Novas Fronteiras entre as Telenovelas Exibidas nos Estados Unidos e a Comunicação Publicitária by Dhione Oliveira Santana, Raquel Marques Carriço Ferreira

“… A Soap Opera é um produto típico da América Latina, e está presente acentuadamente na cultura hispânica nos Estados Unidos. …”
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Dampak Film Para Pencari Tuhan Jilid X Terhadap Religiusitas Remaja by Robby Aditya Putra

“…This research proved that da’wa materials presented through serial religious soap opera, with good composition, can form da’wa materials which affected teenage religiosity. …”
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THE DOCUMENTARY FILM – MEANS OF EDUCATION OF THE YOUNG GENERATION by MĂRGINEANU, VIRGILIU

“…Every time you watch a soap opera, a documentary dies,” says a character in the Italian comedy “Tuttelovogliono” (2015). …”
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Male Partner Selectivity, Romantic Confidence, and Media Depictions of Partner Scarcity by Laramie D. Taylor

“…Undergraduate male participants watched a soap opera narrative featuring either two men competing over one potential female partner (partner scarcity) or two women competing over one potential male partner (partner abundance). …”
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HÁ TANTOS LIBERTOS QUE VIVEM NA MISÉRIA. ADEMAIS, NÃO PODIA VIVER SEM MEU SENHOR: REPRESENTAÇÕES SOBRE ESCRAVIDÃO E LIBERDADE NA NOVELA O PATUÁ, DE CARLOS JANSEN (1878/1879) by Paulo Roberto Staudt Moreira

“…ABSTRACT In the years 1878 and 1879, the soap opera O Patuá was published in the Brazilian magazine (Rio de Janeiro), the novel O Patuá, described by Walter Spalding as “a remarkable fiction essay on gauchescos uses and customs”. …”
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MEDIA AND DIALECTOLOGY: POSSIBLE DIALOGUES by Hertez Wendel de Camargo, Lolyane Cristina Guerreiro de Oliveira, Melissa Carolina Herrero Rezende de Azevedo

“…For this, a scene from the soap-opera Senhora do destino, produced and broadcast by Globo Television Network from 2004 to 2005, serving as a field of convergence between the research and communicational dialectology. …”
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Pemberitaan Masalah Rumah Tangga Selebritis sebagai Media spectacle (Guy Debord) by Mutia Rahmi Pratiwi

“…Various household problems Infotainment packaging style will be the center of attention of the audience infotainment to continue watching the story of the conflict, like watching endless soap opera. This paper discusses the issues of households reporting celebrities as a media spectacle.…”
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Classroom strategies in teaching the media by Reijo Kupiainen

“…In the article, I will give examples of an advertisement project, a soap opera drama, an animation project, a "life career assignment" and a newspaper strategy in different learning settings. …”
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“Malhação Identidade”: A Interação Juvenil na Cultura da Convergência by RONSINI, Veneza, OLIVEIRA-CRUZ, Milena de, PREDIGER, Solange

“…Este artigo se propõe a apresentar reflexões surgidas a partir uma pesquisa em andamento, cujo problema desdobra-se em duas questões: quais são as representações de juventude construídas pela soap opera Malhação ID e de que modo elas colaboram na definição das identidades juvenis dos receptores do programa. …”
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Pragmatic Features of the Speech Act of Compliment in a Turkish TV Drama by Mohammad Hossein Keshavarz, Yasemin Çetereisi, Gulay Asit

“…Therefore, to fill this research gap, the present study set out to investigate the use of compliments in a popular Turkish soap opera. To achieve the purposes of this research, thirty-two episodes of a TV drama called Sahra were selected at random to be viewed and analyzed while focusing on the topics, functions, and characteristics of compliments with reference to the role of gender. …”
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Media and disabilities: an interdisciplinar approach by Melina de la Barrera Ayres, Adriano Henrique Nuernberg, Carmen Silvia Rial

“…http://dx.doi.org/10.5007/1807-1384.2016v13n3p61 In this article we will reflect on the approach of the acquired physical disability proposed by the soap opera Viver a Vida (written by Manoel Carlos, produced and broadcast by Rede Globo in 2009 and 2010) and by the blog Sonhos de Luciana (REDE GLOBO, 2010). …”
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Evaluating an Entertainment–Education Telenovela to Promote Workplace Safety by Diego E. Castaneda, Kurt C. Organista, Leslie Rodriguez, Pietra Check

