Introduzione. La "compilation soundtrack" come ipotesi di lavoro sulla storia della musica nel cinema italiano by Maurizio Corbella

Subjects: “…compilation soundtrack…”
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Música en la guerra contra el terrorismo: el soundtrack de la tortura estadounidense by Jorge Loeza

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A bittersweet symphony: Systematically modulating the taste of food by changing the sonic properties of the soundtrack playing in the background by Crisinel, A, Cosser, S, King, S, Jones, R, Petrie, J, Spence, C

“…The participants in the present study evaluated four pieces of cinder toffee while listening to two auditory soundtracks, presented in a random order. One soundtrack was designed to be more crossmodally (or "synaesthetically") congruent with a bitter-tasting food whereas the other soundtrack was designed to be more congruent with a sweet-tasting food instead. …”

Audio postproduction for digital video / by 215553 Rose, Jay

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Audio postproduction for digital video [compact disc] / by 215553 Rose, Jay

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Affordance to Kill: Sound Agency and Auditory Experiences of a Norwegian Terrorist and American Soldiers in Iraq and Afghanistan by Victor A. Stoichita

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The music of 2001: A Space Odyssey and the sublime object of cinema by Pedro Groppo

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Artistic Symbiosis: Orson Welles’s Othello (1951) as Cinematic Opera by Fátima Chinita

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Angels, Guests and Sadists: On-Screen Poetry in the Cinema of Pier Paolo Pasolini by Thomas Allen

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The urban soundscape in sci-fi cinema by Alejandro Contreras Koob, Albina Boyarkina

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«Io sto bene, io sto male, io non so cosa fare». Generazione X, alternative rock e film di formazione anni Novanta by Maria Teresa Soldani

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Analisis Komposisi Soundtrack Epic “You See Big Girl” Karya Hiroyuki Sawano dalam Serial Animasi Attack on Titan by Metta Muliani

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Morag J. Grant and Férdia J. Stone-Davis (éds.), The Soundtrack of Conflict: The Role of Music in Radio Broadcasting in Wartime and in Conflict Situations by Huw Hallam

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Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo Sorrentino by Paola Valentini

Subjects: “…soundtrack compilation…”
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Music Keeps Us Together. Pop Songs in Korean Television Dramas by Veronika Keller

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La colonna sonora come mixtape: Rap italiano e cinema agli albori degli anni Duemila by Alessandro Bratus

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How Wagner Landed in a Far Away Galaxy: Examining Film from a Musical Perspective by Elise J. Camillone

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Canzoni d'attore. Musica, performance e (nuovi) media nel film "Lo chiamavano Jeeg Robot" (2015) by Alessandro Cecchi

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Usi espressivi della forma-canzone nelle "original soundtrack" del fenomeno Checco Zalone: performance, visioni, immaginario e crossmedialità.... by Luca Bertoloni

“…One of the constants of his cinema is the presence of the song-form, in particular of original songs (original soundtrack), used as a mean to transit from the theatre, radio and TV to the cinema: this paper constitutes a sociosemiotic, interdisciplinary and culturalist analysis of the different expressive modalities with which Zalone makes use of his songs, that become a configuration element of his own style, representing a specific cinematographic way and strengthening Zalone’s authorial role in his cinema in a complex and considerable way. …”
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The same old songs in Reagan-era teen film by Michael D. Dwyer

Subjects: “…film soundtracks…”
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