A Socially Constructed Individualist: An Interactionist Study of Role-Making among Orchestral Conductors by Dominika Byczkowska-Owczarek

“…The role-making process is based on permanent interactions and negotiations with social actors: the composer and the musical score, the orchestra, soloists, ballet, and the audience. Additionally, it is influenced by cultural factors, such as the conductor’s gender, age, nationality and international experience, competencies, as well as the type of professional contract. …”
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