“…An Entertainment–Education (EE) health communication strategy was used to create a worksite safety storyline weaved into the main plot of a nationally televised Telenovela (Spanish language soap opera). A secondary analysis of audience survey data in a pre/posttest cross-sectional equivalent group design was performed to evaluate the effectiveness of this EE media intervention to change knowledge, attitudes, and intention outcomes related to the prevention of fatal falls at construction worksites. …”
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La mémoire est-elle soluble dans le droit ? Des incertitudes nées de la décision n°2012-647 DC du Conseil constitutionnel français by Sévane Garibian

“…The proof of this is to be found in the volume of comments generated by the latest episode in a soap opera that has been dividing opinion for more than a decade: the striking down of the 2011 Boyer law, which sought to sanction the denial of the existence of genocides recognized as such by the law, in an eagerly awaited ruling pronounced on 28 February 2012 which, at the risk of disappointing some parties, blurred the terms of the debate. …”
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The Correlation of Television Show and Bullying Behavior in High School of Mahaputra in Makassar by Suryani Suryani, Andriani Andriani, Rosyidah Arafat

“…Conclusions: Level bullying dominant is low level with the  bullying  often  is  verbal  bullying,  and  program  often  that  watched  is  soap  opera. Therefore, they are expected to do more introduce of bullying to students.…”
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Grimm et Once upon a time, entre contes et séries télévisées by Isabelle Périer

“…L’autre reste plus fidèle à l’intertexte merveilleux mais elle l’agence de manière à créer un vaste monde transfictionnel et métadiscursif tourné vers le thème de la famille, dans un emprunt au soap opera. Ainsi, les réécritures contemporaines et télévisuelles du conte merveilleux visent-elles davantage à « faire monde » qu’à réellement rendre hommage à leur lointain ancêtre littéraire.…”
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Life Stories Reports as a Starting Point for Dramatized Radio and Non-Fiction 'Podcast' in Digital Ecosystem. Case Study: ‘Sin mi Identidad’ (Cadena Cope), ‘Lo Conocí en un Corpus’... by Laura Martínez-Otón, Cristina Rodríguez-Luque, Mario Alcudia-Borreguero

“…Formats that can share elements, characteristics, dynamics of work and consumption with other traditional radio formats, such as reports, docudramas or the radio soap opera. This article aims to analyze whether the strength of human reach storytelling is a common starting point in analogic reports and in fictional and non-fiction podcasts, both on audio platforms and on conventional radio. …”
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Monstrous melodrama: Expanding the scope of melodramatic identification to interpret negative fan responses to "Supernatural" by Lisa Schmidt

“…I argue that the theory of melodramatic identification can be employed not only to understand soap opera viewers but also viewers of many other kinds of television, particularly cult TV with its frequent reliance on serialized melodramatic narratives. …”
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To Think and Watch the Evil: The Turn of the Screw as Cultural Reference in Television from Dark Shadows to C.S.I. by Anna Viola Sborgi

“…In serial productions, James’s story has been the object of extensive quotation and allusion, from the 1960 gothic soap opera Dark Shadows to the C.S.I. episode Turn of the Screw (Season 4, Episode 21). …”
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SIFAT, KEPRIBADIAN, TUJUAN HIDUP MAHASISWA, DAN KAITANNYA DENGAN PERSEPSI TENTANG PERGAULAN LAWAN JENIS by Monika Yuliantin, Herien Puspitawati, Megawati Simanjuntak

“… Globalization that develops in line with development of science and technology such as film, soap opera, and music do not only give positive influence but also have brought negative influence for Indonesian people who still extremely hold norms especially religion norm. …”
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DROGADIÇÃO, SOFRIMENTO E TELENOVELA: DIMENSÕES DE ESTILO EM VALE TUDO E EM VERDADES SECRETAS by Mariana Almeida

“…ABSTRACT Using the melodrama as one of its main bases of narrative construction, the soap opera acts as a privileged space of social problematizations of the country (HAMBURGER, 2011) and of subjects in a situation of suffering (LAGE, 2017), based on moral values, the appeal realistic and visual and sound experience that act as allies in the process. …”
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