EXC!TE SNARE DRUM — Making an Audio Plugin with Pure Data inside by Max Neupert, Clemens Wegener, Philipp Schmalfuß

“…The plugin is a real-time snare drum synthesizer using an exciter-resonator model. …”
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Video Permainan Kavaleri Snare Drum untuk Kecerdasan Musik Anak Usia Dini by Nurhamidah Nurhamidah, Sulastri Sulastri

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Exploring effects on sound attenuation in a snare drum using custom designed 3D-printed damper system by Leow, Yixuan

“…The objectives of the damper system, therefore, were attenuation of loudness, as well as retention of the timbre of the snare drum. The rebound behaviour of the drum was also measured. …”
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A study about drummer preference on traditional and matched stick grip toward professional and student of music school majoring in drum / Mohd Faizat Ahmad Zabidi by Ahmad Zabidi, Mohd Faizat

“…They are the best person that can give their view and share their experience because they have gone through the situation and already master the technique The first technique that relates to the study is Traditional grip which also known as Orthodox grip It is a technique used to hold drum sticks while playing percussion Traditional grip IS almost exclusively used to play the snare drum, especially the marching snare drum, and often We drum kit The overhand grip most commonly used Is the American grip With ‘he underhand grip, there are several different techniques employed which Involve slight variations in finger positioning and usage.…”
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Automatic Noise Gate Settings for Drum Recordings Containing Bleed from Secondary Sources by Terrell Michael, Reiss JoshuaD, Sandler Mark

“…The algorithm is tested on kick drum recordings which contain bleed from hi-hats, snare drum, cymbals, and tom toms.</p>…”
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Excerpted from The Days and Nights of the Lotus Trio by Michael Ives

“…The prose itself—however informed by the absurd sophistications of Ronald Firbank (whose dialogic exchanges call to mind the snare drum accents of Roy Haynes) or the underground classic, A Nest of Ninnies (Ashbery–Schuyler)—means to serve as something like a parodic homage to that dandy of jazz writing, Whitney Balliett.…”
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Transition between individually different and common features in skilled drumming movements by Ken Takiyama, Masaya Hirashima, Shinya Fujii

“…Here, we focus on a motion required to hit a snare drum, including the indirect phase of task achievement (i.e., the early movement and mid-flight phases) and the direct phase of task achievement (i.e., the hit phase). …”
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A Stimulus Set of 40 Popular Music Drum Patterns with Perceived Complexity Measures by Olivier Senn, Florian Hoesl, Rafael Jerjen, Toni Amadeus Bechtold, Lorenz Kilchenmann, Dawn Rose, Elena Alessandri

“…The patterns were selected according to two criteria: a) they only feature the bass drum, snare drum, and one or more cymbals, and b) they plausibly cover the complexity range of the corpus. …”
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Caressed by music: Related preferences for velocity of touch and tempo of music? by Uta Sailer, Manuela Zucknick, Bruno Laeng, Bruno Laeng

“…In Study 2, participants rated videos of repeated touch on someone else’s arm and videos of a drummer playing with brushes on a snare drum, both at a variety of tempos. We found that participants with similar rating patterns for the different stroking speeds did not show similar rating patterns for the different music beats. …”
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Gendering dance, gazing music: Dance movements, healing rituals and music making by Md Nor, M.A., Hussin, H.

“…Ritual healing ceremonies are signified with dancing (mag-igal) and playing of specific tunes (titik) by the kulintang music, which is often referred to as tagunggu " consisting of a set of graduated pot gongs, agung (two big hanging gongs) or tawag (large hanging gong), and tambul (double-headed snare drum). The tunes (titik) played for ritual healing ceremonies are meant for the spirit bearer (jin), which is represented by male spirit bearer tjin lelia) or female spirit bearer tjin denda). …”
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Rhythmic Density Affects Listeners' Emotional Response to Microtiming by Olivier Senn, Claudia Bullerjahn, Lorenz Kilchenmann, Richard von Georgi, Richard von Georgi

“…It showed that fixed snare drum displacements irritated expert listeners more than the more flexible deviations occurring in the original performances. …”
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Audio quality moderates localisation accuracy : two distinct perceptual effects? by Lindborg, PerMagnus, Kwan, Nicholas A.

“…Participants (n = 18) estimated the position of a snare drum target while compression rate, masker, and target position were systematically manipulated in a full-factorial repeated-measures experiment design. …”
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Neural Correlates of Listening to Varying Synchrony Between Beats in Samba Percussion and Relations to Feeling the Groove by Annerose Engel, Annerose Engel, Annerose Engel, Sebastian Hoefle, Marina Carneiro Monteiro, Jorge Moll, Peter E. Keller, Peter E. Keller, Peter E. Keller

“…Participants listened to different excerpts of samba percussion produced by multiple instruments that either were “in sync”, with no additional asynchrony between instrumental parts other than what is usual in naturalistic recordings, or were presented “out of sync” by delaying the snare drums (by 28, 55, or 83 ms). Results of the behavioral experiment showed increasing pleasantness and desire to move/dance with increasing synchrony between instruments. …”
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