Assessing the influence of music on wine perception among wine professionals by Wang, Q, Spence, C

“…The first study assessed the impact of putatively "sweet" and "sour" soundtracks on taste evaluation, whereas the second study assessed more subtle wine-specific terminology such as length, balance, and body. …”

You Look at Me Looking at You Looking at Me by Brigitte Jurack

“…Do the fast-changing camera angles and soundtracks of natural history programmes hinder an empathic inter-species encounter? …”
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An Analytical Study of Assimilation in English Reading Texts by Mohammed Alasadi

“…The collected data are the soundtracks of 14 reading passages taken from “Intermediate-Select Readings” /Second Edition by Linda Lee & Erik Gundersen as a second year reading textbook at the College of Languages / University of Kufa. …”
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Leave any noise at the signal : participation art online by Frid-Jimenez, Amber

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Semiotic Of Sound Technique Impacting the Understanding In Horror Genre Short Film “hawa” (2016) by Teng, Wilynie Miau Le, M. Fazmi Hisham

“…In the context of multimedia content analysis and indexing, qualitative methodologies have already been applied to horror film soundtracks. It was decided to use a qualitative research strategy, and more precisely, a hybrid technique that combines thematic analysis with semiotics content analysis. …”
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Filmed Love Letters: The Dialogism and Intertextuality of Lost in Translation and Her by Travis R. MERCHANT-KNUDSEN

“…Jonze and Copolla’s public and private relationship with each other are reflected in their respective films; the writing, settings, soundtracks, and cinematography reveal a dialogic conversation between the two filmed letters that both ask questions and begin to produce their answers to understand the complicated nature of love and relationships. …”
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Learning visual models from paired audio-visual examples by Owens, Andrew (Andrew Hale)

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Tasty sounds: crossmodal associations between chemosensory and auditory stimuli by Crisinel, A

“…Finally, the third goal was to evaluate the influence the congruence of auditory stimuli might have on the perception of simultaneously-presented chemosensory stimuli. Background soundtracks were shown to influence ratings of a food item on the bitter-sweet continuum. …”

Holistic Marketing and Digital Technologies in the Fashion Industry by Bondarenko Olena S.

“…The fashionable Ukrainian brands labels incorporate soundtracks and, making use of augmented reality, turn into air raid sirens very alike to the alarms that howl in Ukrainian cities every now and then.…”
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Songlines Are for Singing: Un/Mapping the Lived Spaces of Travelling Memory by Les Roberts

“…The interviews were designed to explore the way peoples’ musical pasts—memories of listening to music in the domestic home, for example, or attendance at concerts and festivals, music as soundtracks to journeys, holidays or everyday commutes to work or school, music at key rite of passage moments—have coloured and given shape to the narratives that structure a sense of embodied selfhood and social identity over time. …”
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樂. Melody of love. by Chan, Eunice Wan Wai., Koh, Bee Kwee., Tan, Shi Hui., Wu, Charmaine Jiawei.

“…The use of music in Melody of Love serves not just as simple background music to create the film mood; various soundtracks were also specially composed to better express the main theme of heritage preservation through the use of traditional instruments in most melodies. …”
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The "New" sounds of the slap-of-the-stick : Termite Terrace (1937-1943) and the slapstick tradition by Lombana Bermudez, Andres Alberto

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解析电视剧《三生三世十里桃花》中的桃花意象 = Analysis of peach blossoms imagery in Chinese drama Eternal Love by 张欣恩 Teo, Sin En

“…The primary focus of this thesis will be set on Eternal Love, analysing from the perspectives of the characters, plots, backdrops, props and soundtracks of the drama. Through these different aspects, this thesis aims to research on the manifestations and love, refuge and women’s beauty related multi-faceted significances of peach blossoms acting as ‘overall’ imagery and ‘well-known’ imagery in the drama. …”
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La lingua del cinema italiano d'animazione by Daria Motta

“…A third group is constituted by Enzo d’Alò’s productions, in which auditory elements, both related to soundtracks and to spoken language, play a central role and in which language is very rich for its lexicon and for the mixture of varieties and styles.…”
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Le atmosfere di Lucia Romualdi by Matilde Amaturo

“…Her </span><em><span style="font-size: medium;">oeuvre</span></em><span style="text-decoration: line-through;"><span style="font-size: medium;">is</span></span><span style="font-size: medium;"> basically </span><span style="font-size: medium;">focuses</span><span style="font-size: medium;"> on the relationship between space, music and light, and so she creates performances </span><span style="font-size: medium;">made of</span><span style="font-size: medium;"> optical equipments which turn on and off according to musical rhythms, </span><span style="font-size: medium;">that are</span><span style="font-size: medium;"> taken not only from original sound scores, but also from old movies soundtracks and </span><span style="font-size: medium;">that</span><span style="font-size: medium;">are mostly</span><span style="font-size: medium;"> structured on the reading of mathematical rules of solids and voids which do inspire her extremely unusual selected locations. …”
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Plateau by Png, Hui Min

“…Y — a music score done by Hans Zimmer for the movie Interstellar, is one of the soundtracks that inspires me and still leaves me goose bumps even till now. …”
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