Les mini-séries françaises : réflexions sur l'écriture d'un format hybride by Charlotte Servel

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The science of bridging differences and the dialogic transformation of conflict: a case study from «This is Us» by Clare-Elizabeth Cannon

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Tadpole: the writing of a first feature length screenplay by Neo, Joel Rui En

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Finding fish / by 171361 Fisher, Antwone, Rivas, Mim Eichler

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A Mani-Pedi-Anti-Counter-FESTO for Queer Screen Production Practice by Angie Black, Patrick Kelly, Kim Munro, Stayci Taylor

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L’impact de l’image sur la perception et transformation des représentations mentales by Carmen Compte

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Türkiye Dizi Sektöründe Senaristlerin Yaratıcılıklarını Olumsuz Etkileyen Etmenler ve Çözüm Önerileri by Dilara Balcı Gülpınar

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Nikos Kazantzakis’ Unshot Adaptations of Don Quixote and Decameron by Panayiota Mini

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Religious Dramas in Italy. Dramaturgical Models, Thematization and Effectiveness of Biographical Miniseries by Armando Fumagalli

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« La càmera és un ull que mira. » Josep Palau i Fabre et le cinéma by Sergi Ramos Alquezar

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The Aristotelian Myth, the Screen Idea and the Making of the Chilean Film "No" by Carmen Sofía Brenes

Subjects: “…screenwriting…”
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Voiceover Narration in Screen Works of Documentary and Television Journalism by Baryshnikov, K.B.

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Writing for Emotional Impact in Film and Video Games: Lessons in Character Development, Realism, and Interactivity from the <i>Alien</i> Media Franchise by Christian Thomas

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Right, Left, High, Low: Narrative Strategies For Non–Linear Storytelling by Sylke Rene Meyer

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Lições de roteiro, por JLG Lessons on screenplay writing, by JLG by Anita Leandro

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THE GIRLS IN THE PICTURE / by Benjamin, Melanie, 1962-, author

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Slow movements of the hands of the clock by Phua, Amanda Trea Puay Ser

“…Three creative screenwriting shorts that explore the feelings of loneliness, alone-ness and disconnection…”
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Creativity in the English Class: Activities to Promote EFL Learning by Hernán A. Avila

“…Eventually they responded to the proposed methods positively and were more willing and motivated to participate in chain games, creative writing, and screenwriting exercises. The activities helped develop the students’ fluency in both oral and written production and improved their understanding of English grammar and structure.…”
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When German Series Go Global by Krauß, Florian

“…Furthermore, the article explores factors in respect to production, including screenwriting and financing, in the context of the dynamic TV landscape in Germany and Europe.…”
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Escribiendo un guión para el sonido by Randy Thom, Hernán D. Espinosa-Medina (Traductor)

“…Publicación original: Thom, R. (2011). “Screenwriting for Sound”. En: The New Soundtrack, 1 (2), pp. 103-112. doi:10.3366/sound.2011.0013. …”
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