KOHERENSI ANTAR CERITA DALAM PENYUTRADARAAN DRAMA LEPAS SABTU SORE BERCERITA by Muhammad Aldila Isnaadi, Sri Wastiwi Setiawati

“…Nowadays, Omnibus is the soap opera program which rarely appears on the televise program in Indonesia. …”
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VARIETIES ESTIGMATIZADAS: PRECONCEPTIONS AND JUDGMENTS IN THE MEDIA by Daniela Plachi

“…This work presents evaluations and analyses linguistics made by some interviewed people about the variety of Portuguese language which is spoken in the Brazilian soap opera Chocolate com Pimenta. A research was made about the speech between the main characters of the soap opera who live in the town and those who live in the urban area with the purpose to verify the dialogue between the public who watches the soap opera and the characters as well, with the purpose to analyses the different types of linguistics aspects. …”
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Analisis Isi Kekerasan Verbal dalam Sinetron “Tukang Bubur Naik Haji The Series†di RCTI (Analisis Isi Episode 396–407) by Alvionita Choirun Nisa, Umaimah Wahid

“…Soap opera or Electronic cinema, commonly abbreviated as sinetron, is a program which takes most portions and public interests among other television programs. …”
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KOMODIFIKASI PERNIKAHAN REMAJA PADA SINETRON PENGANTIN DINI DI ANTV by Umi Septia Rahayu, Mulharnetti Syas

“…This study aims to examine the commodification of adolescent marriages in the Early Bridal soap opera on ANTV. The method used in this study is the semiotic analysis of the Rolland Barthes model with a qualitative approach. …”
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Køn og genre i TAXA: Følsom maskulinitet og mødre under anklage by Vibeke Pedersen

“…The article looks at the new Danish prime-time soap opera "Taxa", asking why a usually devaluated women's genre as the soap opera has succeeded in addressing the entire family in prime time on Sunday evening. …”
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Who’s Betty? Between the Fea and the Ugly by Isabel Rodríguez Barradas

“…The soap opera is a genre that had its origin, principally, of this side of the world. …”
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<b>A perspectiva teórica das mediações nos estudos de recepção</b> by Ana Sí­lvia Lopes Davi Médola

“…Key words reception, soap opera TV, mediations…”
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<b>A perspectiva teórica das mediações nos estudos de recepção</b> by Ana Sí­lvia Lopes Davi Médola

“…Key words reception, soap opera TV, mediations…”
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ein paar Österreich by Monika Bernold

“…Taking two highly successful Austrian television programmes - the soap-opera Familie Leitner and the game-show Wünsch dir was - as case-studies, this article describes major shifts in Austrian culture in the 1960s and 1970s, which found their expression in changes in the television system. …”
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Pertukaran Peran Domestik dan Publik Menurut Perspektif Wacana Sosial Halliday by Umaimah Wahid, Ferrari Lancia

“…The research on the text of television soap opera “Dunia Terbalik” focuses on the construction of the role of women and men. …”
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The Black in Dramaturgy, a Perfect Case of the Decadence of the Myth of the Brazilian Racial Democracy by Joel Zito Araújo

“…The myth of the Brazilian racial democracy still remains among the cinema and soap opera industry, even though it is greatly criticized by several sectors of the black population. …”
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Une femme au gouvernement by Françoise Revaz, Stéphanie Pahud, Raphaël Baroni

“…This paper aims to show how the events leading up to the election of a woman politician may have been structured as a soap opera by the daily press. It features an exemplary case of politics and celebrity journalism playing one upon another. …”
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“Porque el Amor Manda”: Mexican Culture by S L Tirskiha

“…The local traditions and customs are looked upon discussing concrete episodes of the mentioned soap opera. The issues related to the topic include family relationships, religion, cuisine, medicine, the role of woman in the Mexican society, class distinctions as well as friendship.…”
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Athaliah, a treacherous queen: A careful analysis of her story in 2 Kings 11 and 2 Chronicles 22:10-23:21 by R.G. Branch

“…The largely parallel accounts read like a contemporary soap opera, for they contain murder, intrigue, harem politics, religious upheaval, and coup and counter-coup. …”
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Les Biens de ce monde (1941) d’Irène Némirovsky ou la chronique d’une famille d’industriels du Nord by Yves Baudelle

“…Adapting the poetics of the serial novel to the structure of the soap opera was a major technical challenge. In the end, Némirovsky succeeded in overturning the codes of the sentimental novel and the image of the haute bourgeoisie.…”
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Control and Resistance in the Heterotopic Spatiality of Pleasantville by Evrim ERSÖZ KOÇ

“…Pleasantville presents the experience of the teenage twins David and Jennifer who are transported to the 1950s TV soap opera named Pleasantville via the TV remote control. …”
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„Opera mleczana”: Między teatralnym komiksem a musicalem by Adam Regiewicz

“…Using the theory of intermediality, the author interprets not only the content of the performance, but also the various forms and means of expression it employs, borrowed from opera, musical, film, soap opera, and comic strips. It is argued that the show’s hybridity contributed to its popularity, as it made it easier for the actors to connect with a multigenerational audience.…”
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Jaringan Sosial dan Konvergensi Media: Penonton Interaktif Sinetron 7 Manusia Harimau by Margareta Wulandari, Novi Kurnia

“…Study about television audience become important, especially in favorite program, such as sinetron (Indonesian soap opera). Netnography method is used to examine the social network dynamics of 7 Manusia Harimau audience. …”
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Agama dan Entertainment: Fungsi Sosial Media Massa dalam Program Religi di TV by Monika Sri Yuliarti

“…Several religious programs on 11 television stations (state and private stations) have been observed and results that the religious programs, whether in a talk show or soap opera format, accentuate entertainment function more in comparison with other functions.…”
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Cultural innovation and narrative synergy in R. Kelly’s Trapped in the Closet by Ioana Literat

“…Specifically, I discuss how Trapped in the Closet re-appropriates the conventions of the soap opera and the music video, to create a wholly original product that both evokes these schematas and simultaneously challenges their traditional narrative norms. …”
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