands, and particularly on their unmarked, empty spots. …”
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N.M. Yazykov and Count D.I. Khvostov: Dialogue Between the Romanticist and the Classicist by Alexander V. Kurochkin

“…The article is devoted to the relationship of prominent representatives of opposite literary trends: the romanticist N.M. Yazykov and the classicist count D.I. …”
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Inwardness and commodification: how romanticist hermeneutics prepared the way for the culture of managerialism - a theological analysis by Wannenwetsch, B

Byron's and Shelley's Revolutionary Ideas in Literature by Elma Dedovic-Atilla

Subjects: “…romanticist era…”
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Essay in honor of Robert Motherwell's centenary: “temporalized form”: mediating Romanticism and American Expressionism—Robert Motherwell, Henri Bergson, and the ontological origins... by Manfred Milz

“…Lovejoy's yearlong seminar at Harvard (1937–38), the artist's affinity with fluid forms through motion brushstrokes in Romanticist painting is analyzed as a preformative stage of his own transitory creations. …”
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“Devil in Love” by J. Cazotte and “The Elemental Spirit” by E.T.A. Hoffmann: Symbolic and Psychological Interpretation of Motive of Temptation by N. M. Ilchenko, Yu. A. Marinina

“…The article deals with the story of the French pre-romanticist J. Cazotte “The Devil in Love” and the late novella of the German romanticist E.T.A. …”
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La inculpable minoría de edad del espíritu ilustrado by José María Ortíz I.

“…At the same time that it adopts a romanticist guise, it shows itself unable to give a justification of the existence of a universal order, thereby remaining in an age of legal minority.…”
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Genre specifics of I.S. Turgenev's story 'Ghosts' by K.V. Polyakova, M.V. Kurylyova

“…The functions of the genre construct “fantasia” in romanticist literature as a whole and in I.S. Turgenev's work in particular have been defined. …”
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RUSSIAN-GERMAN CONNECTIONS IN THE EDITING PRACTICE IN THE MID-19TH CENTURY: VASILIY ZHUKOVSKY AND JUSTINUS KERNER by Natalia Egorovna Nikonova, Maria Vladimirovna Dubenko

“…<p class="x-----------1" xml:lang="en-US">The article reconstructs the history of creative communication between the German romanticist, J. Kerner (1786-1862), and V.A. Zhukovsky (1783-1852), a Russian poet, cultural and political figure and mentor of Alexander II. …”
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Translation as a Poetics Constituent by Cvijeta Pavlović

“…The paper analyses the relations between Šenoa’s numerous translations and the poetics of his texts focusing on his proclivity towards the aesthetics of Realism, as opposed to the dominant perception of his poetics as Romanticist. This paper researches the source and target cultures, cultural links, contacts and exchanges, but also possible twists in the perception of cultural periphery, as well as the influence of economy on cultural politics.…”
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Kant and the temptations of phantasy by Molnar Aleksandar

“…Although Kant was one of the first critics of the early German romanticist endeavors to emancipate the force of phantasy from the domination of the mind/reason, he was also incapable to resist the temptation to give phantasy important role in the cognitive activities of man. …”
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The origins of Hans Sedlmayr’s methodology and its relation to his politics: a disregarded approach by Nuria Jetter

“…It argues that Viennese philosopher and sociologist Othmar Spann, along with his own main source, romanticist theologian Franz von Baader as well as Spann’s pupil, the Viennese university teacher Johannes Sauter, were central to Sedlmayr’s art history as well as to his ideological orientation. …”
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Zenon Klemensiewicz w swoim czasie. Ze wspomnień uczennicy by Anna Kałkowska

“…He symbolized the model of a Polish patriot and researcher, heir to humanistic traditions, a romanticist and positivist in one. The paper passes down the author’s and the milieu’s memories of the rich and complex personality of the master and the boss, his extraordinary didactic and rhetoric talent, it is an introduction to a personal and academic biography of a typical Polish intellectual determined by two world wars.…”
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A lingua geral como identidade construida by Maria Cândida D. M. Barros, Luiz C. Borges, Márcio Meira

“…During the Brazilian colonial period, emphasis is placed on the Jesuit  influence, whereby the Língua Geral was imposed upon the Indians as the "language o f the whites"; during the 19th century , Lingua Geral became known as a "Brazilian language" , hoth during the Cabanagem conflict in addition to being embraced hy the Brazilian intellectual Romanticist movement. Today lhe indigenous peoples or the Rio Negro region maintain Lígua Geral as a means of preserving their cultural identity.…”
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Romantism, Amazement, Imagination—A trias religiosa by Herman M. van Praag

“…To wonder is a gift of the romanticist in particular. Wonder seeks explanation. …”
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Tradition and revolution. In search of roots: Uri Zvi Grinberg's Albatros by Judith Winther

“…His own special “creative force” in interplay with the highly eclectic dynamic of Yiddish modernism, spurred a turning point, which witnessed the return of his artistic attention, as of his confreres to the realities of the phenomenal world, in confrontation with symbolism (aestetic romanticist) and impressionist art.…”
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The literary and philosophical conceptions of Laza Kostić by Aleksić Slađana V.

“…Kostić's conception about the origin of poetry is at the intersection of romanticist poetics about creation from divine inspiration, and a philosophical concept of the interference as a basic principle. …”
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