Speech Intelligibility versus Congruency: User Preferences of the Acoustics of Virtual Reality Game Spaces by Constantin Popp, Damian T. Murphy

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The design of Datascapes: toward a design framework for sonification for anomaly detection in AI-supported networked environments by Sara Lenzi, Sara Lenzi, Sara Lenzi, Ginevra Terenghi, Damiano Meacci, Damiano Meacci, Aitor Moreno Fernandez-de-Leceta, Paolo Ciuccarelli

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Habitat and Experience by Holger Schulze

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Focalization, Subjectivity, and Magic(al) Realism in “Night in the Woods” by Aleksandra Mochocka, Radosław Piotr Walczak

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Within All This Can Happen: Artefact, Hypermediacy, and W. G. Sebald by Jürgen Simpson

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“DAU is a Process” by Eugénie Zvonkine, Anatoli Vlassov

Subjects: “…Marina Abramović; Teodor Currentzis; Aleksei German; Merab Mamardashvili; Ekaterina Oertel; Zoya Popova; Denis Shibanov; Paris; filming DAU; senses; the Berlin Wall; performance; DAU actors; sex scenes; immersion; space; sound design and dramaturgy; Babyn Yar…”
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Tales of the chugawagas. by Tan, Anne Lurong.

“…The following report is a detailed analysis of the process of making the 'Tales of the Chugawagas', from the viewpoint of a student who is predominantly working as a character animator and sound designer. In this report, there will be a breakdown of the work-in-progress, challenges faced and critical lessons learnt through the production of this project.…”
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Seeing thunder: sonic perspectives by Yip, Vanessa Yee Sing

“…This is a document written in the perspective of the sound designer of the documentary Seeing Thunder. It includes creative choices and technicalities involved in the entire process of pre-production to post-production for the film's eventual sound design. …”
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Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music by Frances Morgan

“…This paper examines the work of English composer and sound designer Delia Derbyshire (1937-2001) in the context of histories of EDM and historical accounts of women in electronic music. …”
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Exploring the application of practice-based research on affective cinema to the teaching of creative cinematographic techniques within UK higher education by Pavel Prokopic

“…Students were provided with two existing creative sound pieces composed by a professional sound designer within the context of an AHRC-funded practice research project entitled Affective Cinema. …”
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A suicide symphony by Deng, Kaile, Kang, Christopher De Long, Lu, Xinyi, Tan, Xue Yan

“…A Suicide Symphony is a product of the combined effort of QUiETUS Films, comprising Deng Kaile (Director, Co-Writer), Kang De Long, Christopher (Director of Photography, Sound Designer), Tan Xue Yan (Writer, Art Director, Editor) and Lu Xinyi (Producer, Casting Director, Location Manager).…”
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The sound of Better Together by Heng, Diana Basil Li Jiao

“…This film is important to me as a sound designer and as a group, as we believe in the story that we want to share and I think that it is also a relatable story that would resonate well with the viewers. …”
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Vanilla cream project book by Wu, Joanna, Ng, Renee, Kyaw, Shoon Le Yee, Wong, Ryan Jun Kit, Ong, Linnet Kar-Lin, Ang, Lydia Yuen Ting, Teo, Chuan Chee

“…This project book is a documentation of the process taken to create the narrative short film "Vanilla Cream", from the perspectives of the Writer/Director, Producer, 1st Assistant Director, Cinematographer, Production Designer, Sound Designer and Editor.…”
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Approaches to gender diversity behind the camera in Australian student screen productions by Craig Batty, Marsha Berry, Kath Dooley, Margaret McHugh, James Verdon

“…A gendered skew is most pronounced in the roles of cinematographer and sound designer (male dominated), and producer and production designer (female dominated). …”
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Designing Sounds Means Designing Relationships by Stefano Luca, Nicolas Misdariis, Alberto Calleo

“… In this article we propose the perspective of relationship as a conceptual approach to the discipline of sound design. Based on literature reviews and case studies, we state that making sound design means designing relationships, even before sounds, and we propose to include this expression in the current definitions of the sound design discipline. …”
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The urban soundscape in sci-fi cinema by Alejandro Contreras Koob, Albina Boyarkina

“…During this period, sound design was finally established and became a critical component of film sound design, especially in the sci-fi and horror genres. …”
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Design & development of an alchemy-related puzzle video game (D) by Leo, Wayne Boon Yin

“…The focus of this component is the sound design of a video game and how it can bring about an immersive experience. …”
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Perception, Representations, Image, Sound, Music : 14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019, Revised Selected Papers / by CMMR (Symposium) (14th : 2019 : Marseille, France), organiser 643215, Kronland-Martinet, Richard, editor 643219, Ystad, Sølvi, editor 643220, Aramaki, Mitsuko, editor 643221

“…The fifth section concerns auditory perception and cognition, while the three following sections are related to sound design and sonic and musical interactions. The last section contains contributions that relate to Jean-Claude Risset's research.…”

Auditory product design by Spence, C

“…One trend that is emerging in a number of areas where product sound design is popular, is the move away from the evaluation and subsequent re-engineering of prototypes with a particular sound to the increased use of simulation tools and techniques, and the greater use of synthesized product sounds in the product sound design cycle. …”

CHEKHOV'S PLAY THE “THREE SISTERS” AND THE PLAY'S SOUND PALETTE: PROBLEMS OF INTERPRETATION by Olga V. Bigildinskaya

“…Chekhov's drama “Three Sisters” is the richest of all Chekhov's plays in terms of sound design – despite a number of scientific works devoted to the sound score of the play, it still attracts the attention of researchers in this aspect. …”
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